Monday musings on Australian literature: “You don’t walk away until the work is done”

This is a different type of Monday Musings, but its relevance will become apparent, I promise you! It's inspired by Julia Baird's Phosphorescence which I read a couple of weeks ago. In my review, I mentioned that one of the book's four main sections is devoted to failure and imperfection, but I didn't share much … Continue reading Monday musings on Australian literature: “You don’t walk away until the work is done”

Delicious descriptions: Gay Lynch on place, in colonial South Australia

In my recent post on Gay Lynch's historical fiction novel, Unsettled, I spent so much time writing about it, that I didn't share any quotes as I usually do, so I'm using a Delicious Descriptions post to share just a couple of descriptions of the setting, which is around Gambierton/Mt Gambier in South Australia. In … Continue reading Delicious descriptions: Gay Lynch on place, in colonial South Australia

Archie Roach, Tell me why: The story of my life and my music (#BookReview)

Good things come to those who wait! At least, I hope so, because Lisa has had to wait a long time for a review from me for this year's Indigenous Literature Week. Finally, though, I finished the main book I chose for this year's challenge, Archie Roach's memoir, Tell me why: The story of my life … Continue reading Archie Roach, Tell me why: The story of my life and my music (#BookReview)

Monday musings on Australian literature: Indigenous Australian writers and the Miles Franklin Award

This is not going to be a treatise on the Miles Franklin Award and diversity. We all know literary awards have not been as diverse as they could have been (and that they still have a way to go). We know, too, that this is not only due to judging, but also reflects the fact … Continue reading Monday musings on Australian literature: Indigenous Australian writers and the Miles Franklin Award

Monday musings on Australian literature: Indigenous Australian literature, 1970s

Although Lisa's (ANZLitLovers) annual Indigenous Literature Week is officially over for 2020, I thought I'd bookend it with a second Monday Musings, this one on how Indigenous Australian literature looked around 50 years ago. Who was writing then, and what were they writing? My main sources were Trove, of course, and the Macquarie Pen anthology of Aboriginal … Continue reading Monday musings on Australian literature: Indigenous Australian literature, 1970s

Monday musings on Australian literature: Indigenous Australian biographies

Yesterday was the start of Lisa's (ANZLitLovers) 2020 Indigenous Literature Week, and, as I have done for a few years now, I've decided to devote my Monday Musings to an Indigenous Australian literature topic. This year's topic is Indigenous Australian biography. I have previously written Monday Musings on Indigenous Australian autobiographies and memoirs. These have flourished in … Continue reading Monday musings on Australian literature: Indigenous Australian biographies

Tara June Winch, The yield (#BookReview)

Tara June Winch's novel, The yield, follows her impressive - and David Unaipon award-winning - debut novel Swallow the air (my review). Ten years in the making, The yield could be described as her "passion project". It makes a powerful plea for Indigenous agency and culture. I wrote about The yield's genesis last year, but will repeat it … Continue reading Tara June Winch, The yield (#BookReview)

Monday musings on Australian literature: Recovering Australia’s Indigenous languages

In my recent Delicious Descriptions post on Madelaine Dickie's Red can origami, I referred to last year's UN International Year of Indigenous Languages. It occurred to me that while I've referred to Indigenous Australian languages several times in this blog, I've never specifically posted about them. Now seemed a good time, particularly given interest the year generated. … Continue reading Monday musings on Australian literature: Recovering Australia’s Indigenous languages

Delicious descriptions: Madelaine Dickie on Indigenous language and Uranium

My recent post on Madelaine Dickie's Red can origami was getting too long - and I just couldn't cover in detail all that I wanted to, so I've decided to do one of my rare Delicious Descriptions posts to expand some ideas from the book. Concluding my post, I commented that the novel is an … Continue reading Delicious descriptions: Madelaine Dickie on Indigenous language and Uranium

Madelaine Dickie, Red can origami (#BookReview)

Some writers, I understand, suffer from a thing called "second novel syndrome", which describes the fear of writing a second novel after a successful first one. Well, it's clear that Madelaine Dickie, who won the TAG Hungerford with her first novel Troppo (my review), hasn't suffered from this particular disorder, because her second novel, Red … Continue reading Madelaine Dickie, Red can origami (#BookReview)