What is is about coming-of-age novels? Why do we like to read them long after we've (hopefully) come of age ourselves? Is it because we like to compare our own experience with that of others? Whatever the reason, it is clear that we do like to read them because they sure keep being written and … Continue reading Craig Silvey, Jasper Jones (Review)
Australian writers
Kendall’s favourite son
...is the Australian poet, Henry Kendall. Except, he's not REALLY a son - he was not born there, and he only lived there for 6 years, from 1875 to 1881, when he was New South Wales' first Forest Inspector. But, you know the story, when you are on a good thing...! And, anyhow, as a … Continue reading Kendall’s favourite son
A.B. (Banjo, to most of us) Paterson
Within the next few weeks I will be reviewing the Australian Classic Library's re-release of Paterson's The man from Snowy River and other verses, so this post is just a teaser. It was inspired by a column in The ABC Weekly (of 22 February 1941). Paterson died on 5 February 1941 - and less than three … Continue reading A.B. (Banjo, to most of us) Paterson
Poet’s advice to Australian writers, 1940
In 1940, Ernest G Moll's poetry collection, Cut from mulga, was chosen by the Commonwealth Literary Committee as the book of the year. In that same year, in a talk on the ABC, he exhorted Australian writers to stop being apologetic about being Australian. So, who was Ernest G Moll? He was born in Victoria … Continue reading Poet’s advice to Australian writers, 1940
Florence James and journalism, 1940
Florence James, with Dymphna Cusack, wrote one of Australia's most successful novels set in World War 2, Come In Spinner. She was also a literary agent and journalist - and wrote regularly for The ABC Weekly which I referred to in a post a few days ago. In the 23 March 1940 issue was her article … Continue reading Florence James and journalism, 1940
Breakfast with David, Malouf that is
"Exploring in the dark" is how David Malouf frames the process of writing. In other words, writing, he says, brings out what is within the writer but is not fully understood until the writing starts. Furthering this notion, he quoted Herman Hesse as saying that a writer needs to be "a sleepwalker with the absolute … Continue reading Breakfast with David, Malouf that is
Some Australian literary classics
Lisa at ANZ LitLovers referred yesterday to ABC Radio National's The Book Show program on Patrick White's The solid mandala. This is in fact part of weeklong series they are doing on Australian classics. They have chosen an intriguing - but not unappealing - list of works to discuss: Marcus Clarke's His natural life (which … Continue reading Some Australian literary classics
More Jolley
A decade or so ago my local reading group, with trepidation from some, decided to try a poetry night. The idea was that we'd all bring a favourite poem or two to share. What would I bring? I have some favourite poets from my student days - poets like Gerard Manley Hopkins, T.S. Eliot and … Continue reading More Jolley
Elizabeth Jolley, My father’s moon
'No one,' she says, 'can write anything till they've had experience. Later on perhaps. You will write later on.' (Elizabeth Jolley, My father's moon, 1989) Although fiction demands imagination, it must be based on some kind of genuine experience. (Elizabeth Jolley, "Only Connect", essay first published in Toads, 1992) My father's moon is the first … Continue reading Elizabeth Jolley, My father’s moon
J.M. Coetzee, Diary of a bad year
J.M. Coetzee is one of those rare novelists who pushes the boundaries of what a novel is. The progression from his mid-career novel, the spare but terrifying Disgrace (1999), through Elizabeth Costello (2003) to Diary of a bad year (2007) is so dramatic that there are those who question whether these last two are even … Continue reading J.M. Coetzee, Diary of a bad year
Whispering Gums 