In February, a new AWW (Australian Women Writers blog) team, comprising its founder, Elizabeth Lhuede, Bill Holloway (The Australian Legend) and me, published our first post in our revamped blog. Six months on we have settled into a nice little routine which I’d like to share with you, but first …
Let me recap what I explained in my last AWW Challenge post for 2021. This challenge was, as many of you know, instigated in 2012 in response to concerns in Australian literary circles about the lack of recognition for women writers. By 2021, things had changed significantly with women writers seeming to be well-established on Australia’s literary scene, at least by observable measures. Because of this and some additional practical reasons, it was agreed that the challenge would change tack in 2022 and focus on past, and often under-recognised or overlooked, women writers from the 19th- and 20th-centuries. The new team decided that we would write articles about and reviews of earlier writers, and publish their actual writings – in full or excerpt form, as appropriate. Our reasoning was that Australia’s rich heritage of Australian women’s writing hasn’t been fully explored and we wanted to nudge it into the limelight.
So, what have we done? We have established the following routine:
- on Wednesdays we publish essays or articles on relevant writers, works, or topics; and
- on Fridays we publish actual writings, related, where possible, to that Wednesday’s post.
Bill is our commissioning editor, which means he sets up our posting timetable and approaches others (mostly bloggers we know) to contribute to our Wednesday articles, while Elizabeth schedules the Friday posts, drawing from the work she’s done, and is still doing, on locating and listing online content for past women writers. I have the easy job, being part of the ongoing consultations and keeping an eye on some of the background issues like our category and label policy and practice. Each of us also writes one Wednesday article a month, with the other week/s (given there are three of us) being a guest post.
We have not imposed a structure over the content of the posts. That is, we have not decided to explore past Australian women writers chronologically or geographically or thematically. Instead, we have drawn on contributors’ interests and experiences. This has resulted in an eclectic mix of posts, but, we believe, an interesting one, that should appeal to a variety of tastes and interests.
So, for example, Jonathan Shaw (Me fail? I fly!), who contributed many poetry reviews to the original blog, agreed to write articles on past women poets. His first was on Zora Cross. Brona (Brona’s Books) posted on Mary Gaunt, while author and blogger Michelle Scott Tucker posted on the children’s writer Patricia Wrightson and the issue of appropriation. We have also been thrilled to have contributions from overseas bloggers interested in classic Australian literature, like French blogger Emma (Book Around the Corner) on Catherine Helen Spence’s Mr Hogarth’s will, and Canadian Marcie McCauley (Buried in Print) on Katherine Susannah Prichard’s Goldfield’s trilogy.
Meanwhile, Elizabeth has focused specifically on our goal of finding forgotten and overlooked writers. Putting her research skills to work, she has unearthed writers we really never have heard of – and, along the way, has discovered some fascinating stories. Netta Walker, for example, took her on a merry chase, as did another wonderful find of hers, the case of Eucalypta (or, Mrs H.E. Russell). As for Bill, in between tracking down guest posters, he has been contributing posts on works by some of his favourite independent women, like Miles Franklin and Ada Cambridge.
So, six months in, we seem to be going strong, though there’s not a lot of comment engagement on the blog. More of that would be lovely.
We’d love to know whether you’ve looked at the blog. If you have, what have you liked or not liked, and is there anything you would particularly like to see? (We are open to offers too!)