Monday musings on Australian literature: Regional differences in Australian English

While dining in Thredbo this weekend, we were served by a waiter who, when I asked for a certain ingredient to be excluded from my dish, repeated it back with the order, "and no to-mAY-to" she said. Her accent wasn't strong but this stood out, so when she returned to our table, we asked whether … Continue reading Monday musings on Australian literature: Regional differences in Australian English

Stephen Orr, The hands: An Australian pastoral (Review)

As promised, here is my review of a farm novel, Adelaide-based Stephen Orr's The hands: An Australian pastoral. It is his sixth novel but the first that I've read. Where have I been? The hands is such a good read I wonder why I haven't read him before. Among the review excerpts for his previous novels provided at the beginning … Continue reading Stephen Orr, The hands: An Australian pastoral (Review)

Monday musings on Australian literature: Best books of 1975

Given we're all looking at best reads, I thought it might be fun to look at best reads of a past time? My initial thought was 1965, a neat 50 years ago, but I couldn't find any appropriate lists. Google found a 1965 New York Times bestseller list on Wikipedia and a couple of 1965 lists in GoodReads, but they weren't quite what … Continue reading Monday musings on Australian literature: Best books of 1975

Monday musings on Australian literature: Australian Women Writers’ Challenge 2015

For the fourth year now, I'm devoting the year's last Monday Musings to the Australian Women Writers Challenge*. The challenge continues to be supported by a wide range of reviewers. This year we moved to a self-hosted site which enabled us to produce a single searchable database of all reviews logged since the challenge started in 2012. We now … Continue reading Monday musings on Australian literature: Australian Women Writers’ Challenge 2015

Eleanor Limprecht, Long Bay (Review)

One of the things that interests me about historical fiction, of which Eleanor Limprecht's Long Bay is an example, is why the author in question chooses to write his/her story as fiction rather than non-fiction. As I've written before, this is an issue with which Kate Grenville grappled when she wrote The secret river. That book was initially going to … Continue reading Eleanor Limprecht, Long Bay (Review)