Monday musings on Australian literature: Guest post from Tony of Tony’s Book World

As with most of my guest posters to date, I came across Tony (of Tony’s Book World) not long after I commenced blogging. He stood out like a beacon because he was a non-Aussie blogger who had read a significant amount of Australian literature, including Patrick White no less. If you check his blog, you will find that he even has a page listing his favourite Australian fiction. He (so far, anyhow) doesn’t have any other nationally focused pages. How could I not ask him to write a guest post here! Thanks Tony, it’s been great getting to know you through blogging. Not only have I enjoyed getting to know my own literature through other eyes but you’ve introduced me to some writers – like Dawn Powell – that I know will be up my alley.

Tony has chosen for his topic one of the grand dames of Australian literature …

Henry Handel Richardson and The Fortunes of Richard Mahony

English:

Henry Handel Richardson, 1945, by Coster (Presumed Public Domain, via Wikipedia)

It is terrific and I am grateful to Sue for having this opportunity to guest write in “Whispering Gums”. It took me long enough to figure out that a Whispering Gum is a tree, an Australian (eucalyptus?) tree.

I have never been to Australia. In fact I live about as far on Earth from Australia as you can get in Minneapolis, Minnesota, US, where most of our trees are either oaks or pine trees. Yet over the years I’ve developed a passion for Australian literature starting with Christina Stead and Patrick White (whom I consider probably the greatest novelist ever, just to give you an idea where I’m coming from). My appreciation of Australian literature has continued through the years with many writers including such recent writers as Tim Winton, M. J. Hyland, and Joan London.

Today I want to write about the “The Fortunes of Richard Mahony” trilogy by Henry Handel Richardson which I consider the high point of Australian literature along with Patrick White’s novels. Henry Handel Richardson was the male pseudonym of woman writer Ethel Florence Lindesay Richardson who lived from 1870 to 1946. I read this entire trilogy back in 1991 and 1992, and it was one of my most moving reading experiences.

Each of her (Henry Handel Richardson’s) novels is an effort to understand and to make us understand the complexities of a human situation, and this is in itself an invigorating and sometimes subversive exercise in following truth along unexpected paths. — Karen MacLeod, Henry Handel Richardson (1985)

Richardson later wrote that the character of Richard Mahony was based on her own physician father. What makes this trilogy so moving is the complexity and unsparing honesty that Richardson brings to the character of Richard Mahony. Just as perceptive parents know their own children, faults and all, better than anyone else in the world, children as they grow up observe their parents closely. Most children love their parents, but that does not mean they aren’t aware of their faults. From your own children, you can run but you can’t hide. Richardson gives the reader the full portrait of Richard Mahony entirely free of sentimentality. In fact Richardson said that so much had been written about the great successes among the Australian people, she wanted to give a picture of one of the many failures, and so we have this story of the slow decline of Richard Mahony.

Lake View House, Chiltern

Lake View House, Chiltern, where Richardson lived when young (By Golden Wattle, via Wikipedia, using CC-BY-SA 2.5)

The first volume of the trilogy, “Australia Felix” begins at the goldfields near Melbourne in 1852. Richard is a young man just arrived from Dublin, Ireland and he is running the Diggers Emporium on the goldfields. He is more interested in reading philosophy than drinking and socializing, and most of his neighbors dislike him, thinking he is arrogant. He does meet fifteen year-old Polly whom he marries. Polly, later known as Mary, becomes a strong female figure in the trilogy. After losing his store due to accidentally selling spoiled flour, Richard takes up his original profession as a doctor

In the second volume, “The Way Home” Richard and Mary go back to the British Isles, this time to Glasgow, but soon Richard decides they can never be successful there and the couple returns to Australia and locate in the goldfields in Ballarat where he establishes a practice as a doctor. Here they finally have a daughter.

When the first two volumes of The Fortunes of Richard Mahony were originally published, there was little fanfare and few sales. All that changed when the third volume, “Ultima Thule”, was published in 1929. It was greeted with a chorus of praise from the critics, had good sales, and overnight Richardson became famous. Readers finally latched on to the tragedy of Richard Mahony and his family.

As the story in the trilogy continues, a strange thing happens. As I mentioned before, Richardson’s portrayal of Richard Mahony is honest and unsparing. Yet the reader is sympathetic and cares more about what happens to this man because of his faults and failures, not in spite of them. Richardson presents a total human being defects and all, and this complete blunt account gives the trilogy its power. Richardson applies these same forthright techniques to the wife Mary and the daughter.

Another distinctive feature of the trilogy is the style of the writing. Richardson’s writing has a visceral natural quality that puts you in to whatever scene she is depicting. I still remember some of the intense goldfield scenes vividly. There are similarities in her style to that of Patrick White, and I can’t help but think that White had read The Fortunes of Richard Mahony carefully sometime before writing his own novels.

One of Richardson’s literary heroes was Leo Tolstoy. “This is not a novel, it is a world”, wrote W. D. Howells of Tolstoy’s War and Peace, and the same line applies to The Fortunes of Richard Mahony. All of life is in these pages. As an unknown English critic said of The Fortunes of Richard Mahony, it is “one of the great inexorable books of the world’’.

The book Henry Handel Richardson – A Study by Nettie Palmer (1950) was very helpful to me in writing this article.

