Now here's the thing. I'm a librarian by training, so I have certain expectations of how publications are titled, and Pulse, I must say, confused me. However, we librarians also know that publishers and writers don't care about our rules; they just do what appeals to them! Fair enough. They're the creators after all. Still, when I see … Continue reading Pulse: First 2014 (Review)
Literature by period
Fyodor Dostoevsky, Crime and punishment (Review, hmm)
Part way through my reading of Fyodor Dostoevsky's Crime and punishment I wrote in my book - because, yes, I am a marginalia writer - "Who does Dostoevsky agree with?" It's a somewhat naive question, I know, because the author doesn't have to agree with anyone - and very often doesn't. You just have to look at Humbert … Continue reading Fyodor Dostoevsky, Crime and punishment (Review, hmm)
Delicious descriptions: Julian Davies on reading
A couple of weeks ago I reviewed Julian Davies' Crow mellow. It's an enjoyable and at times provocative read. I'd love to share many descriptions and scenes from it but, since this is a reader's blog, I've decided to share some thoughts relevant to my focus made by the main character, poet Phil Day. Much … Continue reading Delicious descriptions: Julian Davies on reading
Julian Davies, Crow mellow (Review)
Julian Davies, author of Crow mellow and publisher at Finlay Lloyd, has written six novels, some of them short-listed for significant literary awards, but, embarrassingly, I only became properly aware of him through his inclusion in the two Canberra centenary volumes that I reviewed in 2013, The invisible thread and Meanjin's The Canberra Issue. It's the … Continue reading Julian Davies, Crow mellow (Review)
Anna Funder, Everything precious (Review)
I must thank John aka Musings of a Literary Dilettante for introducing me to this intriguing little e-work by Miles Franklin award-winner, Anna Funder. When John read it, back in October, it was in daily instalments, but when I clicked the link in his post I was offered several e-book versions, including for the Kindle and iPad, … Continue reading Anna Funder, Everything precious (Review)
Annie Parker, Passages in the life of a slave woman (Review)
I have, this year, reviewed a couple of Library of America's (LOA) stories about slavery in the USA, one being Harriet Ann Jacobs' "The lover", and the other William Wells Brown's, Madison Washington. I've always been interested in slavery in the US, so when Annie Parker's "Passages in the life of a slave woman" appeared in my inbox, I of … Continue reading Annie Parker, Passages in the life of a slave woman (Review)
Thea Astley, Drylands (Review, of sorts)
I read Thea Astley's Drylands many, many years ago now, so what I'm going to share here - inspired by my post earlier this year on confronting Australian novels - are the notes I made when I read it. They are not particularly well-formed, because I wasn't planning a review at the time, though I must admit … Continue reading Thea Astley, Drylands (Review, of sorts)
Morris Lurie, Hergesheimer in the present tense (Review)
Well, well, well, I got to the end of Morris Lurie's quirky last novel (if that's what it is), Hergesheimer in the present tense, and laughed. The final paragraph, which seemed to come out of left field, concerns Dostoyevsky's contract with a "scurrilous publisher" to deliver a novel - The gambler - on an impossible schedule. It … Continue reading Morris Lurie, Hergesheimer in the present tense (Review)
Helen Garner, This house of grief: The story of a murder trial (Review)
Well you might ask why you would want to read a book about the trial of a man accused of murdering his three sons by driving his car into a dam and escaping the car himself? Indeed, Helen Garner was asked why she would want to attend such a trial - and write about it. … Continue reading Helen Garner, This house of grief: The story of a murder trial (Review)
Delicious descriptions: Eimear McBride is not all grim
Reactions to Eimear McBride's A girl is a half-formed thing, which I reviewed recently, vary greatly. It is, overall, a bleak read and its style is idiosyncratic, which makes it a double whammy. So, for example, it has been called "brutal" (by Sunday Times Ireland) and a "joyous thing" (by Michael Cathcart, RN's Books and Arts Daily). … Continue reading Delicious descriptions: Eimear McBride is not all grim
Whispering Gums 