My literary week (5), or, those reading coincidences

Last time I wrote a My Literary Week post it was because I'd scarcely read that week, but hadΒ some literary moments to share. This time it's because I've been reading things which have generated some thoughts that I want to document, but not in long dedicated posts. (I'm feeling lazy).Β Most have been inspired byΒ those reading … Continue reading My literary week (5), or, those reading coincidences

Anthony Doerr, All the light we cannot see (Review)

Just when you thought that there couldn't possibly be another angle to writing aboutΒ World War 2, up comes another book that doesΒ just that, like, for example, Anthony Doerr's Pulitzer prize-winningΒ All the light we cannot see. I had, of course, heard of it, but it wasn't high on my reading agenda until it was chosen as … Continue reading Anthony Doerr, All the light we cannot see (Review)

Eleanor Limprecht, Long Bay (Review)

One of the things that interests me about historical fiction, ofΒ whichΒ Eleanor Limprecht's Long BayΒ is an example, is why the author in question chooses to write his/herΒ story as fiction rather than non-fiction. As I've written before, this is an issue with which Kate GrenvilleΒ grappled when she wrote The secret river. That book was initially going to … Continue reading Eleanor Limprecht, Long Bay (Review)

Monday musings on Australian literature: The Conversation’s Writing History

This is the post I planned forΒ last week, when Jessica White hijacked me. Like that post, this one tooΒ was inspired by another person, this timeΒ my historian brother who sent me a link to anΒ article in a new series byΒ The Conversation called Writing History. This series aimsΒ to "examine the links, problems and dynamics of writing, recording … Continue reading Monday musings on Australian literature: The Conversation’s Writing History