Monday musings on Australian literature: Guest post from Kim of Reading Matters

This week’s Monday musings brings you my fourth guest post, this time from Kim of Reading Matters. Like Guy, Kim started commenting on my blog in its infancy and I soon discovered that this blogger from England was actually an Australian. Naturally we developed a rapport. I have appreciated Kim’s support of my blog – through regular commenting  (particularly in my fledgling days) and through inviting me to be a Triple Choice Tuesday guest. She is one of England’s top litbloggers and this month is hosting an Australian literature month as I advised in last week’s Monday Musings.

I’m thrilled that Kim decided to write on children’s literature. Her guest post on children’s classics beautifully complements Louise’s recent post on current writers/illustrators.

Australian classic books from an Australian childhood

When you are an Australian expat who’s lived overseas for as long as I have (13 years and counting…) it’s easy to think you’ve never lived anywhere else. Then you have little “cultural blips” that rudely remind you that you grew up on the other side of the world.

For me, these “blips” usually occur when friends and colleagues start reminiscing about sweets (or should that be lollies?) from their childhood that are no longer available, or British TV shows they watched when they were growing up which were never screened in Australia. Once I had to sit in on a lengthy discussion about children’s literature where many of the references went completely over my head.

This got me thinking about my favourite books from childhood, all by Australian authors, which do not appear to have ever attracted an international audience. Here are three classics, none of which have been out of print in Australia, that mean a lot to me:

Blinky Bill by Dorothy Wall

Dorothy Wall (1894-1942), a New Zealand-born Australian, originally illustrated books for other writers before creating her own series about a mischievous male koala called Blinky Bill. The first book — Blinky Bill: The Quaint Little Australian— was published in 1933 and two others followed — Blinky Bill Grows Up (1934) and Blinky Bill and Nutsy (1937).

My aunt had three books in one beautifully bound volume. I still remember the distinctive red cover and the cheeky little picture of Blinky Bill, wearing bright orange trousers, toting a swag and billy can on a stick slung over his shoulder. It was always a real treat when I was allowed to take the book down from the shelf and look at the colour-plates inside. I remember turning the pages with awe and being very careful not to mark the book in any way.

Funnily enough I can’t really remember what the stories were about, but I remember the pictures with almost perfect clarity, they were so vivid and funny.

I’m delighted to say that you can read the text online at Project Gutenberg Australia

The Muddle-Headed Wombat by Ruth Park

The muddle-headed wombat by Ruth Park, book cover

Ruth Park (1917-2010), yet another New Zealand born author who called Australia home, also turned to Australian wildlife for inspiration.

Her main character was a wombat — a creature with which many non-Australians may not be familiar, think of a very cute furry pig with a cheeky face and short stumpy legs — whom was very muddle-headed.  He spoke in spoonerisms and misused similar sounding words — for instance “sensibubble” instead of “sensible” — which meant he often said very funny things without realizing it.

Wombat, as he was officially known, had two friends — a skinny grey cat called Tabby and a practical female mouse called Mouse — whom accompanied him on all kinds of adventures.

I can only recall vague details of particular stories — there were more than 16 in the series, all written between 1962 and 1971 to accompany an ABC radio show, which was cancelled by the time I was born. For instance, in one story Wombat bought a bicycle with shiny red wheels and in another he ate some chalk that made him sick.

But it was the quite hilarious illustrations that I remember most — along with the cute red jacket and floppy purple hat Wombat used to wear!

The Adventures of Snugglepot and Cuddlepie by May Gibbs

May Gibbs' Snugglepot and Cuddlepie

May Gibbs (1877-1969) was an English-born Australian writer and illustrator whose stories were inspired by Australian native flora.

She’s probably best known for her gumnut babies, Snugglepot and Cuddlepie, who are cute little foster brothers that resemble eucalyptus nuts.

The pair go on an adventure in the Australian bush, but they have to take care not to run into the big bad Banksia men — horrible creatures modeled on banksia cones, which are a bit like hairy pinecones.

As a child I remember being physically scared of the Banksia men, but as ever in the world of children’s literature, good overcomes evil and they sink to the bottom of the sea!

The best part about Snugglepot and Cuddlepie, which was first published in 1918, are the truly beautiful illustrations by the author. To this day these illustrations are used on all kinds of merchandise, but what I hadn’t realized until I started writing this piece is that all profits go to UNICEF, the Spastic Centre of NSW and the NSW Society for Crippled Children (now the Northcott Society), according to the wishes of May Gibbs’ bequest.

May Gibbs home Nutcote, on the shores of Sydney Harbour, is also open to the public.

I suspect that all three books, with their emphasis on Australia’s unique plants and animals, may be responsible, not only for my love of Australian literature, but my love and respect of the Australian bush, too.

Monday musings on Australian literature: Some Australian Literature online events for 2012

What better way to kick off Monday Musings in 2012 than by heralding some exciting Australian Literature initiatives from around the ‘net. Here they are, in no particular order:

Australian Women Writers Challenge 2012 Badge

Badge (Design: Book'dout - Shelleyrae)

Australian Women Writers Challenge 2012 by Elizabeth Lhuede. Her aim is to promote women writers across all fields and genres of writing. The challenge involves signing up to read books – in any genre – by Australian women writers. You can focus on one genre or many, you can choose a level that suits you. I don’t usually do challenges, but this one is a no-brainer for me since I always try to read a goodly quantity of Australian literature each year and I love to read books by women. Last year I reviewed at least 14 Australian women writers and, in addition, wrote several posts on specific women writers and women’s literature issues. My aim will be to achieve a Franklin-fantastic Dabbler, that is, I’ll read (and review) at least 10 books by Australian women writers in more than one genre.

