If you have read Carmel Bird's memoir Telltale (my review), you will know about her love of story, particularly of history, and fairy story, and legends. You will also know about her love of objects, of beautiful objects or strange ones, and of the meanings embodied within them. And, if you have read anything by … Continue reading Carmel Bird, Crimson velvet heart (#BookReview)
Carmel Bird
Carmel Bird and Jace Rogers, Arabella (#BookReview)
If you have read Carmel Bird, and particularly if you have read her bibliomemoir Telltale (my review), you will know that she has a whimsical turn of mind. You will also know that she can turn her hand to most forms of writing, including children's picture books. Her latest outing, Arabella, proves the point. Arabella … Continue reading Carmel Bird and Jace Rogers, Arabella (#BookReview)
Carmel Bird, Love letter to Lola (#BookReview)
In her prose piece, "Ocean of story" (my post), Christina Stead wrote that It is only when the short story is written to a rigid plan, or done as an imitation, that it dies. It dies when it is pinned down, but not elsewhere. It is the million drops of water that are the looking-glasses … Continue reading Carmel Bird, Love letter to Lola (#BookReview)
Telltale, Carmel Bird and me
In my recent post on Carmel Bird's bibliomemoir, Telltale, I hinted that there could be another post in this book. There could, indeed, be many, but I must move on, and I must not spoil the book for others. However, given many blog-readers enjoy personal posts, I've decided to share a few of my particular … Continue reading Telltale, Carmel Bird and me
Carmel Bird, Telltale: Reading writing remembering (#BookReview)
Finally, I have found something to thank COVID for - Carmel Bird's Telltale. Best described as a bibliomemoir, Telltale may never have been written if Bird had not been locked down with her extensive library. What is a lively mind to do in such a situation? I can think of a few options, but what … Continue reading Carmel Bird, Telltale: Reading writing remembering (#BookReview)
Carmel Bird, Field of poppies (#BookReview)
There are some writers whose personalities shine through so strongly that I have taken to characterising them in just a word or two. Jane Austen, for example, I think of as wickedly witty, and Helen Garner as heartbreakingly honest. Carmel Bird is another of these. I describe her as seriously cheeky, by which I don't … Continue reading Carmel Bird, Field of poppies (#BookReview)
Carmel Bird, The dead aviatrix: Eight short stories (#BookReview)
Carmel Bird, whose latest short story collection, The dead aviatrix: Eight short stories, I'm reviewing here, has to be the consummate writer. She can turn her hand to fiction and nonfiction, to short and long form writing, to formal and more informal voices, and to both serious and witty or satiric tones. She's also an … Continue reading Carmel Bird, The dead aviatrix: Eight short stories (#BookReview)
Carmel Bird (ed), The stolen children: Their stories (#BookReview)
Commenting on my post on Telling indigenous Australian stories, Australian author Carmel Bird mentioned her 1998 book The stolen children, describing it as her contribution "to the spreading of indigenous stories through the wider Australian culture". It contains stories told to, and contained in the report of, the National Enquiry into the Separation of Aboriginal and … Continue reading Carmel Bird (ed), The stolen children: Their stories (#BookReview)
Carmel Bird, Family skeleton (Review)
I love a cheeky writer, and Carmel Bird must be the doyenne of cheeky writers, so it goes without saying, really, that I thoroughly enjoyed her latest novel Family Skeleton. The cheekiness starts with the epigraph, which, as she is wont to do, is a quote from her fictional character Carillo Mean. As Bird has … Continue reading Carmel Bird, Family skeleton (Review)
Monday musings on Australian literature: Patrick White (Literary) Award
I was thrilled to hear on the radio this morning that Carmel Bird had won this year's Patrick White (Literary) Award. Bird is such a worthy winner for this award, but more on that anon. The Patrick White Award* is named, obviously, for one of Australia's most significant writers and only, to date, Nobel Laureate in Literature. … Continue reading Monday musings on Australian literature: Patrick White (Literary) Award
Whispering Gums 