Nonfiction November 2023: Worldview Shapers AND New to my TBR

Once again, I am combining my Nonfiction November weeks because this month has been very busy personally as well as blog-wise.(I did Week 1, on its own, and then combined Weeks 2 and 3).

Nonfiction November is hosted by several bloggers, each one managing one of the weeks. This year, Week 4 – Worldview Shapers is hosted by Rebekah at She seeks nonfiction, and Week 5 – New to my TBR, by Lisa at Hopewell’s Library of Life.

Worldview Shapers

This week the questions relate to the fact that

One of the greatest things about reading nonfiction is learning all kinds of things about our world which you never would have known without it. There’s the intriguing, the beautiful, the appalling, and the profound. What nonfiction book or books have impacted the way you see the world in a powerful way? Is there one book that made you rethink everything? Do you think there is a book that should be required reading for everyone?

“Everyone” is a big call but I’m going to say it anyhow. I believe that, in the interests of truth-telling (or, is it, truth-receiving) that everyone in Australia should read more First Nations authors, fiction and non-fiction. I have read a few that I’d recommend, starting with this year’s standout read, Debra Danks’ We come with this place (my review), which I have already written about a couple of times this Nonfiction November. As I wrote in my last post, through it, I learnt new things about First Nations history and culture; I better understand this history and culture, particularly in terms of connection to Country; and, as a result, I can better explain and defend my support for First Nations’ people’s fight for fairness.

So, I thought I would add two more books on the topic that I have read in recent years, books that are readable, confronting but also generous in outlook, like Stan Grant’s Talking to my country (my review) and Anita Heiss’s Growing up Aboriginal in Australia (my review). I have read other First Nations nonfiction, but these two provide excellent introductions to the experience of living as a First Nations person in Australia.

Although written by an old-ish white man, my brother Ian Terry, I’d like to add to this list his book published this year, Uninnocent landscapes (my post, review to come), which is part of his truth-telling journey on the impact of colonialism on the Australian landscape, and thus, by extension, on First Nations Australians.

New to my TBR

Our instruction is obvious, to identify any nonfiction books that have made it onto our TBRs through the month (and noting the blogger who posted on that book).

I’m sorry, but I tried very hard not to be tempted as I have a pile of nonfiction books already on my TBR and I’ve read so very few of them this year. I was intrigued though by Patrick Bringley’s All the beauty in the world: A museum guard’s adventures in life, loss and art posted by Frances (Volatile Rune). I love going to museums and galleries, and often wonder about those people who stand guard in the various rooms. Do they like their job? Are they interested in the collections they are guarding? How do they cope with being on their feet for so long? Bringley apparently answers these questions, and many more, including some I hadn’t thought of.

I am also hoping to read in the next few months two recent Aussie nonfiction books, Anna Funder’s Wifedom (which Brona has reviewed), and Richard Flanagan’s just published Question 7. I think that’s more than enough to keep me out of mischief.

A big thanks to the bloggers who ran Nonfiction November this year. I wasn’t as assiduous as I could have been, but I did appreciate reading the bloggers I did get to, and I enjoyed taking part on my own blog in the little way I did.

Any Worldshapers for you? Or, new nonfiction must-reads?

Nonfiction November 2023: Choosing nonfiction AND Book pairings

My participation in Nonfiction November has been sporadic, but this year I have done Week 1, and am now combining Weeks 2 and 3, partly because there’s an element of repetition in my Week 2 responses.

Nonfiction November is hosted by several bloggers. This year, Week 2 – Choosing Nonfiction is hosted by Frances at Volatile Rune, and, my favourite, Week 3 – Book Pairings, by Liz at Adventures in Reading, Running and Working from Home.

According to the plan, Week 2 finished last Friday (10 November), and Week 3 commences tomorrow (Monday 13 November), so I am dragging the chain for the first and jumping the gun for the second, by posting today, Sunday 12 November.

Choosing Nonfiction

This week the questions relate to what sort of nonfiction we like to read. My answers will mostly be known to regular readers here, but there are some new twists on the questions.

What are you looking for when you pick up a nonfiction book?