Australian Literature badge, by Reading Matters

One of the Australian Literature Month badges (by Reading Matters)

Australian Literature Month by Kim of Reading Matters. She plans to read lots of Australian books during her cold northern January (she would leave Australia!) and encourages readers of her blog, to do the same. As an incentive she has created several gorgeous badges for bloggers to attach to their posts reviewing Aussie books. Since seeing a platypus in the wild is on my bucket list, I have chosen her platypus badge for this post.

Australian National Year of Reading 2012 by WeLove2Read. This project is “a collaborative project joining public libraries, government, community groups, media and commercial partners, and of course the public. As well as creating specific new campaigns for the National Year of Reading, we’ll be using our joint efforts to bring together and showcase the wonderful projects and organisations across Australia which already exist to promote reading and literacy”.  (From the website) Keep an eye on the website for activities and events as they occur during the year.

2012 Aussie Author Challenge by Booklover Book Reviews. The challenge is to “read and review books written by Australian Authors – physical books, ebooks and audiobooks, fiction and non-fiction” (from the blog). There are two challenge levels and, like most challenges, a badge to add to your site. (I added this challenge after the post was published, as the result of Tony‘s recommendation. Thanks Tony.)

And so …

As you start your 2012 reading, do consider including some Aussie Lit into the mix and please let the people above know when you do. They will appreciate knowing that their work has hit some paydirt.

If there are other initiatives that I haven’t listed here, please let me know in the comments below and I will update this list.

Notable reads for 2011

I’ve been wondering whether to jump on the “Best of” bandwagon and, if I did it, how to do it. Then today I read Lizzy Siddal’s (love that name!) list and decided that I’d follow her lead and use categories rather than go for a simple Top Ten (or whatever) which always feels fraught. I know Lizzy’s not the only one to use categories but hers was the one that inspired me today.

However, for my categories I’m going to use book reviewer cliches since, of course, I never use them in my reviews!

Some mosts

  • Grittiest: Joyce Carol Oates’ Beasts for confronting sexual predation on multiple levels.
  • Most thought-provoking: André Gide’s The immoralist for, well, making me think.
  • Most rivetting: Lloyd Jones’ Hand me down world because even though I guessed the set up fairly early on I still wanted to know how it was going to play out.
  • Most haunting: Horace Walpole’s The castle of Otranto. What else? Case dismissed.
  • Most lyrical: Alan Gould’s The lakewoman for its mesmeric, poetic, romantic sensibility.
  • Most unflinching: Mario Vargas Llosa’s no-holds-barred The feast of the goat about the last days of the Trujillo regime … it was an apposite read given the events of the Arab Spring
  • Most powerful: That would have to be the power couple, Franklin and Eleanor: An extraordinary marriage, by Hazel Rowley
  • Most poignant: Jay Griffiths’ A love letter from a stray moon for being fiery, passionate and poignant all in one.

And, to be fair about it, a couple of leasts

  • Least epic: Jane Austen’s The Watsons. After all, how could an unfinished Jane Austen come even close to being epic?
  • Least nuanced: Howard Jacobson’s The Finkler question, though perhaps there’s nothing more nuanced than the substitution of “Finkler” for “Jew”?

There aren’t many Aussie books in this list, but that’s because I focused on Aussie highlights in this week’s Monday Musings. To include them again would be like double-dipping, wouldn’t it?

And now over to you … what were your most notable reads for 2011?

Oh, and Happy New Year to you all … may the reading gods smile kindly on you in 2012.

Monday musings on Australian literature: My AusLit wrap up for 2011

Here we are at the end of another year and I’ve decided that, rather than list my top Aussie reads for 2011, I’d list my AusLit highlights of the year. I apologise in advance that it’s going to be all about me – that is, the links will be to posts on this blog. After all, we are talking about my AusLit highlights. Here they are in no particular order:

Meanjin‘s Tournament of Books

This year Meanjin decided to emulate the Morning News’ Tournament of Books with the express aim of raising consciousness about Australian women writers. I don’t know how well they achieved this aim but next week’s Monday Musings will be about other AusLit-related initiatives so perhaps it’s all part of momentum building. Meanwhile, if you missed the discussion here, click on my Tournament of Books tag and you will find the 6 posts I devoted to the topic.

Having cried wolf, book cover

Having cried wolf, book cover (Courtesy: Affirm Press)

Affirm Press’s Long Story Shorts

Affirm Press is one of Australia’s wonderful small independent publishers. In 2010 they published the first of the six books in their Long Story Shorts project which involved commissioning emerging writers to produce short story collections. This year I reviewed the final three books and was impressed by the writing, the gorgeous production and the publisher’s commitment. May there be many more such collections and even more opportunities for emerging writers in 2012 and beyond. Hats off to Affirm Press!

Prime Minister’s Literary Awards panel

The Prime Minister’s Literary Awards are relatively new on the Australian literary awards scene but they’ve made a splash, partly because the prizes are comparatively lucrative. There are plans next year to add a Poetry prize and roll the Prime Minister’s Australian History Prize under the banner. This year, I attended, on the day of the announcement, a panel discussion with some of the winners and shortlisted authors. It was a real treat to hear (and see) the authors firsthand … but I have yet to read this year’s fiction winner, Stephen Daisley’s Traitor. Last year’s winner, Eva Hornung’s Dog boy, though, well demonstrates the calibre of the awards.

