Diana Blackwood, Chaconne (#BookReview)

Does a book set in the early 1980s qualify as historical fiction? Does a book about a twenty-something woman's romantic adventures, and search for direction, qualify as coming-of-age? The answer is probably yes to both. Certainly, it is within these parameters that it's appropriate to discuss Diana Blackwood's debut novel Chaconne. Chaconne, as you can … Continue reading Diana Blackwood, Chaconne (#BookReview)

Canberra Writers Festival 2017, Day 2, Pt 1: A conversation with Tony Jones

Choices, choices. Such a surfeit of riches across such dispersed venues made today a difficult one. In the end I had to make the tough decision to not see Jane Rawson, whose session was across the lake, though it broke my heart. My decision was made harder by the fact that as I was drafting … Continue reading Canberra Writers Festival 2017, Day 2, Pt 1: A conversation with Tony Jones

Canberra Writers Festival 2017, Day 1: A panel and a conversation

It's on again - the newly revamped Canberra Writers Festival, I mean. Due to a family commitment in Melbourne, from which I only returned at midday today, I didn't get to some of the first day's prime events. I missed, for example, a conversation with Graeme Simsion. I also missed a wonderful sounding panel titled … Continue reading Canberra Writers Festival 2017, Day 1: A panel and a conversation

Festival Muse: Question time – Robyn Cadwallader with Irma Gold

Cadwallader (L) and Gold in the Muse bookshop Introducing the first event of their Sunday afternoon program, Dan, co-owner of Muse, commented on a peculiarity of Canberra: when they offer sessions on politics or history, they are packed out, but when the focus is fiction, the events are more intimate. Fine by me! I love small, … Continue reading Festival Muse: Question time – Robyn Cadwallader with Irma Gold

Pierre Lemaitre, The great swindle (Review)

As I was reading Pierre Lemaitre's literary page-turner, The great swindle, I started to wonder about the endings of books, what I look for, what I most appreciate. What I don't look for is neat, happy conclusions. There are exceptions to this of course. Jane Austen, for example, but she was writing at a different time when … Continue reading Pierre Lemaitre, The great swindle (Review)