Depending on the book and the topic, I am looking to learn something new, to increase my understanding of something I already know, and/or to have my perspective challenged (which might result in my changing that perspective, or, being able to better defend it.) The two books I named in my Week 1 post – Debra Danks’ We come with this place (my review) and JD Vance’s Hillbilly elegy (my review) – satisfied at least one of these criteria.

Dank’s book, in fact, satisfied all three – I learnt new things about First Nations history and culture; I better understand it, particularly in terms of connection to Country; and, as a result, I can better explain and defend my support for First Nations’ people’s fight for fairness.

Do you have a particular topic you’re attracted to?

I haven’t changed from what I’ve said before, which is that my overriding interests are literary biographies/memoirs, nature writing, and works about social justice/social history (which includes First Nations history and decolonisation, climate change and feminism.)

This year, as you already know, I’ve read very little nonfiction, but those I’ve read have been memoirs in the social justice/social history area.

Do you have a particular writing style that works best?

For want of a better word, I enjoy what is broadly called creative or narrative nonfiction. Because I love fiction, I like the writing to be engaging and evocative, which tends to mean writing that draws on some of the techniques of fiction to tell a nonfiction story. This does not mean playing with the facts, but making the facts, shall we say, accessible. Where a case is being argued, I want it to be clear and logical, not characterised by academese or jargon that is understood only by those in the know.

While this question doesn’t specifically ask it, I also like, where it’s appropriate, to know what sources have been used (either through an author’s note or footnotes/endnotes), and I LOVE an index. I know indexing is expensive, but, unless you are reading an eBook with search functionality, the value of a nonfiction book can be seriously diminished by the absence of an index.

When you look at a nonfiction book, does the title or cover influence you? If so, share a title or cover which you find striking.

I wouldn’t say I am influenced by titles and covers, because with nonfiction – for me, anyhow – content or subject matter is queen. However, this is not to say that a good titles and beautiful covers don’t enhance the experience, because they do.

Debra Dank’s We come with this place is a powerful title. It categorically announces that First Nations people were always here, that is, they WERE HERE when the settlers/invaders arrived. More than that, it suggests they are an intrinsic part of, if not essential to, this place. WE. COME. WITH. THIS. PLACE.

By brother Ian Terry’s book, Uninnocent landscapes, also has a strong title (but I will discuss that in my review). The book’s design and its cover are also glorious. The cover is striking in a minimalist restraint that also happens to be literal, in that it depicts Robinson’s journey that Ian followed.

Book Pairings

Our instruction is to “pair up a nonfiction book with a fiction title. Maybe it’s a historical novel and the real history in a nonfiction version, or a memoir and a novel, or a fiction book you’ve read and you would like recommendations for background reading. You can be as creative as you like! “

Okay, so my creativity will extend to two pairings:

Nonfiction read this year, paired with fiction from any year

Alexis Wright, Carpentaria

Debra Dank, We come with this place with Alexis Wright’s Carpentaria (my post). For a start, both books are set in neighbouring parts of northeast Australia, just south of the Gulf of Carpentaria. Secondly, both convey, in powerfully descriptive ways, the catastrophic dislocation experienced by First Nations peoples when they are separated from Country and/or when they are not able to interact with Country in the ways that are essential to their (and Country’s) wellbeing.

Fiction read this year, paired with nonfiction from any year

I have read a lot of First Nations and other non-white/BIPOC fiction this year, but I’ve already focused on First Nations writing in the post, so I’m changing tack, and am pairing Edwina Preston’s Bad art mother (my review) with Jane Sinclair’s memoir Shy love smiles and acid drops (my review), which I read early last year. Preston’s novel was inspired by several Australian artists (visual artists and writers) including the story of Sunday and John Reed’s adoption of Joy Hester’s son Sweeney. Jane Sinclair’s parents were part of the Reeds’ Heide Circle, and in her book Sinclair includes letters written by her mother to Sunday Reed, which include discussions of Sweeney. These are just two of the books I’ve read which deal with or reference in some way Heide. There are many more I haven’t read, as this Circle was not only fascinating but one of the most influential in Australia’s arts history, particular in terms of Modernism.

What would you pair (and/or do you have anything to share regarding the first questions)?

