Jonathan Safran Foer, Everything is illuminated

He invented stories so fantastic she had to believe. It's hard to know where to start writing about Jonathan Safran Foer's Everything is illuminated, so I'll just start with a brief description of the plot. It concerns a search in the Ukraine by "the hero" (aka Jonathan Safran Foer) for the woman (Augustine?) who, he … Continue reading Jonathan Safran Foer, Everything is illuminated

Marion Halligan, Valley of grace

Delicious but sly are the first words that come to mind when I think about Marion Halligan's latest novel, Valley of Grace. Take this for example: You know, people think flowers are pretty. Sentimental. Frivolous even. But the fact is, everything begins in the garden. Humans. Society. Civilisation. Evil. Things bud, bloom, weather, age, die. … Continue reading Marion Halligan, Valley of grace

William Lane, The workingman’s paradise

Wealth and Poverty both seem to degrade most of us. (p. 249) So says Bohemian Connie Stratton to the hero Ned Hawkins in William Lane's 1892 novel, The workingman's paradise. William Lane, an English-born journalist, union supporter and socialist, wrote under a number of pseudonyms including John Miller, the name he used for this novel … Continue reading William Lane, The workingman’s paradise

António Lobo Antunes, The natural order of things

Virtuosic? Tour de force? These are such clichéd terms to use in a review - and yet, I can find no other words to better describe Portuguese writer António Lobo Antunes' 1992 novel, The natural order of things. This is one of those beautifully written, but rather challenging, books that you know you really should read … Continue reading António Lobo Antunes, The natural order of things

Imre Kertèsz, Fateless (or Fatelessness)

[WARNING: SPOILERS, of sorts] Let's get the first thing clear. I like holocaust literature - not because I enjoy the subject matter but because in it I find the most elemental, universal truths about humanity. Depending on the book, this literature contains various combinations of bravery and cowardice, cruelty and kindness, love and hate, self-sacrifice, … Continue reading Imre Kertèsz, Fateless (or Fatelessness)

Elizabeth Jolley, My father’s moon

'No one,' she says, 'can write anything till they've had experience. Later on perhaps. You will write later on.' (Elizabeth Jolley, My father's moon, 1989) Although fiction demands imagination, it must be based on  some kind of genuine experience. (Elizabeth Jolley, "Only Connect", essay first published in Toads, 1992) My father's moon is the first … Continue reading Elizabeth Jolley, My father’s moon