As I've said before, I usually don't read book introductions until the end. In the case of Breaking beauty, an anthology of short stories edited by Lynette Washington, it wouldn't have mattered if I had read it first because Brian Castro's intro gave nothing away while at the same time saying a lot. He starts by noting … Continue reading Lynette Washington (ed), Breaking beauty (Review)
Women writers
Jane Austen, Emma Vol 1 (Review, or perhaps just thoughts)
Every now and then my local Jane Austen group does a slow read of one of Austen's novels. With 2015 being the 200th anniversary of the publication of Emma, we decided it was the logical choice for our next slow read. I love this activity because what happens when I re-read an Austen novel - particularly when I … Continue reading Jane Austen, Emma Vol 1 (Review, or perhaps just thoughts)
Fiona McFarlane, The night guest (Review)
Those of you who followed the literary award season in Australia last year will have seen Fiona McFarlane's debut novel The night guest pop up several times. The more it popped up, the more I wanted to read it - but also the more I thought it would be good to read with my reading … Continue reading Fiona McFarlane, The night guest (Review)
Ellen van Neerven, Heat and light (Review)
It's silly I know, but I had a little thrill at the end of Ellen van Neerven's Heat and light, because not only was the last story set in a place where I spent six of the formative years of my childhood - Sandgate on the northern edge of Brisbane - but one of the characters learnt to … Continue reading Ellen van Neerven, Heat and light (Review)
Tara Moss, The fictional woman (Review)
In terms of feminist argument, I'm not sure that Tara Moss told me anything I didn't already know or believe in her first work of non-fiction, The fictional woman, but that didn't stop me enjoying her take, her approach. Moss is an interesting woman. Her careers as a model and a crime writer meant she wasn't really on my … Continue reading Tara Moss, The fictional woman (Review)
Favourite quotes: from Thea Astley’s Coda
I've decided to start a new, occasional series - a bit like The Conversation does! I have two reasons for this. One is that I'm reading pretty slowly at the moment, partly because my current read is a big one, and partly because life is busy. The other is that during my current decluttering project I've come across … Continue reading Favourite quotes: from Thea Astley’s Coda
Julie Twohig, Full circle (Review)
When I review individual stories, I tend to choose ones that are available on-line. Is that fair, I wonder? It means the author receives no payment for the story I review, but it does mean readers can enjoy a story that they may not otherwise easily access and, I suppose, that the author receives some exposure. … Continue reading Julie Twohig, Full circle (Review)
Anna Funder, Everything precious (Review)
I must thank John aka Musings of a Literary Dilettante for introducing me to this intriguing little e-work by Miles Franklin award-winner, Anna Funder. When John read it, back in October, it was in daily instalments, but when I clicked the link in his post I was offered several e-book versions, including for the Kindle and iPad, … Continue reading Anna Funder, Everything precious (Review)
Annie Parker, Passages in the life of a slave woman (Review)
I have, this year, reviewed a couple of Library of America's (LOA) stories about slavery in the USA, one being Harriet Ann Jacobs' "The lover", and the other William Wells Brown's, Madison Washington. I've always been interested in slavery in the US, so when Annie Parker's "Passages in the life of a slave woman" appeared in my inbox, I of … Continue reading Annie Parker, Passages in the life of a slave woman (Review)
Thea Astley, Drylands (Review, of sorts)
I read Thea Astley's Drylands many, many years ago now, so what I'm going to share here - inspired by my post earlier this year on confronting Australian novels - are the notes I made when I read it. They are not particularly well-formed, because I wasn't planning a review at the time, though I must admit … Continue reading Thea Astley, Drylands (Review, of sorts)
