Another treasure from Trove! Just over 50 years ago, on 1 January, 1965, an article appeared in a journal titled The Good Neighbour, which was published from 1950 to 1969 by the then Department of Immigration.

The article is called “Ideal books for newcomers” and opens with:

Following Mary Durack’s articles on “The Old Australia” which appeared in the October and November issues of The Good Neighbour, the author has compiled a list for some suggested reading.

I assume “the author” is Mary Durack? If so, I must say that I’d have written it as ‘Following her articles on “The Old Australia” which appeared in the October and November issues of The Good Neighbour, Mary Durack has …’. Anyhow, the article continues that:

The books named are not necessarily the best or most profound, the author states, but would seem to provide the readiest introduction to Australian literature and history. Many of these books would make useful presents for newcomers to Australia.

So, what does this “author”, let’s presume Mary Durack, recommend? I’m not sure about copyright* on this, so I won’t reproduce it all but the full list is available at the link I’ve provided above. Durack produces her list under headings, such as Australian History, Australian Aborigines, Early Colonial Novels (before 1900), and so on. As you will see, there’s no playing to the lowest common denominator here. The list assumes a good facility with English, and decent concentration levels.

History and culture

Two books are recommended on “Australian Aborigines”. One is AP Elkin’s The Australian Aborigines: how to understand them (Angus and Robertson). An unfortunate subtitle by today’s standards, but this was first published in 1938. A much later edition was a set text for me when I studied Anthropology, Elkin having been Professor of Anthropology at Sydney University. I might be wrong, but I’d be surprised if many Australian citizens had read this book in 1965. Still, in the first edition’s preface, Elkin does suggest that the book has three audiences: the general public, administrative officials and missionaries, and university students and scientists. He suggests that those with a more general interest could skip the chapters detailing relationship systems.

Another category is “Documentary, Travel and Biography”. There’s a strong focus here on the rural, with books about Cobb and Co, the Overland Telegraph, and the Outback (including her own, now classic, Kings in grass castles) being recommended.

With her outback experience, Mary Durack was familiar with Aboriginal people, and so in this, and other categories, she makes sure to include books about (though not by, given the time we are talking about) indigenous people. I was intrigued by one, unknown to me, Bill Harney’s Grief, gaiety, and the Aborigines. My link here is his Australian Dictionary of Biography (ADB) entry. He had close connections with indigenous people, and is described by ADB as “gregarious and generous person who regarded everyone as equal”. This ABC News item supports this assessment. It would be interesting to know how he managed the difficult role of government patrol officer and protector of Aborigines, which he did from 1940 to 1947.

The last category I’ll mention in this group is “Critical and Interpretive Studies”. Among the three books listed here is Russell Ward’s classic, ground-breaking history of Australia, The Australian legend. Last year I reviewed his daughter Biff Ward’s memoir, In my mother’s hands. (And, blogger “wadholloway” who regularly comments here has named his blog for this book.)

Novels

The lists of novels are divided into three categories: early colonial (before 1900), early colonial and pioneering days (post 1900), and later Australian life.

Only two are recommended in the first group, Henry Kingsley’s The recollections of Geoffrey Hamlyn (on my TBR) and Rolf Boldrewood’s Robbery under arms. Not, I notice Marcus Clarke’s classic For the term of his natural life which would perhaps be the first of the early novels that people would think of today. Was she wanting to avoid the convict stain?

Katharine Susannah Prichard, by May Moore (Presumed Public Domain, State Library of NSW)

Her next group – her post-1900 date referring, it seems, to the date of publication not of the content of the novels – contains the usual suspects: Joseph Furphy’s Such is life, Miles Franklin’s All that swagger, (not My brilliant career), Henry Handel Richardson’s famous Richard Mahoney trilogy, Eleanor Dark’s The timeless land, Katharine Susannah Prichard’s The Roaring Nineties, Ernestine Hill’s My love must wait, and Patrick White’s Voss. These seem fair enough, though every Australian literature lover would probably tinker with this. She also includes a book unknown to me, Brian Penton’s Landtakers. According to Wikipedia he was a novelist and journalist, and this novel featured pioneering life in Queensland from 1824–64. Given the Durack family’s story (see my review of Brenda Niall’s biography of the Durack sisters, True north) it’s not surprising that she’d recommend a book on this subject. Interestingly, women writers feature well in her list!