Nonfiction November 2023: Your year in nonfiction

My participation in Nonfiction November has been sporadic, until last year when I managed to complete the whole series. Maybe I will again this year, maybe I won’t. We’ll see.

Nonfiction November, as most of you know, is hosted by several bloggers. This year, Week 1 – Your Year in Nonfiction is hosted by Heather at Based On A True Story, with variations on the usual first week questions.

But, here’s the thing. As we come to the end of 2023, I’m having to come clean on what a strange reading year I’ve had. You will hear more in my end-of-year roundups, but by then you’ll have had inklings from posts like this! Last year, I wrote for this post that I’d read about 25% more nonfiction than I’d read in each of the preceding few years. Last year’s (that is for 2022) non-fiction reading had comprised 45% life-writing, 45% essays, with the rest being “other” non-fiction. This year, since the end of last November, I have read only TWO nonfiction works and both have been memoirs.

What were your favorites?

The two books are Debra Dank’s We come with this place (my review), and JD Vance’s Hillbilly elegy (my review). We are asked to name our favourites, which is always tricky for me, as I don’t tend to think in terms of “favourites”. Both these books provided truly fascinating insights, albeit in diametrically opposed directions. Dank is a First Nations Australian writer who conveys with impressive clarity just how the interconnectedness between her people, the ancestors and Country works, and how that translates into knowing Country, while Vance was a poor white hillbilly from Kentucky who is now a Republican politician and, last I heard, a Trumpian. You won’t be surprised I think to hear me say that while I found Vance enlightening in terms of contemporary US politics, Dank’s book is by far my favourite. She bowled me over with her generosity.

Have you had a favourite topic, and Is there a topic you want to read about more? 

I’m bundling there two questions together because clearly I didn’t review enough nonfiction this year to have a favourite topic, but what I’d like to read more are books on my favourite interests areas – literary biographies, nature writing, and works about social justice/social history.

I have several literary biographies, in particular, on my TBR, so maybe next year I’ll have a fuller report to make. In terms of the third area – social justice/social history – I must say that reading more nonfiction from First Nations writers, like Debra Danks’ book, is what interests me right now.

What are you hoping to get out of participating in Nonfiction November? 

As I wrote last year, I am not looking for more recommendations – not because I am not interested but because I have too much on my TBR already without adding to the pile (physical and virtual). However, I always like book talk, and the book talk I most like is that which focuses on areas that interest me (see above), and which talks about wider issues like why do we read nonfiction, what do we look for, and what makes a good nonfiction read?

What do you think?

Nonfiction November 2022: New to my TBR

Week 5 on Nonfiction (November 28-Dec 2) is all about what’s New to My TBR, and is hosted by Jaymi (The OC Bookgirl). To be honest, I wasn’t going to play along for this week in which we are supposed to list the books that have made it onto our TBRs from those bloggers have been shared over the month. This is because Last year, for example, I listed EIGHT books in my “New to my TBR” post, and have so far read just one, Gabrielle Carey’s Only happiness here (my review). I rest my case …. However …

Newly found on my TBR

In Week 1, two books were recommended to me on my post, that I knew I would want to read. Indeed, they sounded a bit familiar, one in particular. Funny that, because when I returned home from Melbourne in the middle of the month, and looked at the TBR next to my bed – you know, those books that you hope you’ll read soon – there these two were.

The one I was fairly confident I had was recommended by Australian novelist and feminist Sara Dowse, who has herself appeared several times on my blog. The book she recommended was Susan Varga’s Hard joy: Life and writing. I have reviewed a couple of Susan Varga’s books too – her memoir Heddy and me, and her poetry collection, Rupture – so I am confident that with Sara Dowse’s recommendation and my past enjoyment of Varga’s work, that I will also like this.

The other I was less sure about, but had started to suspect I might have it too. It was recommended by another Australian writer who has appeared several times on my blog, Carmel Bird. She recommended an author I’d never read before, but the topic of his book sounded right up my alley, as Carmel Bird knew – books, nature and words. The book is Gregory Day’s Words are eagles: Selected writings on the nature & language of place. Nature, language and place … this book of essays looks perfect for me.