Miles Franklin Award

This year’s winner was That deadman dance by Kim Scott. Not only is it a beautifully written and thoughtful book but it’s a rare win for an indigenous author – and that has to make it a 2011 highlight.

Poetry

Readers of this blog know that I like to review poetry occasionally, though I am by no means an expert. I reviewed two special books of poetry this year, special because of the women who produced them and for the quality of their poetry. Ginny Jackson’s book The still deceived was published posthumously after she’d worked hard to complete it while terminally ill with cancer. Her poem, “Getting off the bus”, contains some of the most poignant lines I’ve read about dying. Nora Krouk’s Warming the core of things was published the year she turned 90. I used two lines from one of her poems in our family Christmas card this year. I should read and review more poetry!

Sydney University Press’s Charles Dickens set

Sydney University Press has been doing great work in recent years re-publishing Australian literary classics, several of which I’ve reviewed on this blog. However, this year they published another “treasure”, Charles Dickens’ Australia: Selected essays from Household Words 1850-1859, edited by Margaret Mendelawitz. It’s a five-volume set of articles relating to Australia from Charles’ Dickens periodical, Household Words. The periodical is available on-line, another example of the pluses of electronic communication, but to have someone else do the work of sifting out those articles of relevance to Australia and then sort them into thematic volumes is a perfect example of value adding.

Monday Musings guest posts

When I commenced my Monday Musings series nearly two years ago I planned to include the occasional guest post but for various reasons I haven’t organised many to date. However, there were two this year and they were highlights for me – and not just because I didn’t have to write them! They were informative posts: Louise wrote on some Aussie Children’s Lit creators, and Guy Savage wrote on Max Barry. Both were passionate posts on topics dear to the heart of their writers – and both taught me some things I didn’t know. There’ll be more guest posts next year.

Meeting Alan Gould

Alan Gould is a local (to me) poet, short story writer and novelist, and he was shortlisted last year for the Prime Minister’s Literary Awards for his beautiful, mesmerising novel, The lakewoman. My reading group was lucky to have him attend our discussion of his book earlier this year. It was a treat to be able to ask questions about the genesis of what is an intriguing book and to discuss our reactions to it. Gould was gracious in sharing his ideas with us, and we hope he got something out of the discussion too. He should be better known.

Top Aussie post of the year – Red Dog

WordPress provides some excellent blog stats, including your top posts (by number of hits). You can ask for your top posts to be listed by specific time frames – 7 days, 30 days, year, and alltime. I decided to check for my top post over the past year and was surprised to find that it was my review of The Red Dog (Movie and Book). I posted it in August and it is so far ahead of the next top ranked post that it will be my top post for the calendar year. The movie was based on a book written by Louis de Bernières about a legendary dog of the Pilbara. It’s a slim book and is not great literature but the film has done astonishingly well at the box office. I say “astonishingly” because Australian films often do not attract good audience numbers, which worries our film industry. Red Dog, though, bucked that trend and showed filmmakers that Australian audiences will go to Australian films (sometimes, anyhow!). I would hate this movie to start a spate of similar movies in the hope of cashing in on audience interest, but it was good to see a film that appealed to Aussies. I hope we see more – and varied ones – in 2012.

And finally …

Thanks to everyone who has read, commented on and/or “liked” my blog over the last year. I may not know you all but I sure appreciate your visiting me here. I wish you all happy reading in 2012 … and, meanwhile, would love to hear of your blog or literary or reading highlights of the year.

Monday musings on Australian literature: Guest Post from Guy of His Futile Preoccupations

Monday Musings’ Guest Post no. 3 comes from Guy Savage of His Futile Preoccupations. Guy started commenting on my blog very early on and endeared himself to me by giving me the nickname of Gummie. That is a very Aussie thing to do – or is it English? Guy, you see, is an expat Brit living in the USA. (At least I think I’ve got that right.) I quickly discovered that Guy had an interest in and knowledge of things culturally Australian and we have shared some interesting conversations about Australian authors and films over many posts here and there. He is also interested in the classics, including authors like, oh, Jane Austen for example. His other interest – he’s a man of many talents – is crime fiction and film noir, and he writes with great flair on things criminal! Do check out his blog. You won’t be disappointed.

But, on with the post. Guy stunned me when, commenting on my very first Monday Musings, he named Max Barry as his favourite Aussie writer. Max Barry, who is he? Well, today Guy is going to tell (me) us … read on …

Max Barry 2006

Max Barry 2006 (Courtesy: dejahthoris, via Wikipedia, using CC-BY-SA 3.0 Unported)

Max Barry: One of Australia’s National Treasures

Ok, I’ll admit it. I’m not rational about Max Barry. I’d like to say that I’m his number one fan, but that makes me sound as though I’m ready for psycho-therapy, and anyway, if you make a trip to Max’s website and sign up as a member of Max’s Posse (currently at 5785 and climbing), you’ll see that he’s his own number one fan. So instead I’ll land on the safer statement that I’ve been a fan of this Australian author for 10 years. Born in 1973, Max Barry is a young writer, and there’s going to be a lot of great books coming from his home in Melbourne. I suspect that he’s better known outside of Australia, but I’m basing that on the fact that Gummie hadn’t heard of Max Barry before I mentioned him, and she’s my barometer for all-things-to-do-with-Australian-culture.

Yes it’s been ten years since I first came across Max Barry in 2001 via an out-of-print copy of his first book, Syrup, a brilliantly funny novel which satirizes marketing and consumerism. Actually I’d better back up a bit here–the book, published in 1999, was attributed to Maxx Barry in a continuation of the marketing idea. Max says he added the extra X:

because it seemed like a funny joke about marketing, and I failed to realize everyone would assume I was a pretentious asshole.

