In my last review - that for Ali Cobby Eckermann's Ruby Moonlight - I shared the following lines: Jack knows the remainder of the conversation before it was spoke ya see any blacks roaming best ya kill 'em disease spreading pests ("Visitor", from Ruby Moonlight) Quite coincidentally, this point I was making, that it was not … Continue reading Larissa Behrendt, Under skin, in blood (Review)
Literature by period
Ali Cobby Eckermann, Ruby Moonlight (Review)
Ali Cobby Eckermann has been on my radar for a while, so when Lisa announced her 2016 Indigenous Literature Week, I decided Eckermann's verse novel Ruby Moonlight would be my first choice. This novel won the poetry prize and the book of the year in the 2013 New South Wales Premier's Literary Awards. I enjoy verse novels but … Continue reading Ali Cobby Eckermann, Ruby Moonlight (Review)
Julie Proudfoot, The neighbour (Review)
When Julie Proudfoot offered me her debut novel, The neighbour, for review I was more than happy to accept. After all, it had won Seizure magazine's Viva La Novella Prize in 2014, and you all know how much I love a novella. I must say it's a gorgeous looking book. I'm not one to judge books … Continue reading Julie Proudfoot, The neighbour (Review)
William Makepeace Thackeray, The luck of Barry Lyndon (#Review)
By the time I reached about the 30% mark (on my Kindle) of William Makepeace Thackeray's classic novel, The luck of Barry Lyndon, I was reminded of a monologue by English comedian Cyril Fletcher which my father had on an old gramophone record. It's about a "lunatic" (this was in less linguistically-sensitive times) who decided to write a … Continue reading William Makepeace Thackeray, The luck of Barry Lyndon (#Review)
Jane Austen, a moral absolutist?
In my post on the Jane Austen Festival Australia a couple of months ago, I summarised the various papers presented at their day-long symposium. One of the papers was by a Marcus Adamson and his topic was "The ever absolute Miss Austen". Adamson's paper was a challenge to fully comprehend, partly because he referenced, in a … Continue reading Jane Austen, a moral absolutist?
Dorothy Johnston, Through a camel’s eye (Review)
When should I give up saying that I don't read crime? In the last seven years, I've posted nine reviews tagged crime fiction (of which one was a guest post). Perhaps just over one a year still qualifies as not reading crime? Then again, what's the point of saying it, if every now and then I do … Continue reading Dorothy Johnston, Through a camel’s eye (Review)
Anna Rosner Blay, Sister, sister (Review)
Some of the most vivid memories of my Sydney-based late teens and early twenties relate to spending time with Jewish people, business friends of my father. We went to parties in their homes, to weddings and bar mitzvahs. These were always happy, family-oriented occasions. I had crushes on the sons. I knew that most of these people had come … Continue reading Anna Rosner Blay, Sister, sister (Review)
Kate Chopin, A pair of silk stockings (Review)
Over the years, the Library of America's (LOA) Story of the Week has published seven short stories by Kate Chopin, and I've posted on four of them. Now comes my fifth. It was actually published in February. I noted it, printed it out, but have only now found time to sit down and read it, and of … Continue reading Kate Chopin, A pair of silk stockings (Review)
Charlotte Wood, The natural way of things (Review)
Well, I wrote this week's Monday musings on Australian dystopian fiction as a lead in to my review of Charlotte Wood's award-winning The natural way of things, but I wasn't expecting to get the perfect intro for my review! In the post's comments, author and publisher Anna Blay pointed us to an article by Maria Popova in … Continue reading Charlotte Wood, The natural way of things (Review)
Monday musings on Australian literature: Dystopian fiction
For some reason, I'm often drawn to dystopian fiction. In my younger days I read Nevil Shute's On the beach (probably my first book of this ilk) and then, of course, George Orwell's 1984, Aldous Huxley's A brave new world, moving later on to books like Margaret Atwood's A handmaid's tale and Cormac McCarthy's The road, … Continue reading Monday musings on Australian literature: Dystopian fiction