The reason I have both books is that I advanced ordered them from the relatively new publishing company Upswell. Their inventory is so appealing and I’ve ordered/subscribed to several over the two years of their existence, but have not managed to read them because of the backlog of review copies I have. So, here I’m going to say that I’ve decided that I am going to find a better balance in my reading between the review pile – albeit there are many there I want to read – and those books I have bought because I have specifically chosen them. My next twelve months is going to be very busy as I prepare to downsize and sell our family home of the last 25 or so years and move into something smaller, but, after that, I am very hopeful of having MORE time to read. Yay that!

Eyes bigger than …

Otherwise, I must admit that I’ve jotted down very few other bloggers’ nonfiction reads – not because I wasn’t interested but because I knew I could not justify adding them to my list. However …

Melanie (Grab the Lapels) made these recommendations, with comments, on my Stranger than fiction post:

  • Jessica Chiccehitto Hindman’sSounds like Titanic: this one is a hoot
  • Lee Israel’s Can you ever forgive me?: this one made me hang my mouth open
  • Bruce Goldfarb’s 18 tiny deaths: The untold story of Frances Glessner Lee and the invention of modern forensics: this one surprising because I thought there were more forensic pathologists
  • Janice Erlbaum’s Have you found her?: this one I would love to tell you about but do not want to spoil it.

There were several books in the Worldchangers week, in particular, that also grabbed my reluctant attention, but I’ll just bring a couple to your attention:

Symeon Brown’s Get rich or lie trying, which Liz Dexter described as “an exposé of the world of internet influencers, or rather those who try desperately to monetise their lives for various reasons, including hauling themselves out of poverty, and who are used and abused by companies who know their desperation”.

Alone in the kitchen with an eggplant: Confessions of cooking for one and dining alone, a collection of essays edited by Jenni Ferrari-Adler, which Lou said “helped me to see cooking and eating alone as a privilege and a mark of independence, not a lonely activity”. Many of us either live alone or could very well one day find ourselves alone … this is a great thing to appreciate.

If you are doing Nonfiction November, I‘ll probably see your recommendations. But, if you’re not, do share if any books recommended by bloggers have grabbed your attention this month.

Nonfiction November 2022: Worldview changers

Week 4 of Nonfiction November(November 21-25) is themed Worldview Changers, which is a new one I think for the month. I like this, as it is always good to have a new challenge. It is hosted by Rebekah @ She Seeks Nonfiction and is described as follows:

One of the greatest things about reading nonfiction is learning all kinds of things about our world which you never would have known without it. There’s the intriguing, the beautiful, the appalling, and the profound. What nonfiction book or books has impacted the way you see the world in a powerful way? Do you think there is one book that everyone needs to read for a better understanding of the world we live in?

Jess Hill See What You Made Me Do

Second question, first. The book I think that everyone should read for a better understanding of the world we live in is …

Jess Hill’s See what you made me do: Power, control and sexual abuse (my review). This was a powerful read that I took many, many months to read, after it won the 2020 Stella Prize. It wasn’t so much a worldview changer, for me, because I knew (who doesn’t?) that domestic abuse was going on, but it was certainly eye-opening. While I knew, for example, a lot of it in theory, and had seen many news reports of abuse and violence, the actual stories were gut-wrenching – particularly in the discussion of coercive control, in the levels of abuse of First Nations women, and in the way children are used. The most eye-opening thing was the court system and how the courts too often focus more on the parents’s needs than the children’s and on how men (mostly) can manipulate the system to make it look like the already-controlled wife is incapable of being parenting. This book needs to be read – I thought I knew all this but I didn’t appreciate just how deeply into our systems the problem goes.

As for books that had a strong impact on me, I’m going to name three. They didn’t necessarily change how I view the world, but they certainly enhanced my understanding of it and/or of myself. They are, in the order I read them:

  • Mark McKenna’s Return to Uluru (my review) for its no-holds-barred investigation into some challenging and hidden stories of Australia’s past. Every new correction to Australia’s history, as we learnt it, has value.
  • Carmel Bird’s Telltale (my review) for its intelligent and revealing insights into how her reading affected her, which in turn contributed to my thinking about my own reading and its impact on my intellectual, emotional and social development.
  • Biff Ward’s The third chopstick (my review) for its portrayal of an activist who fearlessly confronted those most affected by that activism and/or the war they were protesting.

