Regulars know that my annual Reading Highlights post is my version of a Top Reads post. It’s my way of sharing highlights from my reading year without actually ranking books or nominating a “best” which I just can’t do.
I don’t, as I say each year, set reading goals, but my “rules of thumb” include trying to reduce the TBR pile, increasing my reading of Indigenous authors, and reading some non-anglo literature. This year was another difficult one – of which COVID-19 was only a part. Consequently, once again, I didn’t make great inroads into these … but there were highlights.
My literary highlights, aka literary events, were, for the same obvious reasons as last year, mostly online – except that I seemed to attend fewer than last year. I don’t think it was that I was Zoomed-out so much as that times just didn’t seem to suit. However, those I attended were excellent:
- Sydney Writers Festival: Live and Local: Many online festivals – some solely online, and some hybrid – were offered over the year, but I only attended a couple of sessions from the now well-established Sydney Writers Festival streamed series: one featuring Sarah Krasnostein in conversation with Maria Tumarkin, and the other Richard Flanagan with Laura Tingle.
- F*ck Covid: An online literary affair: This event, organised by the ACT Writers Centre, was a mini-festival. It comprised two sessions, both convened by Nigel Featherstone: one featured established authors (Irma Gold and Mark Brandi) and the other, emerging authors (Shu-Ling Chua and Sneha Lees). It was a most enjoyable and enlightening afternoon.
- Stella: The Stella Prize is coming up for its 10th year – can you believe it – so they put on a little online celebratory event, Stella … 10 Years. It featured three previous winning or short-listed authors – Carrie Tiffany, Emily Bitto and Claire G. Coleman. It was brief, but I liked that the questions were a little different to the usual ones you get at a book launch.
- Author interviews/book launches: With COVID-19 abounding, there weren’t many in-person book launches, but we did get to a couple: Irma Gold’s debut novel The breaking, and Omar Musa’s gorgeous book, Killernova.
What follows here are highlights based on what I love about – or in my – reading.
So, I love …
- reading First Nations Australian authors: Each year I try to ensure my reading diet includes First Nations authors, and this year I read quite a variety: Jasmine Seymour and Leanne Mulgo Watson’s Cooee mittigar (picture book), Carl Merrison and Hakea Hustler’s Black cockatoo (children’s/YA novel), Nardi Simpson’s Song of the crocodile (novel), Adam Thompson’s Born into this (short story collection), Alf Taylor’s God, the devil and me and Cindy Solonec’s Debesa (memoirs).
- it when my reading connects in some way: This year, for example, Sarah Krasnostein’s The believer and Alison Croggon’s Monsters, both referenced the idea of living with uncertainty in a way that made me stop and think, but more interesting was the link between Krasnostein’s nonfiction book on believers and Helen Meany’s novelistic exploration of belief, truth and authenticity in Every day is Gertie Day.
- reading essays: I read many this year, including three by George Orwell, as well as essay collections, like The best Australian science writing 2020, which is always a stimulating read.
- Australian novels that address contemporary life and issues: Favourites this year include Irma Gold’s The breaking, Malcolm Knox’s satirical Bluebird, Helen Meany’s above named novel. Interestingly, there were not so many climate change dystopias in my reading this year.
- reading short stories: I read some engaging collections this year, including one from Mumbai authorJayant Kaikini (No presents please) and some debut Australian collections, Marian Matta’s Life, bound, Margaret Hickey’s Rural dreams and First Nation’s Adam Thompson’s collection.
- coming across writing that stray from the mould: I didn’t have any talking foetuses, skeletons or fossils, this year, but I did read a second-person book, Tsitisi Dangarembga’s This mournable body, which movingly captured its protagonist’s uncertainty. I also read Bernadine Evaristo’s syntactically different Girl, woman, other which looked off-putting with its almost completely absent punctuation but which, in fact, flowed beautifully. Loved it.
- reading writers on other writers: I read some excellent commentary by writers on other writers this year: two books from the Writers on Writers series (Jensen’s warm but informative tribute to Kate Jennings and Stan Grant’s honest discussion of Thomas Keneally), and three essays from Belinda Castles’ Reading like an Australian writer.
- reducing the “dreaded” TBR (which I define as books waiting for more than 12 months): I started off the year with a bang, reading four worth-waiting-for books in the first four months – Angela Savage’s Mother of Pearl, Elizabeth Harrower’s The long prospect, Garry Disher’s Bitter Wash Road, and Trevor Shearston’s Hare’s fur – but I then fell in a heap. The result is that my TBR grew significantly over the year. Wah!
- rereading loved books: I rarely find the opportunity to reread, but this year, I actually managed a few. There were classics by Jane Austen and Anthony Trollope, but the one I want to highlight is Sara Dowse’s West Block. I’d been wanting to re-read it for some time, and was not disappointed as I loved reacquainting myself with its original approach and still-relevant content.
And then there were the little misses!
- The one that got away: I was astonished to discover, when writing my Reading Group favourites post, that I had missed reviewing our first book of the year, Anthony Trollope’s Barchester Towers. I realised why – the meeting was a week after my Dad died – but I can’t believe that I wasn’t even aware that I hadn’t reviewed it. Such is the discombobulation wrought by grief.
- The one I started but have not (yet) finished: I started reading Jess Hill’s 2020 Stella winner, See what you made me do, on my Kindle, very early in the year. It’s a good read, but I only read it when I’m out and about about, and there’s been less out-and-abouting this year, meaning that at the end of the year, it remains unfinished.
These are just some of 2021’s highlights. I wish I could name them all.
Some stats …
As for actual stats, I don’t read to achieve specific stats, but I do have some reading preferences and like to keep an eye on what I’m doing to keep me honest to myself! So, how did I go?
I like …
- to read fiction most: 62% of my reading was fiction (short stories and novels) which is less than recent years, albeit only just less than last year’s 63%. Around 75% is my rule of thumb, plucked out of thin air I admit, but, the fact is, there’s some great non-fiction around so, well, I read a bit more of it this year!
- to give precedence to women: 65% of the works I read this year were by women which is better than last year’s aberrant 80%, and more like what I think is a fair thing! This includes collaborations with male writers and editors.
- to read non-Australian as well as Australian writers: 27% of this year’s reading was NOT by Australian writers, which is close enough to my goal of around one-third non-Australian, two-thirds Australian.
- to read older books: 25% of the works I read were published before 2000, which is more than last year, and closer to the longer-term average of around 30%. I will try to lift this a bit more.
- to support new releases: 25% of this year’s reads were published in 2021, which is similar to last year. I think this is fair!
Overall, it was a great reading year in terms of quality reads, but not so great in terms of quantity. As in 2020, my personal circumstances, in addition to the disruptions caused by COVID-19, meant I did less self-directed reading than I would have liked and that was a bit frustrating. Here’s hoping for a better 2022, for all of us.
Meanwhile, a huge thanks to all of you who read my posts, engage in discussion, recommend more books and, generally, be both thoughtful and fun people. Our little community is special, to me!
I wish you all an excellent 2022, and thank you once again for hanging in this year.
What were your 2021 reading or literary highlights?