Syrup is the story of an unlikely hero, Scat, a marketing graduate from Iowa who moves to L.A. He devises a marketing plan for a new drink called Fukk and plans to sell his idea to Coca-Cola, but before he can seal the $3 million dollar deal, Scat’s roommate, Sneaky Pete, in a wickedly funny backstabbing move of corporate theft, claims the copyright.

Syrup is one of the funniest books I’ve ever read, and when I concluded the novel, I was troubled that I’d found it purely by accident. I took the book’s out-of-print status rather personally, and buying about a dozen copies, I sent them out to anyone who was still speaking to me and urged them to read the book. Without exception, everyone who got one of those copies of Syrup loved the book.

Barry’s second novel appeared in 2003. Jennifer Government is an alternate-reality vision of globalization in which most countries are nakedly dominated by corporations rather than by governments. Corporate employees take the name of the corporation they work for as surnames, and schools are sponsored and controlled by corporations intent on raising the next generation of avid consumers. This is a novel in which corporate competition has become so fierce that consumers become stiffs in a guerilla marketing campaign guaranteed to hype sales of crappy new tennis shoes. Jennifer Government is a remarkably intelligent and prescient novel, for some of the fictional dire social conditions Barry created no longer seem quite so futuristic in the post-boom gloom.

Barry’s 2006 novel Company again placed the individual in the middle of corporate nastiness. This novel, set in Seattle, explores the shady dealings of the Zephyr Holdings Company, and when Stephen Jones from the Training Sales Dept. begins to ask a few awkward questions, he finds himself catapulted into management. In this novel, Barry blends the nonsense rules of corporatism with the naturally absurd results, and consequently, this is a perfect depiction of the insanity of life within the corporate machine.

This year Barry published his fourth novel, Machine Man–the story of corporate scientist Charles Neuman, employee of Better Future, who accidentally loses a leg in an industrial accident. Charles’ discovery that the replacement leg is better than the original sets off a chain of events in which Charles decides to improve himself limb by limb in a grimly hilarious skewering of corporate culture.

Over the years, Barry’s novels have been optioned for film and disappointingly several projects have not gone beyond the blue sky phase; I was rather excited at the news that Steven Soderbergh and George Clooney’s Section 8 films optioned Jennifer Government, but so far nothing on that score. But someone out there has noticed the Vast Talent that is Max Barry and 2012 will see the release of Syrup from director Aram Rappaport. Max Barry flew to America and watched the filming and even got a small cameo role.

Ok so Max Barry has written four novels–two of which are the funniest books I’ve ever read, and now it looks as though he’s about to get some long delayed-global recognition, but there’s a lot more to this author that makes him exceptional. Max has also taken control of his own marketing–albeit that no-one was interested in Max back when his first novel was out-of-print, but any new author out there could learn a thing or two from Max. Max has maintained an active website since 1999 and keeps in touch with his fans (and I’d like to think we’re a little nuttier and stranger than the average readers) via an e-newsletter. In 2004, Max converted his website to a weblog where he shares his news. On the site, you can check out NationStates, a game designed by Max to help market Jennifer Government:

NationStates is a state stimulation game. Create a nation according to your political ideals and care for its people. Or deliberately oppress them. It’s up to you.

Max even has a few videos up on youtube. But if you want to get a taste of Max’s wonderful sense of humour, check out his weblog where you will see comments about nasty critics in a piece called Things Critics Do That Piss Me Off . Here’s Number 3:

#3: Spots Plot Holes That Are There

Max Responds: Shut the fuck up! Go write your own novel, you hack!

And on the Q& A subject of whether or not Syrup is based on Max’s sordid period of employment with Hewlett-Packard:

That’s a filthy lie. Why, if HP was like Syrup, it would be a seedy den of politics and corporate back-stabbing, brimming with sexual tension. That is absolutely not true. There was very little sexual tension.

Actually, HP was a great place to work and taught me a lot about how companies function. I worked with some tremendously talented salespeople, most of whom used their powers for good instead of evil.

As a reader of crime fiction, I’ve noticed that many crime writers tend to take a different type of approach from other so-called literary authors that leaves no room for ivory tower elitism. Not only do many crime writers maintain extremely active blogs (thinking Max Allan Collins, James Sallis, Duane Swierczynski here), but there’s also a high level of reader involvement. Duane Swierczynski (Severance Package, The Wheelman), for example, is even organizing a Philadelphia bus trip January 2012 to the grave site of author David Goodis (Dark Passage). Crime writers don’t seem to feel the need to distance themselves from fans; perhaps they’ve even learned that maintaining a place for readers to check to see what they’re reading and writing is actually a good thing, or there again perhaps they’re tougher than their average readers, and they’re not scared to get within punching distance. Whatever the reason behind this internet-author-reader-relationship, this is the sort of proximity I see in Max Barry–there’s an innate humility in this writer that makes me, as a reader, cheer for his success. He’s an Everyman who’s worked in mind-numbingly boring, demeaning jobs, and he just happens to have the talent to write about his experiences which become, in turn, our experiences. He’s not just a writer who produces a book once in a while; if you’re a fan, you’re involved. We’ve been with Max through his disappointments and his successes, through the birth of two children (to clarify, Max’s wife, Jen  gave birth–not Max), and when Max wrote a serial called Machine Man, newsletter subscribers got to read chapters and give feedback. When Max landed a book contract for Machine Man, we even voted on the choice of cover.  It makes me feel all warm and fuzzy just thinking about it…. Sniff…

… and you’ve made us all warm and fuzzy with your passionate post Guy. I recently bought Company – I just have to find time to read it! Meanwhile, readers here might like to check out Book Around the Corner’s reviews of Syrup and Company and Guy’s own reviews of Jennifer Government, Companyand Machine man.