While all these books made an impact on me, I also need to say that, overall, the books that most impact me are, really, fiction. That is where the real punches mostly are!

For those of you doing Nonfiction November, I’ll see your Worldview Changers I’m sure, but, if you’re not, would you like to share any or some of yours?

Nonfiction November 2022: Stranger than fiction

Week 3 of Nonfiction November (November 14-18) focuses on “all the great nonfiction books that almost don’t seem real. A sports biography involving overcoming massive obstacles, a profile on a bizarre scam, a look into the natural wonders in our world—basically, if it makes your jaw drop, you can highlight it for this week’s topic” and is hosted by Christopher (Plucked from the Stacks).

Last year, introducing my post on this week, I wrote that what the idea of “stranger than fiction” brings to my mind are those coincidences (and the like) that happen in real life that a fiction writer could never get away with. This week’s topic host, Christopher, though, takes a broader view, including things like “overcoming massive obstacles”, “scams” and “natural wonders”. My interpretation is a bit different again.

I’m starting with an essay I read via the Library of America’s Story of the Week program, James Weldon Johnson’s “Stranger than fiction” (my review). Johnson wrote one of those trickily titled novels, The autobiography of an ex-colored man (1912). It was inspired by his own experiences, and has been described as the first fictional memoir by a black person. Its protagonist is a young unnamed biracial man, who, because of such experiences as witnessing a lynching, decides to “pass” as white for safety and advancement reasons. The novel chronicles his experiences and ambivalent feelings about his decision.

In 1915, Johnson wrote his essay “Stranger than fiction” about his novel’s reception. To summarise what I wrote in my post, he basically found that for many Northern reviewers, the work was so “real” they could barely believe it was fiction, whereas Southern critics asserted that the work was unbelievable because, Johnson wrote, they didn’t believe African Americans could “pass” as “the slightest tinge of African blood is discernible, if not in the complexion, then in some trait or characteristic betraying inferiority.” For Johnson, this was “laughable”, as most people, he said, know of people who are “passing.”

There are so many “stranger than fiction” layers to this essay and situation but I will leave it here. This essay would, of course, have been another great Week 2 pairing for me with Nella Larsen’s Passing.

What can be stranger than families?

Families, of course, are the stuff of fiction, particularly unhappy ones (as Tolstoy famously shared), but they can also be found in non-fiction, particularly in memoirs, so here I’m going to share three families which were/are strange for one reason or another:

  • Alison Croggon’s Monsters: A reckoning (my review) chronicles a sister-relationship that went badly sour. It’s always sad – and yes, a bit strange to me – when families fall apart. The collapse of siblings relationships is particularly devastating I think.
  • Jane Sinclair’s Shy love smiles and acid drops (my review) chronicles the author’s parents’ difficult relationship. There is much that is “strange” here for most of us, starting with the family’s bohemian lifestyle.
  • Cindy Solonec’s Debesa: The story of Frank and Katie Rodriguez (my review) is strange in a different way. The relationship here is a positive and productive one, but the press release for the book makes its “strangeness” clear when it says the book is about “the unlikely partnership of Cindy’s parents: Frank Rodriguez, once a Benedictine novice monk from Spain, and Katie Fraser, who had been a novitiate in a very different sort of abbey – a convent for ‘black’ women at Beagle Bay Mission” (near Broome). Debesa is also a little strange in form as it is one of those hybrid biography-memoirs in which the writer is part of the family she’s focusing on.

None of these families are probably stranger than anything you’d find in fiction, but they do prove that the strange families you find in fiction can indeed be realistic!

For those of you doing Nonfiction November, I’ll see your strange offerings I’m sure, but, if you’re not, I’d love to see what strange nonfiction you’ve read.

Nonfiction November 2022: Book pairings

Week 2 of Nonfiction November and hanging in. This meme/blog event/reading month/challenge (what do we call it?) is hosted by several bloggers, with Week 2: (November 7-11) – Book Pairing, being hosted by Rennie (of What’s Nonfiction). The challenge is to pair a nonfiction book with something else – a fiction title, another nonfiction work, or even a podcast, film, documentary, TV show, etc. There just has to be some link in terms of subject matter or topic. I really enjoy this week of the challenge, because it’s such fun to do and is also fun to see what other bloggers come up with.

