When I returned to seriously reading Australian writers back in the 1980s, there were four women writers who caught my attention, and I have loved them ever since. They were Elizabeth Jolley (1923-2007), Thea Astley (1925-2004), Olga Masters (1919-1986) and Helen Garner (b. 1942). Garner, the youngest by a couple of decades, is the only … Continue reading Helen Garner, Cosmo cosmolino
Australian writers
Eva Hornung, Dog boy
I first read Eva Hornung when she was writing as Eva Sallis. It was her second novel The city of sealions, which is a pretty passionate and evocatively written exploration of cultural alienation and dislocation brought about primarily by migration. In some ways Dog boy explores similar concerns, but its alienation is played out in a … Continue reading Eva Hornung, Dog boy
Herz Bergner, Between sky and sea
Book cover (Courtesy: Text Publishing) Do you read introductions to novels? And, if you do, do you read them before or after you read the novel itself? I read them, but always afterwards because I like to come to novels as objectively as I can. And so, this is what I did with Herz Bergner's … Continue reading Herz Bergner, Between sky and sea
Andrea Goldsmith, Reunion
Reunion bookcover (Courtesy: HarperCollins Australia) I wanted to love Andrea Goldsmith's Reunion. And I expected to, as I remember enjoying the last book of hers that I read. But, somehow, I found it a bit of chore to read, though it did pick up towards the end. I think I understand why it was not listed … Continue reading Andrea Goldsmith, Reunion
Shaun Tan, Eric
When I bought Eric on a whim the other day (as you do!), I didn't realise that it had been excerpted from Shaun Tan's Tales from outer suburbia which I haven't yet read, but have given to others. That's okay though, because it means that I've finally read a little of Shaun Tan, something I've wanted to … Continue reading Shaun Tan, Eric
Alex Miller, Lovesong
Lovesong is my first Alex Miller novel, which is a bit embarrassing, really, given that he has won the Miles Franklin Award twice. John was the quiet type ... Except when he was telling me his story. Even then there was something quiet and private in the way he spoke about himself and Sabiha; as … Continue reading Alex Miller, Lovesong
Thea Astley, The multiple effects of rain shadow (Review)
There are two main reasons why I like - actually love - to read Thea Astley. One is her language, her wonderful way with words that may, at times, be over-the-top but that is never clichéd. The other is her passion for the underdog, and thus for social justice in a world where it is … Continue reading Thea Astley, The multiple effects of rain shadow (Review)
David Malouf, Ransom
Words are powerful. They too can be the agents of what is new, of what is conceivable and can be thought and let loose on the world. (p. 61) Is risk-taking only the province of the young? Do desperate times call for desperate measures? Or, more to the point, can the impossible be made possible? … Continue reading David Malouf, Ransom
Helen Garner, The children’s Bach
I've said a few times now that I rarely reread books, and then go on to write about something I've re-read. I must look like a liar, but the fact is that if I've liked a book so much that I've reread it it's likely to find its way here. The funny thing is, though, … Continue reading Helen Garner, The children’s Bach
Dorothy Porter, The bee hut
The most powerful presence is absence (from "Egypt") The above lines open Australian poet Dorothy Porter's The bee hut, a collection of poems mostly writen in the last five years of her life. The lines are prophetic ... and they appropriately open a collection which deals very much, though not exclusively, with the tension between life … Continue reading Dorothy Porter, The bee hut