Monday musings on Australian Literature: Guest post from Louise of A Strong Belief in Wicker

This week’s Monday Musings is my second Guest Post in the series. It comes from the lovely Louise of A Strong Belief in Wicker. I first “met” Louise through an online bookgroup and we quickly discovered that we lived within a few hours’ drive of each other. Consequently, we have also “actually” met several times (always, to date, through her visiting my city. I must reverse the direction one day.) Louise is a warm and generous soul. She picked up (funny that!) on my love of Jane Austen, and so over the years I have been the lucky recipient of Jane Austen related gifts and of links to things Austen, the most recent being to a review of a children’s book about Mr Darcy, the duck! I value her friendship … and so was thrilled when she was thrilled to be asked to write a guest post. Her blog is wide ranging, but has a focus on children’s literature, and so that is what she has brought us today:

Five Australian Children’s Literature Authors/Illustrators

I was so incredibly excited to have Whispering Gums ask me to write a Guest Post that I immediately had No Ideas! After all Aussie kids lit is so vast! There is such a broad range of picture books, books for young readers, and YA, that it’s hard to know where to start. Of course there are some internationally known superstars writing books for young Aussies and kids around the world. But you don’t really need my help to find your way to Mem Fox, Sonya Hartnett, Shaun Tan or Markus Zusak. Not that their work isn’t worth highlighting. Of course it is.  It’s just that they are justifiably already very famous. In Australia, and around the world.

So I thought I would highlight some authors and illustrators who I’ve read and loved recently – and who deserve to be much more well-known.

Freya Blackwood

A local favourite for me as Freya lives in my town in NSW. I’ve been aware of her work for several years now and love her soft, warm illustrative style. She has an artistic heritage – a few years ago our local art gallery had a wonderful exhibition on her artist grandfather, Harold Greenhill’s work. Freya initially worked in film production and worked on Peter Jackson’s The Lord of the Rings films, and then started off illustrating classic Australian works such as Waltzing Matilda and The Man from Snowy River. She has since worked with many of the biggest names in children’s picture books – Australians such as Libby Gleeson and Margaret Wild, and international authors like Roddy Doyle. In 2010 she won the incredibly prestigious Kate Greenaway Medal. The book she illustrated with Roddy Doyle, Her Mother’s Face, is just perfect, so incredibly moving, I think it is one of my favourite picture books ever. The story of a young girl whose mother died when she was 3. Her father is immobile within his grief and the girl wonders if she has forgotten her mother’s face. Cover blurbs are rarely correct, but I think this book is indeed “a balm to the heart, and a feather in the knickers.” Freya’s current book is the equally fabulous Look, A Book written by Libby Gleeson.

Gary Crew

Is a prolific, highly regarded, critically acclaimed Australian author who doesn’t get nearly enough mainstream recognition. He has written picture books (mainly for older children due to their content and themes) and YA books. I’ve only read his picture books so far, but there are so many gems to be found. He has written two books that were illustrated by Shaun Tan – these are extraordinary. Memorial about a tree planted to mark the end of World War I, and The Viewer, a rather grim view of world history, masterfully illustrated by Tan. Gary Crew has written a brilliant series of books dealing with endangered or extinct animals such as I Saw Nothing: The Extinction of the Thylacine and I Did Nothing: The Extinction of the Paradise Parrot. His books for older readers are apparently even darker still, and some horror titles, which isn’t really my genre of choice, but I would still trust Gary Crew to take me there. Gary lives and works in Queensland, and is an Associate Professor of Creative Writing at the University of the Sunshine Coast. Next year he will be a State Ambassador for the National Year of Reading.

Jackie French Waltz for Matilda

Bookcover for A waltz for Matilda (Courtesy: HarperCollins Australia)

Jackie French

She really is quite a big name. Her subject range is vast. Picture books about wombats and royal underwear. Nonfiction books about keeping chooks in your back yard. And a rapidly increasing range of amazing children’s fiction. She really is extraordinarily prolific. She has written more than 140 books, there really has to be something for everybody. I devoured her most recent book Nanberry a month or two ago. An incredible book that brings the first years of white settlement in Sydney to vivid life. It’s a cracking read, and a fascinating glimpse into our past. My son’s teacher has been reading his Year 5 class her Waltz for Matilda as part of their Australian history studies this year. It has taken the better part of the school year, but has held the children’s interest throughout. Jackie French lives and works in the Araluen Valley in Southern NSW.

John Heffernan

I came across John Heffernan’s extraordinary first book Spud accidentally a few years ago. And I’m so thankful that I did. It’s a remarkable, compelling page turner that I picked up after midnight one night on a whim, and couldn’t put down until it was finished, sometime after 1.30 am.  A tremendously powerful story of a blue heeler called Spud. Spud starts out her life in the city when blue heelers are fashionable pets, but she chewed too much and blue heelers fell out of fashion and she was sent to an animal shelter where a kindly old farmer buys her. Spud’s life changes when she travels into the country to go the farm and become a working dog. There are some graphic acts of both human and canine violence in this book, making it suitable for older, sturdier kids. Just thinking about the book makes me want to reread it, and this time get to read the whole series. John Heffernan is an author and farmer, working and writing in Northern NSW. He has written 24 books from picture books to YA. His picture book My Dog is a powerful, sad and very moving book for the older child dealing with ethnic cleansing.

