Here is my second Monday Musings inspired by my current Japanese travels. It is, loosely, a companion piece to one I wrote three years ago on Australian literature in China. That was inspired by an article I found in Trove. This one, however, was been inspired by a program I discovered via Google, called The Masterpieces of Australian Contemporary Literature.
The website describes the series as follows:
The Masterpieces of Australian Contemporary Literature Series was established by Gendai Kikakushitsu Publishing in 2012. With the support of the Australia-Japan Foundation, the program aims to increase the recognition of contemporary Australian literature by translating and publishing Australian novels in Japan. Not only showcasing the excellence of Australian literature, the series looks to reveal ‘Contemporary Australia’ and share with the Japanese audience the diversity of its culture and society.
ABC RN Books and Arts Daily discussed the project after the launch of the first book. The Australian ambassador to Japan at the time, Bruce Miller, comments that Japanese interest in Australian Aboriginal culture comes from their interest in ancient cultures, and because it’s unique. He also talks about the Department of Foreign Affairs and Trade, which is supporting the project, being comfortable with sharing the positive and negative aspects of our culture. Professor Kate Darian-Smith from the University of Melbourne says that part of the project is to support and foster the teaching and discussion of Australian literature in universities and by the public.
So far, apparently, six books have been so translated and published – and here they are in the order they were done (with the date they were launched, and links to my post on that book, if any!)
- David Malouf’s Remembering Babylon, trans. by Rumi Musha (2012)
- Tim Winton’s Breath, trans. by Keiji Sawada (2013, my review): the launch included a discussion between Japanese writer Natsuki Ikezawa and Kate Darian-Smith.
- Christos Tsiolkas’ The slap, trans. by Keiji Minato (2014, my review): Tsiolkas attended the launch and took part in a symposium.
- Kate Grenville’s The secret river, trans. by Tomoko Ichitani (2015): Grenville attended the launch, along with “Ms Yukiko Konosu, a well-known translator of foreign literature”.
- Kim Scott’s That deadman dance, trans. by Masaya Shimokusu (2017, my review): Scott attended the launch, along with two prominent Japanese writers, Ms Akiko Shimoju and Mr Masaaki Nishiki, to talk about “Australian culture and literature, and the role literature plays in multicultural societies”.
- Helen Garner’s This house of grief: The story of a murder trial, trans. by Megumi Kato (2018, my review): Garner attended the launch, and took part in a panel discussion with Japanese author Kyoko Nakajima discussion Australian and Japanese perspectives on “the non-fiction novel”. You can read a report of the launch event here.
I’m thrilled that I have read, and liked (in different ways and for different reasons) every one of these six books, some, of course, before blogging. I wonder what the next book will be?
All these books have won major awards and/or been bestsellers (by Australian terms, anyhow). None are simple or easy books, and none present Australia at its best. In this sense they represent “true” literature that grapples with real issues, and clearly meet the goal of revealing ‘Contemporary Australia’ (in all its messiness.) Clearly, they appreciate that historical novels also say something about “contemporary” Australia. It’s encouraging that the program is still going, and is supported, it seems, by quality launch events. So many visionary programs like this seem to flounder.
Oh, and by-the-by, I discovered that in July this year, Monash University held a Translation in transition: Australian literature in Japan. It was to focus in particular on this Masterpieces program, which they describe as a 10-year project. The seminar was being given by Tomoko Ichitani who translated Grenville’s book for the project. She is apparently working on a “collaborative translation of Alexis Wright’s Carpentaria“. I wonder if that’s for this program?
Anyhow, what book would you choose next? (I have a few ideas.) And do you have any comments on those chosen to date?