Larissa Behrendt, Under skin, in blood (Review)

In my last review - that for Ali Cobby Eckermann's Ruby Moonlight - I shared the following lines: Jack knows the remainder of the conversation before it was spoke ya see any blacks roaming best ya kill 'em disease spreading pests ("Visitor", from Ruby Moonlight) Quite coincidentally, this point I was making, that it was not … Continue reading Larissa Behrendt, Under skin, in blood (Review)

William Makepeace Thackeray, The luck of Barry Lyndon (#Review)

By the time I reached about the 30% mark (on my Kindle) of William Makepeace Thackeray's classic novel, The luck of Barry Lyndon, I was reminded of a monologue by English comedian Cyril Fletcher which my father had on an old gramophone record. It's about a "lunatic" (this was in less linguistically-sensitive times) who decided to write a … Continue reading William Makepeace Thackeray, The luck of Barry Lyndon (#Review)

Anna Rosner Blay, Sister, sister (Review)

Some of the most vivid memories of my Sydney-based late teens and early twenties relate to spending time with Jewish people, business friends of my father. We went to parties in their homes, to weddings and bar mitzvahs. These were always happy, family-oriented occasions. I had crushes on the sons. I knew that most of these people had come … Continue reading Anna Rosner Blay, Sister, sister (Review)

Charlotte Wood, The natural way of things (Review)

Well, I wrote this week's Monday musings on Australian dystopian fiction as a lead in to my review of Charlotte Wood's award-winning The natural way of things, but I wasn't expecting to get the perfect intro for my review! In the post's comments, author and publisher Anna Blay pointed us to an article by Maria Popova in … Continue reading Charlotte Wood, The natural way of things (Review)

Monday musings on Australian literature: Dystopian fiction

For some reason, I'm often drawn to dystopian fiction. In my younger days I read Nevil Shute's On the beach (probably my first book of this ilk) and then, of course, George Orwell's 1984, Aldous Huxley's A brave new world, moving later on to books like Margaret Atwood's A handmaid's tale and Cormac McCarthy's The road, … Continue reading Monday musings on Australian literature: Dystopian fiction