Angela Meyer (ed), The great unknown (Review)

The great unknown is a mind-bending collection of short stories which explores, as editor Angela Meyer says, "the unknown, the mysterious, or even just the slightly off." I was, in fact, expecting more horror, thriller even, which are genres that don't really interest me, but this collection is not that. There are some truly scary scenes … Continue reading Angela Meyer (ed), The great unknown (Review)

Delicious descriptions: Jessica Anderson and urban life

I didn't quote much from Jessica Anderson's One of the wattle birds in my recent review, which is unusual for me - so I decided a Delicious Descriptions post was in order. I had trouble however choosing which excerpt to quote. My first thought was to share an example of the book's wonderful - and often very funny - dialogue, … Continue reading Delicious descriptions: Jessica Anderson and urban life

Hannah Kent, Burial rites (Review)

"We'll remember you" says Margrét to Agnes on the day of her execution. We sure will, if Hannah Kent's debut novel Burial rites has anything to say about it. Kent's book is the second novel set in Iceland I've read, the first being Icelandic writer Halldor Laxness's unforgettable Independent people. Although Laxness's novel is set a century after Burial rites, … Continue reading Hannah Kent, Burial rites (Review)

Sue Milliken, Selective memory: A life in film (Review)

Funny how things go sometimes. I may not have read Sue Milliken's memoir, Selective memory, had the publisher, Hybrid Publishers, not noticed my rather particular interest in film via my recent review of Margaret Rose Stringer's And then like my dreams. I'm glad they did because this book took me down memory lane ... Sue Milliken is … Continue reading Sue Milliken, Selective memory: A life in film (Review)

Margaret Merrilees, The first week (Review)

Having discussed in this week's Monday Musings Margaret Merrilees' essay on white authors writing about indigenous Australians, I'm now getting to my promised review of her debut novel, The first week, in which she does just this. It also, according to Wakefield Press's media release, won the Adelaide Festival's Unpublished Manuscript Award in 2012. I can see why … Continue reading Margaret Merrilees, The first week (Review)