Martine Murray

I have no idea how Martine Murray escaped my gaze until this year – but she did. Until I came upon The Slightly True Story of Cedar B. Hartley. I love books written in a quirky first person voice, and Cedar B. Hartley gives us that in spades. Cedar’s is a wonderful, observant funny tale of a young girl growing up in Melbourne and doing some circus tricks. There is a great followup book too – The Slightly Bruised Glory of Cedar B. Hartley. Interestingly, I read that Martine Murray feels another of her books, How to Make a Bird, to be her best. I haven’t read that one yet. There is always something more to look forward to. Martine Murray is an author and illustrator who lives in Melbourne.

How do you handle Copyright on your blog?

Copyright notice by Open Source

Copyright (Courtesy: Joshua Gajownik, opensource.com, using CC-BY-SA-2.0)

Since the beginning of this blog I have been concerned about Copyright, and have worked through it in stages. I’m not a copyright expert and have no legal training, but I thought I’d share – in case it helps others – some of my thought processes over the last two years or so of my blog:

  1. I worried, in the beginning, about using other content on this blog, specifically images. I am careful about clearing the use of book cover images with publishers, and I check copyright statements for any other images I use on the blog. I attribute as best I can the creator of these images, and have found that creators (or copyright owners) are usually pretty easy to identify on sites such as Wikipedia and Flickr. But, there are many images that I have not used because I could not clarify their copyright situation.
  2. I then realised that I hadn’t made the situation clear about my own images and so, many months into the blog, I added a Text Widget for Copyright on Images. In this I stated my policy regarding my use of images from other sources, and I applied a rather loose Creative Commons licence statement for my own images.
  3. And then it occurred to me that I hadn’t properly clarified copyright on the rest of my content. Under Australian Copyright, anything I publish is automatically copyrighted to me, that is, I do not need to register for copyright in order for my content to be protected under copyright. However, as a (retired) librarian/archivist, I know how frustrating copyright can be  – in terms of knowing who owns copyright and how the copyrighted material can be used – and so today I have added a formal Creative Commons license to my blog (in the permanent sidebar) by using the Creative-Commons-Configurator and then adding the resultant html code to a WordPress Text Widget.

My Creative Commons Licence

Because I believe in collaboration, in sharing thoughts and ideas, my goal in choosing a licence was to make it easy for people to use my work without going through major hoops but to retain some rights for myself. The  licence I’ve chosen allows others to use my work (text and images in the case of this blog) under the following conditions:

  • Attribution. My work can be copied, distributed, displayed, adapted as long as it is attributed to Whispering Gums, with a link, where possible, to this blog.
  • NonCommercial. My work can be copied, distributed, displayed, adapted for non-commercial purposes only. Those who wish to use my work for commercial purposes must contact me for permission (wg1775[at]gmail[dot]com)
  • ShareAlike. Others may use my work in theirs, as long as they only distribute them under the same Creative Commons license that I’ve used for my work.

Note: None of these conditions overwrite rights protected under relevant copyright laws, such as fair use rights and moral rights. It is simply a licence by which I make clear how I, as a copyright owner, allow my work to be used.

Acknowledgement

I thank the Creative Commons people for the work they’ve done over the last 10 years in trying to both simplify and free up copyright for those of us who just want to create and share. May their work continue … as the world of creation, repurposing and distribution becomes more diverse and complex.

Garry Disher, Wyatt (Guest post)

Some time ago I found in my mailbox a bundle of books from my lovely contacts at Text Publishing. Unfortunately, there were more books in the bundle than I could read at the time, and a couple were in genres I don’t generally read (though that’s not to say I wouldn’t read them if I had the time). So, like Lisa at ANZLitLovers and as I did for my last LibraryThing Early Reviewers copy of That Paris Year, I decided to use the Guest Post idea. For the LibraryThing guest post, the reviewer was my daughter, Hannah of Wayfaring Chocolate. This time, it’s my son, Evan. The book is Garry Disher‘s latest crime novel Wyatt, which won the 2010 Ned Kelly Award for Best Crime Fiction.

Evan read the novel while he was with us for Christmas. He has since returned to Melbourne (his home and the setting of the novel) and, while busy preparing for his flight to the USA tomorrow, made the time to please his mum by writing his review. I must say, it looks like the sort of crime novel I could enjoy. Thanks Evan …

Evan’s review of Wyatt, by Garry Disher

Gary Disher, Wyatt

Wyatt (Courtesy: Text Publishing)

Less a cops and robbers story than a robbers and robbers story, Wyatt is a new crime novel from the Australian author, Garry Disher. We are introduced to the protagonist and title character, Wyatt, as he is attempting to rob an extortionist. As one would expect in a good crime novel, it doesn’t go according to plan. Disher’s prose is terse and to the point, much like Wyatt himself, and the narrative races along, following a jewel heist and its aftermath. Set in Melbourne, which suddenly becomes dirtier and more sinister under Disher’s pen, Wyatt features many of the trappings of classic noir-ish, hard-boiled novels. This world is populated by seductive femme fatales, tough, if old-fashioned, men, and it will get the better of you if you don’t have your guard up. Wyatt is an aging, professional criminal, who is treated with reverence as a master within his field. He is cold, intelligent and calculating, yet sympathetic.

