My literary week (12), some art, a film, and an unseen play

Much as I'd like to, I don't have time to write full posts on the three "events" I'm writing about today, but I do want to at least document them. I don't, in fact, document every film, show or exhibition I attend but I have particular reasons, which will hopefully become obvious, for wanting to … Continue reading My literary week (12), some art, a film, and an unseen play

Monday musings on Australian literature: Pulp fiction, 1940s to 1970s

This post was inspired by the Pulp Fiction exhibition* at the Canberra Museum and Art Gallery that ran from August to October this year. The exhibition used materials from two collectors, Graeme Flanagan (d. 2015) and James Doig, who also wrote the accompanying booklet. Doig says that Flanagan "amassed one of the most significant collections of … Continue reading Monday musings on Australian literature: Pulp fiction, 1940s to 1970s

My literary week (10), Non-fiction November and Lady Chatterley

I had hoped to finish my current book by this weekend, but it's been a busy week with a two-day trip away, an exhibition launch, and a Friends' of the NFSA event, on top of usual commitments. However, I do have some "literary" bits and pieces to share. I'll start with the one that isn't … Continue reading My literary week (10), Non-fiction November and Lady Chatterley

David Hockney at the National Gallery of Victoria

It's a while since I wrote about an art exhibition, not because I haven't been to any but because this is a litblog (and I'm even less of an art critic than I am a literary one). However, I did feel the urge to write about the David Hockney Current exhibition, which is now showing at Melbourne's National Gallery of … Continue reading David Hockney at the National Gallery of Victoria

unDISCLOSED, the second national indigenous art triennial

Indigenous Australian art has, over the last few decades, become big business in Australia and overseas, and for good reason. It is unique and it is beautiful. Most Australians, I suspect, only know of the "traditional" dot painting style of the Central Australian Desert and perhaps the wood carvings of the Torres Strait Islands. However, … Continue reading unDISCLOSED, the second national indigenous art triennial