The no-brainer

Since much of my nonfiction involves literary topics – literary biographies or memoirs, for example – this pairing challenge is really very easy. Take, for example, Carmel Bird’s bibliomoir Telltale (my review). There are so pairing possibilities, because in it she discusses books she’s read and written. So, for this year’s no-brainer – I did one last year too – I will pair her bibliomemoir with… Hmm, with what? Because here’s the challenge: she mentions so many books. However, if I limit it to those I’ve reviewed, which is my preference, that narrows the field. And, if I narrow it even more to those books by her that I’ve reviewed, I’m getting to something quite manageable.

Book cover

So, after a little consideration, the one I’ve chosen for my pairing is her Field of poppies (my review), because, as I wrote in my post, it has many of the hallmarks of her writing, including “all manner of allusions and digressions, underpinned by a clearly-focused intelligence”. This, of course, we also find in Telltale. Unfortunately, though, I am away from home, so I don ‘t have my copy of Telltale with me to share some of Bird’s comments about this novel. However, I do remember her discussing mining, and how she had referenced it in her work, including in Field of poppies.

This year I have also read several literary essays, and each of these could be paired with their source novel or story, such as Ellen van Neerven’s essay (my post) on Tara June Winch’s Swallow the air (my review).

But, rather than list all those, I’d like, as I also did last year, to give myself something that’s more of a pairing challenge, so here is …

Another pairing

My most recent nonfiction read was Biff Ward’s part memoir, part social history, The third chopstick: Tracks through the Vietnam War (my review). This book covers both her experience as an antiwar protestor and her later decision to meet and understand the men who went to war – the Vietnam Vets. In those meetings, she comes face-to-face with the traumas (the PTSD) many of them suffered on their return and, with their permission, she shares some of this experience with us.

Josephine Rowe, A loving faithful animal

Not a lot of fiction, comparatively speaking anyhow, has been written about this War, as I discussed in my recent Monday Musings – and I’ve read only a little of that. However, I have read a little, and one of those is Josephine Rowe’s A loving, faithful animal (my review), which deals very specifically with PTSD from this war and its intergenerational impact. It’s a strong, and unforgettable novel and worthy of pairing with Biff Ward’s book.

For those of you doing Nonfiction November, I’ll see your pairings I’m sure, but, if you’re not, I’d love to see what you would pair – if you’d like to play along.

Nonfiction November 2022: Your year in nonfiction

My participation in Nonfiction November is usually a bit catch-as-catch-can – that is, I often don’t manage to complete every week’s topic – but I do like to start off as though I might, so here I am.

Nonfiction November, as most of you know, is hosted by several bloggers. This year, Week 1 – Your Year in Nonfiction, is hosted by Katie at Doing Dewey, with the same questions posed for us to consider as last year.

I’m not sure why, but for this nonfiction-November year (that is, from last December to now), I’ve read about 25% more nonfiction than I read in each of the previous few years that I’ve participated. 45% of this reading has been life-writing, 45% essays, and the rest has been “other” non-fiction.

What was your favorite nonfiction read of the year?

Favourites are always hard to identify, because I tend to get something out of most of what I read. However, if pushed, I’d say Carmel Bird’s Telltale (my review), because bibliomemoirs are always going to appeal to me, and when such a book is written by a favourite writer as Carmel Bird is, then it’s a no-brainer. I loved so much about this book, as my review and follow-up post make obvious.

Honourable mentions are many, but let me just name three, Gabrielle Carey’s Only happiness here (my review), because I am a fan of its subject, Elizabeth von Arnim; Mark McKenna’s Return to Uluru (my review) because it increased my knowledge of Australia’s history and relationship with our First Nations people; and Jess Hill’s See what you made me do (my review) about domestic abuse, with particular exploration of coercive control, because I learnt a lot about something I thought I already knew quite a bit about.

Do you have a particular topic you’ve been attracted to more this year?