The final group focuses on “later Australian life” – in other words, they’re mostly about life in the 1930s to 1960s. It contains many books I know, some authors I know but not the particular book, and some I’ve never heard of:

• Katharine Susannah Prichard: Coonardoo
• Louis Stone: Jonah
• Xavier Herbert: Capricornia
• Kylie Tennant: The battlers
• Patrick White: Riders in the chariot
• A. G. Hungerford: Riverslake
• Donald Stuart: The driven
• Tom Ronan: Moleskin Midas
• Frank Dalby Davison: Man Shy
• B. Vickers: First place to the stranger
• Judah Waten: Alien son
• Gavin Casey: Snowball
• Randolph Stowe: To the islands
• Elizabeth Harrower: The long prospect
• Nene Gare: The fringe dwellers
• Eve Langley: The pea pickers (my review)

An interesting and probably reasonable list, given the 1965 date. I’m impressed to see Elizabeth Harrower’s second novel, The long prospect, here. It suggests the regard in which she was held at the time she was being published. An obvious omission is George Johnston’s now classic My brother Jack. However, it was only published in 1964, and perhaps Durack didn’t know it.

Again, there are a few authors I don’t know at all: Donald Stuart, Tom Ronan (who appears in other categories too), B. Vickers, and Gavin Casey (who also appears in other categories). That’s 25% of the list! Stuart, Wikipedia says, “attempts to view the world from the aboriginal point of view, making him one of the few Australian writers, along with anthropologists … to even attempt to come close to a personal knowledge of the aborigines”. It would be interesting to read him now – such as his first novel, Yandy – given current thinking on this..

Overall, these books, as in the non-fiction categories, tend to be country rather than urban based. This probably partly reflects what novelists at that time were writing about, but could also reflect Durack’s background and interests. Would this focus have addressed the likely interests of newcomers?

Durack also recommends some verse and short stories, but you can read them at the link.

Meanwhile, I’d love to know what you think about this list (from any point of view you choose!)

* If the government holds copyright on the article, then it is now, just, out of copyright I believe.

Given we’re all looking at best reads, I thought it might be fun to look at best reads of a past time? My initial thought was 1965, a neat 50 years ago, but I couldn’t find any appropriate lists. Google found a 1965 New York Times bestseller list on Wikipedia and a couple of 1965 lists in GoodReads, but they weren’t quite what I was looking for. I wanted Australian lists, but my first port of call, Trove, wasn’t helping. However, not being quite ready to give up, I thought I’d try ten years later, 1975, which is the year I moved to Canberra. Eureka! This time Trove produced two lists …

And they are nicely representative. One is by classics collector, “book reviewer and litterateur”, Maurice Dunlevy, writing in the Canberra Times (woo hoo!) on December 26. Dunlevy wrote a book review page for the paper for 30 years, to 2000 apparently. The other is by one Nina Valentine. A brief search hasn’t turned up much about her except that she was clearly a writer for the Australian Women’s Weekly, which is where I found her December 31 article. Given their different publishing environments, you won’t be surprised to hear that their styles, not to mention their recommendations, are rather different. Both, though, focus on books for summer reading – and, although this post is dedicated to Australian literature, I’m going to break my usual rule and include some non-Australian picks. After all, they were writing for Australian readers.

“… books to help you enjoy lazy, long summer days to the full”

Let’s start with Nina Valentine. Her circa 700-word article focuses on books that tell a strong story, though not all are fiction. Since there’s only five of them, I’ll list them all:

• Evelyn Anthony, The Persian kingdom (an error, I think, for Persian ransom) A British writer, Anthony is, she says, “one of my favorite writers of sculptured novels”. Sculptured novels? That’s a new term for me, but she does define it. They are novels which – wait for it – have “form, character and situation”. Hmmm. Anyhow the novel has an interesting setting, Iran. It’s about the oil crisis, the Palestinian Liberation Army, and a secretary who, Anthony’s heroine knows, threatens her marriage. “Thrilling holiday reading”, Valentine says. According to Trove, many Australian libraries hold it, so there’s no excuse for not adding it to your summer pile!
• Kenneth Harrison, Dark man white world. This, however, is something completely different. It is a biography of famous indigenous Australian tenor, Harold Blair. In addition to singing, he became an Aboriginal activist fighting, she writes, “for better education, better understanding and a better lifestyle for his people”. I love that Valentine chose this as a holiday read.
• James Quartermain, The diamond hostage. Part of a series, this book she says is “tailor-made for holiday escapist fare”. Set in Frankfurt, it features Raven, who is security chief for Mrs Diamond, a very wealthy “diamond-hard business woman”. She’s kidnapped (as is the heroine’s child in Anthony’s book), setting up, presumably, an exciting read.
• Pierre Rey, The Greek. Translated from French, it’s about a “Greek shipping magnate whose affair with a concert singer finishes when he marries the widow of an American who has been assassinated”. Ring a bell, anyone? Rey swears it’s fiction, says Valentine, but for her the point is that it’s “racy” in the style of Harold Robbins and Jacqueline Sussan. (Love the cover.)
• The Saturday Book sounds a little more interesting (to me). It’s an “elegant, gift-boxed collection of stories, poems, drawings, photographs and nostalgia”. Annually published, it may, she writes, be the last due to production costs. She describes it as “a book to beguile you while on holidays, and to enchant you at all times”.

So, overall, an interesting mix of the usual beach holiday plot-driven fare combined with a couple of other options for those looking for something a little different. Minimal Australian content, but interesting to see a translated – genre – book in the mix.

Doing “your bit in the grit to further your cultural education”

Dunlevy’s article is the same length as Valentine’s but he packs more into his by spending less time describing the books. He discusses his selections under categories, recognising his (surely) more diverse set of readers than Valentine’s.

• Literary fiction: I love that he starts with Australian literary fiction naming Xavier Herbert’s doorstopper Poor fellow my country, David Malouf’s autobiographical novel Johnno (the only one I’ve read), Thomas Keneally’s Gossip from the forest, David Ireland’s “fine novel about the Aborigines” Burn, Michael Wilding’s The short story embassy, and Laurie Clancy’s A collapsible man. I haven’t in fact heard of these last two. His foreign literary fiction choices are the last volume in Anthony Powell’s Music of Time sequence Hearing secret harmonies, Iris Murdoch’s A word child, and Saul Bellow’s Humboldt’s gift.
• Poetry (or Verse, to him): This is his second category! Love it. His selections are all from established poets he says: A. D. Hope’s A late picking (which I actually have), David Campbell’s Deaths and pretty cousins, and Gwen Harwood’s Selected poems.
• Australian literary criticism: If I was surprised by poetry being his second group, this third one made me really sit up. He recommends poet Judith Wright’s Because I was invited and poet Douglas Stewart’s The broad stream, describing them as fine successors to poet A. D. Hope’s Native companions, published in late 1974. The final critical work he names is again by a poet, Vivian Smith’s Vance and Nettie Palmer. I know a couple of these – but am mightily intrigued by the others.
• Biographies: Here we move away from a focus on Australian works. He lists several books, including Hilary Spurling’s Ivy when young: The early life of I. Compton-Burnett, describing it “as a fine re-creation of the Victorian family life of an oddball novelist”; Michael Holroyd’s Augustus John; R. M. Crawford’s life of fellow English-Australian historian G. Arnold Wood A bit of a rebel; and Scottish-born Australian Mary Rose Liverani’s autobiography The winter sparrows. According to AustLit, this last book “has been acclaimed as a landmark in Australia’s migrant literature”. Onto the TBR list it goes.
• Histories: Dunlevy says he’d read so many good popular histories in the year that he “would not know where to begin if I were not now reading the most diverting of all, William Manchester’s narrative social history of the United States 1932-72, The Glory and the Dream”. He describes it as “a huge journalistic history which reads like a massive newspaper written by a single brilliant journalist”. He offers two other social histories suitable for holiday reading: John Ritchie’s Australia as once we were and Michael Cannon’s “third volume about Australia in the Victorian Age, Life in the Cities“. I don’t know any of these historians.

