Over the course of these Monday musings have been occasional posts on writers from specific geographic locations in Australia – but I have not done our two most populous regions, the states of Victoria and New South Wales. The time has come to confront there two – and so, today, I present you Victoria.
Now Victoria is a special state – not only does Mr Gums Jr live there, but its capital Melbourne was the second city to be designated as a UNESCO City of Literature! That’s a pretty impressive achievement. I have written some literary road posts on Victoria, which have mostly focused on writers and works from the past, so in this post I will, as I have done in other regional posts, list (in no particular order) five of my favourite current writers from Victoria – some were born there, some migrated there.
Garner is one of our most controversial writers – and has been, really, since the publication of her first novel, Monkey Grip, which some critics argued was simply her writing her own life. They meant by this that it had no creative merit, no literary value. This didn’t deter our Helen though, and she has gone on to become one of our significant writers – of both fiction and non-fiction. She has also written some successful screenplays. She writes about relationships and the things that cause disconnects between people, no matter how much they wish it might not be so. As regular readers of this blog will know, I don’t always agree with Garner, but I am always happy to read her because the woman has style. I’ve read too many of hers to list here, but if you’d like a recommendation, please ask!
You may not have heard of Perlman, particularly if you are not Australian, because he is not particularly prolific. The first novel of his that I read was the multiple point of view Seven types of ambiguity (which makes a sly reference to literary theorist William Empson‘s book of the same name). It’s a good, thoughtful book about love and obsession, and the ambiguities therein! I then read Three dollars which explores the question of what happens “when bad things happen to good people” and how consumerism challenges (compromises) our values. It was adapted for film, starring the gorgeous David Wenham (aka Diver Dan if you are a Sea Change fan). Both these novels are set in Melbourne. According to Wikipedia he has a third novel out this year.
If you have been reading this blog recently, Arnold Zable will need no introduction. His focus is human rights, with a particular interest in the migrant experience. I’ve read two of his novels – Cafe Scheherazade and The sea of many returns – and will happily read more. His prose is lovely, his attitude warm and generous. I’m looking forward to reading his new novel, Violin lessons.
I’m going to throw in a somewhat forgotten, I think, writer here. Way back in 1988 when my reading group started, we focussed on Australian writers, particularly Australian women writers. One of those was Beverley Farmer. We read her collection of short stories Milk and not long after I also read her second collection of short stories, Home time. Both these were published in the 1980s. She has also written novels, and one of those writers’ notebooks, A body of water, in which she documented her ideas and thoughts over a year, the books she was reading, the people she met. I was drawn to her because of the evocative way she conveyed her experience of being a young Australian wife in a Greek village. Like Perlman, she’s not prolific, but in 2009 she was awarded the Patrick White Award (for writers who “have made a substantial contribution to Australian literature but … may not have received adequate recognition for their work”) which says something about the quality of her work.
I’ll conclude on another controversial writer. People, it seems, either love him or hate him – and I fall more in the first camp. He is one of only two writers to have won the Booker Prize twice. I have by no means read all of his books but I like the fact that he takes risks in his writing. I think his Oscar and Lucinda is a worthy contender for the Great Australian Novel (should we take that notion seriously). His True history of the Kelly Gang makes a significant contribution to the Ned Kelly myth by attempting to tell the story in Kelly’s voice. It is not all “true” in the factual sense, but it contains a “truth” that Carey thought worth exploring. His most recent novel, Parrot and Olivier in America, took more risks – in voice and subject matter. Carey, as many of you will know, now lives in New York, but he was born in Victoria – and that’s good enough for this post!
So there you are, five Victorian writers. Now’s your chance to tell me what Victorian writers you like – or simply whether the writers I’ve listed here interest you.