Last year, I wrote in answer to this question that when it comes to nonfiction, my main interests are literary biographies, nature writing, and works about social justice/social history. Nothing has changed in terms of my preferences, but I should add something I didn’t say last time, which is that in terms of nonfiction forms, I do like essays, and there are always a few in my reading diet.

This year, the greatest proportion of my nonfiction has related to literature in some way. Besides the books by Carmel Bird and Gabrielle Carey mentioned above, I have read several fascinating essays from the anthology edited by Belinda Castles, Reading like an Australian writer. One of my posts from that book was about Emily McGuire’s essay on epiphany in an Elizabeth Harrower short story. It has proved very popular on my blog this year. I’m not sure why but I wonder whether the word “epiphany” has attracted search engine hits?

What nonfiction book have you recommended the most?

Again, as I wrote last year, this is hard, because with nonfiction, even more than fiction, what you recommend depends greatly on people’s interests. I have, though, recommended all those books I named under my favourite nonfiction book of the year.

I have also talked much about my most recent read – which is also, really, a “favourite” contender – Biff Ward’s The third chopstick (my post). Given it is about a time my peers and I lived through when we were young, and given it is written with such humanity and heart, it’s natural that I expect to be talking about and recommending it often in the months to come.

What are you hoping to get out of participating in Nonfiction November?  

What I am not specifically looking for is more recommendations – not because I am not interested but because I have too many books to read already without adding to the pile (physical and virtual). However, what I always get out of participating in blog events like this is book talk on topics that particularly interest me and, sometimes, meeting new bloggers whose interests are similar to mine (albeit, as with my book piles, I don’t really need more bloggers to follow. I hope that doesn’t sound unkind, but I think many of you understand the quandary! We love the book talk, but it also takes away from the book reading!)

Besides this, I’m always interested discussing wider issues regarding nonfiction and nonfiction reading: Why do we read nonfiction? What do we look for? What makes a good nonfiction read?

This year, with us all having come through a pretty tough few years, there’s the question about whether trying times see us seeking more nonfiction that might help us understand what we are going through or less because we want to escape into an imaginative world. What do you think?

Nonfiction November 2021: New additions to my TBR

Week 5 of Nonfiction November … whew, made it to the end, and it wasn’t so hard!

Nonfiction November, as of course you know, is hosted by several bloggers, with week 5 hosted by Jaymi at The OCBookGirl:

It’s been a month full of amazing nonfiction books! Which ones have made it onto YOUR TBR? Do we have any of the same ones?

Be sure to link back to the original blogger who posted about that book!

I wrote in my first Nonfiction November post that I wasn’t looking to add to my TBR, but of course it can’t help but happen. Over the month I’ve seen many, many books that appealed to me and that I’d love to read, but I really can’t add increase my TBR. However, I couldn’t call myself a keen reader if I didn’t add just a couple, so here are a few that REALLY tempted me:

Book cover
  • Graphic nonfiction: I commented on Words and Peace Emma’s post that I am not much of a graphic fiction reader, let alone graphic nonfiction, but some of the books she listed did grab my attention, like Grant Snider’s I will judge you by your bookshelf. What reader doesn’t sneakily do this from time to time?
  • Literary biography: I do love literary biography, and a few came up this month. Mallika (Literary Potpourri) gave me Paula Byrne’s The adventures of Barbara Pym; Brona (This Reading Life) gave me one I already had in my sights, Gabrielle Carey’s Only happiness here (on Elizabeth von Arnim); and didn’t someone share Bernadette Brennan’s Leaping into waterfalls about Gillian Mears? If not, they should have, because I want to read it, so I’m including it here.
  • Nature writing – Trees: With a name like Whispering Gums I have to be a bit of a sucker for trees, so I did love Readerbuzz Deb’s Be the expert post on trees. Every book in her list appealed, from forest bathing to books discussing famous trees.
  • More nature writing: Brona also gave me (in the previously-linked post) a book that deviates somewhat from my usual reading, but that I thought might capture my reading group’s attention for our schedule next year. It didn’t, but I’ll keep it on my list: Raynor Winn’s The salt path. And, Kate (booksaremyfavouriteandbest) reminded me that I still want to read Rebecca Giggs’ Fathoms (about whales).
  • Social issues/Race: Liz (Adventures in reading, running and working from home) shared two books that provoked much thought for her (and for others whom I know have read them): Robin DiAngelo’s White fragility and Layla F. Saad’s Me and white supremacy.