Having gone to the trouble of listing all these worthy works, he then admits that he doesn’t “very often see people reading high quality fiction or poetry or criticism or biographies or history on the beach”! Not sure I do either. The “best-selling paperback” is probably the better bet, he thinks, and to that end he suggests P. Benchley’s Jaws, Harold Robbins’ The Pirate (‘which includes lots of stirring sex scenes, including one in front of a mirror”!), Frederyk Forsyth’s The dogs of war, and Irving Wallace’s The fan club. Personally, though, I’d be looking at those books in his first category. I reckon they still make perfectly good recommendations today.

Well, folks, I’ve been back in Sydney over the last four days working on my aunt’s house. With that, and with Christmas looming, I’ve not have much time to think about Monday Musings for this week – or, more to the point, to spend time researching and writing it. I did have an idea, but that will have to wait.

So, instead, I’m just going to share a few interesting links that you may like to check out in any spare moments you have:

• 25 Aussie books by Australian women to read right now (published in The Guardian online, and written by Melbourne’s independent bookstore, Readings): This is a useful list, organised into categories like “If you like novels that transport you into the past…” and “If you prefer your fiction with some fantastical elements…”. The list includes the book I’ll be reviewing next, Eleanor Limprecht’s Long Bay; the book that I mentioned last week as being the most frequently picked best Aussie read this year, Charlotte Wood’s The natural way of things; one of the most reviewed books this year in my section of the Australian Women Writer’s Challenge, Robyn Cadwallader’s The anchoress; and two wonderful sounding short story collections, Abigail Ulman’s Hot little hands and Tegan Bennett Daylight’s Six bedrooms. All this says to me that it’s a list well worth checking out!
• Your summer reading guide for 2015 (from some RN, that is ABC Radio National, presenters): Last year I wrote a post on picks from RN presenters, picking out just the Aussie books. This year I’m just giving you the link, and you’ll have to pick out the Aussie ones yourselves – but you can look at the non-Aussie selections too, while you are at it! The Aussie picks include two memoirs that interest me, writer Gerald Murnane’s Something for the pain, which I hope to get to in the next month, and comedian Magda Szubanski’s Reckoning, which is garnering a lot of positive vibes.
• How Australian dystopian young adult fiction differs from its US counterparts was written in August this year, but I came across it when I was looking for links about Australian cli-fi in honour of the Paris Climate Change Conference. However, I’ve talked about cli-fi before, and so when I came across this article I thought I’d share it instead of looking further. I’m not an expert in this area at all – in YA fiction, I mean – and so I won’t say whether the conclusions drawn by writer, Diana Hodge, are valid or not, but I found her argument that Australian YA dystopian fiction resorts to “magical” abilities and a return to nature for resolution while American books are more likely to look to technical skills and knowledge in their protagonists rather interesting. I’d love to know what readers versed in YA dystopian fiction think.
• Susan Wyndham, the Sydney Morning Herald’s literary editor, wrote about Aussie literary trends also back in August. She briefly looked at trends in Australian fiction through 2014 and into 2015, and identified issues like domestic violence and child abuse, and dystopias, as featuring in recent Australian literature. This makes sense given our society’s current preoccupations. But there are other issues too – like religious (in)tolerance, the plight of refugees and asylum-seekers, and racism? Are many books exploring these? I can think of a couple, but not many. What about you?  (The rest of this pretty brief article is worth a read too.)

And there, I’m afraid, I’ll leave it … hope it’s been of some interest to you!

This is, of course, the last Monday Musings before Christmas. I do hope you all have an excellent holiday season, that you receive some exciting books, if you celebrate Christmas, and/or that you are able to make lots of wonderful time to read whatever books you have. Next week, I will do some annual reviews. Watch this space, if you are interested!

It’s the month of the lists, and so, while I’ll be saving my lists until the END of 2015, I thought today I’d share some of the lists that have already been published. I appreciate that there’s value in publishing these lists now, as they might just help people with their Christmas shopping (or with compiling their Santa lists for other people’s shopping!).

