A few weeks ago I wrote a Monday Musings about the Walkley Awards, noting some of the winners that particularly interested me. They included two awards for essays in the Griffith Review, one by Melissa Lucashenko, whose essay "Sinking below sight" I subsequently reviewed, and the other by Kathy Marks whose essay, "Channelling Mannalargenna" is … Continue reading Kathy Marks, Channelling Mannalargenna (Review)
Women writers
Catherine McNamara, Pelt and other stories (Review)
It seems fitting that my first review of the year be for a book of short stories by one of this blog's regular commenters, Catherine McNamara. I have reviewed McNamara before, her first published novel, The divorced lady's companion to living in Italy. McNamara describes that book as commercial fiction. It is, to describe it … Continue reading Catherine McNamara, Pelt and other stories (Review)
Linda Jaivin, Found in translation: In praise of a plural world (Review)
Reading synchronicity strikes again! In the last couple of months, the issue of language, translation and culture has been crossing my path - in Diego Marani's The last of the Vostyachs, in Gabrielle Gouch's Once, only the swallows were free, and on Lisa's blog post about the AALITRA Symposium on Translation. I was consequently more than … Continue reading Linda Jaivin, Found in translation: In praise of a plural world (Review)
Gabrielle Gouch, Once, only the swallows were free (Review)
Do you differentiate memoir from autobiography? I do. For me, a memoir, such as Gabrielle Gouch's Once, only the swallows were free, deals with a specific aspect of a person's life, such as a sportsman writing about his career when he retires from it or a person writing about her growing up, like, say, Alice … Continue reading Gabrielle Gouch, Once, only the swallows were free (Review)
Melissa Lucashenko, Sinking below sight (Review)
In this week's Monday Musings about the Walkley Awards, I noted that Melissa Lucashenko had won the award for Long Feature Writing for her essay "Sinking below sight: Down and out in Brisbane and Logan" in the Griffith Review. I've now read the essay, and thought I'd share it with you. I've reviewed Lucashenko before, … Continue reading Melissa Lucashenko, Sinking below sight (Review)
Diego Marani, The last of the Vostyachs (Review)
Italian writer Diego Marani's The last of the Vostyachs was originally published in 2002, but the English translation was not published until 10 years later in 2012. How lucky we are that it was, because this book is unlikely to have been written by an English-language writer. Its focus on the relationship between language, culture and … Continue reading Diego Marani, The last of the Vostyachs (Review)
Lesley Lebkowicz, The Petrov poems (Review)
Canberra poet Lesley Lebkowicz has made a couple of brief appearances in my blog: first in my post on The invisible thread anthology, and then when she won this year's ACT Poetry Award. I was consequently more than happy to accept for review her latest book, The Petrov poems. It's intriguing that nearly 60 years … Continue reading Lesley Lebkowicz, The Petrov poems (Review)
Bianca Nogrady, The end: The human experience of death (Review)
Have you thought about your death? About how and where you want to die? These are the questions Australian science journalist Bianca Nogrady asks us to consider in her recent book, The end: the human experience of death. I'm not a morbid person, but when Nogrady contacted me to ask whether I'd consider reviewing her … Continue reading Bianca Nogrady, The end: The human experience of death (Review)
Thoughts on Christina Stead’s writing in For love alone
I can't resist writing another post on Christina Stead's For love alone, which I reviewed recently. Usually in my reviews I make some comments about the writing, but that review was getting so long that I decided to leave that discussion for another day. I'm embarrassed to admit that For love alone is my first … Continue reading Thoughts on Christina Stead’s writing in For love alone
Christina Stead, For love alone (Review)
In a recent communication with local author Nigel Featherstone about reviewing, he reminded me of Peter Rose's advice for new reviewers for the ABR. One of the points Rose makes is: with major books, ones that have been reviewed extensively in the newspapers, submit reviews that add to our understanding of the book, not just repetitious … Continue reading Christina Stead, For love alone (Review)