Surrounded by a host of characters, all dangerous in their own ways, Wyatt is pitted, almost indirectly over the course of the novel, against a French criminal much like him, and much his equal. However, to discuss more of the plot would be to spoil most of the fun. The pace rarely slows down, and the writing is taut and spare. The characters are archetypes, almost larger than life, but not overwritten. Disher has an invigorating, simple style. The violence, when it erupts, is abrupt and surprising and, without a hint of an overdrawn epilogue, the ending simply ends.  Wyatt is apparently the seventh book in a series featuring the title character. Despite having never read any of the others, and having a perhaps irrational bias against series in general, I am now eager to check out the others.

Garry Disher
Wyatt
Melbourne: Text Publishing, 2010
274pp.
ISBN:  9781921656811

(Review copy courtesy Text Publishing)

Joanna Biggar, That Paris year (Guest post)

When I received That Paris year via the LibraryThing Early Reviewers Program, I got the sudden attack of the guilts! How was I to review this book alongside all the other books I wanted to read? And then the thought struck me! My daughter, Hannah (aka Wayfaring Chocolate), is a reader, was an exchange student (albeit in the USA), and had recently been to and fallen in love with Paris. Perhaps she might like to read and review it  – and, yes, she would (with not too much arm-twisting). I posted a version of that review, as required, on LibraryThing, and then suggested we post it here too. She did some small revisions and … here it is … Thanks, Hannah!

Wayfaring Chocolate’s review of That Paris year, by Joanna Biggar

That Paris year, book cover
Book cover (Image: Courtesy: Alan Squire Publishing)

That Paris year weaves together the story of five American female college students on exchange at the Sorbonne in Paris in 1962. There is something dream-like about the narration of the girls’ lives as it is J.J., one of the five, who recounts the story of each, through her own memories, tales the others have told her and, at times, her own surmising about what may or may not have happened in their lives. It is not that J.J. is an unreliable narrator, but that the novel reads in the same way that life is experienced – as a sometimes clear, sometimes hazy pinning together of what we ourselves remember and feel, what others have told us of their own lives, and the threads we create in our minds to tie the two together. Moreover, this novel shows how sometimes, in pulling together our own and others’ stories, we have the potential to blur the boundaries of our selves:

Still, I wondered at it, wondered where she had disappeared when she recited Eve’s thoughts as if they were her own.

Each of the five girls followed in this novel is initially set out as markedly different. Yet for all their varied degrees of attractiveness, confidence, studiousness and self-awareness, ultimately each girl seems focused on one thing above all else: the quest for love, sex, and a life partner. It is this that weakened the novel a little for me as, while I myself am a female university student in my early twenties with a deep love of Paris who wouldn’t mind not being single, I felt suffocated by the constant idea thrumming through this novel that a man is what will, ultimately, define me as a young woman.

The novel certainly deals with other aspects of women’s coming-of-age, such as coping with parents’ divorce, class dichotomies, living in a foreign country, and navigating the limits – or limitlessness, it seems at times – of friendship. I only wish some of these narrative threads had been fleshed out in more detail. Such issues are as relevant today as they were during the novel’s 1962 setting, and the evocative writing of Joanna Biggar ensures that the reader is cognisant of this. The political tension between America and France at this point in history, the insecurities one character (Gracie) faces when comparing her homeliness with the long-legged grace of her statuesque friends, even the novelty of putting on an American Thanksgiving dinner in Paris – these are concepts that Biggar tackles with humour, grace, and a fair degree of sympathy.

For example, even when Gracie’s dogged belief that her intelligence is a curse preventing men from liking her made me want to reach into the book and shake her by the shoulders, I couldn’t help but feel both sympathy and understanding for her in the following:

By trusting me, by believing there was a place of revelation – Paris – where possession of all womanly secrets was obtained, she had simply been delivered into another of Dante’s circle. In only a few short weeks, she already felt doomed … by being short, ill-dressed, and homely in the world capital of style.

One thing I did particularly enjoy was that there were times during the reading when I felt that all I had to do was close my eyes to believe myself back in a smoky Parisian cafe, or perhaps on a beach in Avignon with the wind rising, or sitting by the Seine watching stylish Parisian women strut past me. Biggar has a talent for evoking a Paris, and a France, that is both familiar yet not clichéd, and this was something I particularly took pleasure in. There were also moments when particular lines jumped out at me as if they were my own, such as when one character tells another that:

Maybe it’s just that you have a way of listening like you’re hearing more than I even know I’m saying […] Jocelyn listens too, so much so that sometimes I think she can play back to me what I’ve said. Maybe she doesn’t hear in quite the same way.

Haven’t we all had people in our lives who, we know, implicitly “get” us, and others with whom conversations only ever take place on the surface? I think Biggar captures the way in which both types of friends are valuable in different ways. In fact, you could read her novel as a study of different types of friendship (and, as I’ve mentioned above, how for some women friendships are apparently mediated through and in reference to men).

Yet despite my slight reservations with the novel, I would still recommend it for anyone who has had, or wants, a Paris Year of their own. This novel brought back memories of my own time in the City of Lights and, for that, I am grateful.

Joanna Biggar
That Paris year
Bethesda: Alan Squire Publishing, 2010
469pp
ISBN: 9780982625101

(Review copy courtesy Alan Squire Publishing, via LibraryThing Early Reviewers Program)