Because my Monday Musings series is about Australian literature, I’m only going to list the favourite Australian books chosen by Australian writers. Most of the books nominated were published in the last 12 months or so, but writers were allowed to choose the best of what they’d read during the year, so some have chosen older books.

So, here’s the list of books, in alphabetical order (with the nominating author/s in parentheses at the end):

• ***Robert Adamson’s Net needle (poetry) (Luke Davies, Jennifer Maiden, Gig Ryan)
• Debra Adelaide’s Letter to George Clooney (short stories) (Christos Tsiolkas)
• Nigel Bartlett’s King of the road (crime novel) (Debra Adelaide)
• Tony Birch’s Ghost river (novel) (Omar Musa) (reviewed 2016)
• Stephanie Bishop’s The other side of the world (novel) Susan Johnson)
• Frank Bongiorno’s The eighties (non-fiction) (Tom Keneally)
• Margaret Bowman’s (comp. & ed.) Every hill got a story (history) (Alexis Wright)
• James Bradley’s Clade (novel) (Luke Davies)
• Tania Chandler’s Please don’t leave me (novel) Graeme Simsion)
• **Tegan Bennett Daylight’s short story collection, Six bedrooms (Susan Johnson, Charlotte Wood) (reviewed later) (reviewed 2016)
• Ceridwen Dovey’s Only the animals (novel) (Chris Wallace-Crabbe)
• Peter Doyle’s The big whatever (crime novel) (Debra Adelaide)
• **Ali Cobby Eckermann’s, Inside my mother (poetry) (Robert Adamson, Jennifer Maiden)
• Delia Falconer’s The lost thoughts of soldiers (novel) (Luke Davies)
• Michael Farrell’s Cocky’s joy (poetry) (Gig Ryan)
• **Martin Flanagan’s The short long book (biography) (Anita Heiss, Favel Parrett)
• Bill Garner’s Born in a tent (non-fiction) (Don Watson)
• Lisa Gorton’s The life of houses (novel) (Chris Wallace-Crabbe)
• Barbara Hanrahan’s The scent of eucalyptus (novel) (Peter Goldsworthy) (my review)
• Lesley Harding and Kenneth Morgan’s Modern love (biography) (Steven Carroll)
• Natalie Harkin’s Dirty words (poetry) (Anita Heiss)
• **Martin Harrison’s Happiness (poetry) (Robert Adamson, Lisa Gorton)
• Elizabeth Harrower’s A few days in the country and Other stories (short stories) (Joan London) (reviewed 2016)
• Sonya Hartnett’s Golden boys (novel) (Robert Adamson) (reviewed 2016)
• John Hawke’s Aurelia (poetry) (Gig Ryan)
• Antonia Hayes’ Relativity (memoir) (Graeme Simsion)
• Lisa Heidke’s The Callahan split (self-published novel) (Anita Heiss)
• Marty Hiatt’s Hard-line (poetry) Gig Ryan)
• **Sarah Holland-Batt’s The hazards (poetry) (Chris Wallace-Crabbe, Fiona Wright)
• Chloe Hooper’s The tall man (non-fiction) (Abigail Ulman) (read before blogging)
• Clive James’ Poetry notebook (essays) (Peter Goldsworthy)
• Karen James’ On purpose: Why great leaders start with the PLOT (non-fiction) (Anita Heiss)
• **Gail Jones’ A guide to Berlin (novel) (Debra Adelaide, Fiona Wright)
• Mireilla Juchau’s The world without us (novel) (Fiona Wright)
• **Leah Kaminsky’s The waiting room (novel) (Graeme Simsion, Clare Wright)
• Krissy Kneen’s Eating my grandmother (poetry) (Kristina Olsson)
• **Malcolm Knox’s The wonder lover (novel) (Christos Tsiolkas, Don Watson)
• Lee Kofman’s The dangerous bride (Clare Wright)
• **Ramona Koval’s Bloodhound (memoir) (Shane Maloney, Clare Wright)
• Anna Krien’s Night games (non-fiction) (Abigail Ulman) (my review)
• Chip Le Grand’s The straight dope (non-fiction) (Steven Carroll)
• Joan London’s The golden age (novel) (Don Watson)
• Alan Loney’s Crankhandle (poetry) (Gig Ryan)
• Tim Low’s Where song began (non-fiction) (Don Watson)
• Helen Macrae’s Dinner with the devil (history) (Favel Parrett)
• Jennifer Maiden’s The fox petition (poetry) (Fiona Wright)
• Chris Mansell’s avian triptych, Aves (poetry) (Jennifer Maiden)
• Drusilla Modjeska’s Second half first (memoir) (Joan London)
• Gerald Murnane’s Something for the pain (memoir – and on my actual TBR) (Gregory Day) (reviewed 2016)
• Les Murray’s On bunyah (poetry) (Peter Goldsworthy)
• **Pi O’s Fitzroy: The biography (poetry) (Maxine Beneba Clarke, Gig Ryan)
• Kerry O’Brien’s Keating (biography) (Tom Keneally)
• Anthony Reid’s Southeast Asia in the Age of Commerce, 1450-1680 (non-fiction) (Omar Musa)
• Michael Robotham’s Life or death (crime novel) (Shane Maloney)
• Margaret Simons’ Six square metres (gardening, with reflections) (Helen Garner)
• Rebecca Starford’s Bad behaviour (memoir) (Abigail Ulman)
• TGH Strehlow’s Journey to Horseshoe Bend (memoir) (Lisa Gorton)
• **Magda Szubanski’s Reckoning (memoir) (Graeme Simsion, Christos Tsiolkas)
• **John Tranter’s Heart starter (poetry collection) (Jennifer Maiden, Gig Ryan)
• Ellen van Neerven’s Heat and light (fiction/short stories) (Omar Musa) (my review)
• Abigail Ulman’s Hot little hands (short stories) (Omar Musa)
• Ann Vickery’s The complete pocketbook of swoon (poetry) (Gig Ryan)
• Susan Whelan’s Don’t think about purple elephants (children’s) (Anita Heiss)
• Petra White’s A hunger (poetry) (Chris Wallace-Crabbe)
• Anne Whitehead’s Betsy and the emperor (history) (Tom Keneally)
• Jessica L Wilkinson’s Suite for Percy Grainger (poetry) (Jennifer Maiden)
• *****Charlotte Wood’s The natural way of things (novel) (James Bradley, Maxine Beneba Clarke, Susan Johnson, Kristina Olsson, Fiona Wright) (reviewed 2016)
• Fiona Wright’s Small acts of disappearance (essays) (Luke Davies) (reviewed 2016)
• Beth Yahp’s Eat first, talk later (memoir) (Drusilla Modjeska)
• Ouyang Yu’s Fainting with freedom (poetry) (Alex Miller)