A small list, I know, but more than I intended, to which I owe a big thanks (I think) to the 5 hosts of Nonfiction November 2021 – and all the bloggers who took part and shared your reading. It’s been fun, and edifying!

And now, I’d love to hear whether you added any books to your TBR pile from our blogosphere Nonfiction November month?

Nonfiction November 2021: Stranger than fiction

Week 4 of Nonfiction November … rolling right along …

Nonfiction November, as you surely know by now, is hosted by several bloggers, with week 4 hosted by Christopher at Plucked from the Stacks:

This week we’re focusing on all the great nonfiction books that *almost* don’t seem real. A sports biography involving overcoming massive obstacles, a profile on a bizarre scam, a look into the natural wonders in our world—basically, if it makes your jaw drop, you can highlight it for this week’s topic.

This is a new addition to the Nonfiction November weekly prompts, which is exciting, even for me who hasn’t done this month assiduously in the past. But, how to respond?

What comes to my mind when I think “stranger than fiction” are those coincidences (and the like) that happen in real life that a fiction writer could never get away with. Christopher, though, has taken a broader view, including things like “overcoming massive obstacles”. My problem is that although I’ve read the same amount of nonfiction this year, as last, none of it really seems to fit his description, but I’ll see what I can do about fitting my reading to the theme.

Stranger than fiction: 1, Overcoming massive obstacles

Wendy and Allan Scarfe had to overcome many political, personal and cultural obstacles in supporting a poor Indian village,particualrly in terms of improving educational opportunities, in their memoir, A mouthful of petals (my review).

But, when I think about overcoming obstacles in my reading this year, I have to go to Marie Younan, and her memoir A different kind of seeing (my review).

The story of how she lost her eyesight – the coincidences and lack of knowledge, among other things, that resulted in her losing her eyesight when a young child, and then the ongoing ramifications of this which meant that she did not get the right treatment, later, which may have restored some of her eyesight – is a tragic story.

The story of how she finally managed to migrate to Australia to join her family, having been rejected more than once because of her blindness, is a disgraceful indictment on Australia’s immigration system.

The story of how she, as an adult, found a person (or, he found her), who recognised her needs and who nurtured and gently pushed her into becoming literate – to learn Braille, mix with people, learn English – so that she eventually found employment and became independent, is an inspirational story.

So, yes, Marie Younan had to overcome massive obstacles to get to where she is today. It’s a story that would be hard to make believable in fiction.

Stranger than fiction: 2, Diary as therapy?

Thinking about this topic, though, I realised that Garner’s diaries are perfect, besides the irony of reading her actual diaries when her novels, her fiction, have been criticised as “just” her diaries. Does this make the point moot?

If I soldier on, though, I am a little anxious about what I’m going to say next, because I am presuming to criticise another person’s life choice, in this case Garner’s “strange” relationship with “V”. He is the man who becomes her husband during the second volume of her diaries, One day I’ll remember this (my review). I feel anxious, but I also feel it’s ok because Garner wrote about it, and because we know the outcome, so I’m not exactly saying anything new.

The point is that the relationship turned out disastrously for Garner, and anyone reading the diary could surely see that coming. If this were fiction – besides Garner’s of course, her diaries being the stuff of her fiction, says she cheekily – I would have been hard-pressed to believe the relationship. There just seemed to be too much angst, too much difference between them, for it to work.

However, here’s the thing. What do we write in diaries? Mostly our angst? Of course, diarists will occasionally write the really happy stuff, and, those diarists who are writers, will also often jot down ideas, observations and inspirations. Mostly, though, we write out our angst. We get it out of our hearts and onto the page, which makes us feel better. Diary as therapy, in other words. Taking Garner’s diaries in this context, and knowing too that she’s edited them, we cannot presume to know the whole of her relationship with “V”. However, looking at it purely on the basis of what we read, the fact that they ever married does seem “stranger than fiction”. I think that’s fair enough for me to write.

And now, I’d love to hear how YOU would answer this question. Sock it to me! I’ll believe you!