There are some surprises for me here, that is, some books and/or writers I’ve never heard of, such as Abigail Ulman, not to mention some of the poets. I was also surprised – or, perhaps just interested – in the variety of books chosen, that not only is there fiction and poetry, but also quite a diverse selection of non-fiction. I had never heard of Anne Whitehead, for example, until I did some research on the New Australia movement in Paraguay, during which I discovered that she’d written a book about Mary Gilmore, and now, here’s Tom Keneally nominating a recent book of hers. Hmmm … poor TBR.

Unless I’ve made a mistake, a few Australian writers didn’t choose any Aussie books – Geraldine Brooks, Jessie Cole (though she did mention several Australian literary journals), Malcolm Knox, Tim Flannery, and Michael Robotham. I’m naming them to shame them! Well, not really, but still … I do hope they read their peer Aussie writers.

On the other hand, there’s Alex Miller who only chose ONE book, and that was Chinese-born Australian writer Ouyang Yu’s poetry collection, Fainting with freedom. Miller describes it as “some of the finest poetry ever written this century”. No beating about the bush there, no feet in multiple camps as I’ll do with my list – when I get to it! I love such bravery!

Finally, it’s very clear I need to read Charlotte Wood’s The natural way of things.

And now, over to you: Do you read top pick lists in your neck of the woods (no pun intended!)? And if so, have you been surprised, delighted, or perhaps, shocked?

________________________________________________________________

Source: Panorama section, The Canberra Times, 12/12/2015

* Asterisks denote those books nominated more than once – the number of asterisks identify the number of nominations.