Last month, as I wrote this post, I had just got back from Melbourne, and this month I am back in Melbourne. Next Six Degrees, I should be in Sydney, all being well. Life is busy at the moment, but we are enjoying catching up with family and friends after two years of limited opportunities. All that’s well and good, do I hear you say, but what about the main point of this post? It’s the Six Degrees meme, of course, and if you don’t know how it works, please check meme host Kate’s blog – booksaremyfavouriteandbest.

The first rule is that Kate sets our starting book, and for August it is another book I’ve not read, Ruth Ozeki’s The book of form and emptiness. GoodReads says it’s a “inventive new novel about loss, growing up, and our relationship with things”. Sounds interesting, but that doesn’t help me right now …

When I haven’t read the starting book, I prefer not to link on content because, you know, I might get it a bit wrong. So, for my first link I’m going with title, and another book that starts with “The book of”. My book is Australian author Leslie Cannold’s The book of Rachael (my review).

Cannold’s book is about biblical characters, although the title character is a fictional one. Another book about biblical characters, though in this case the protagonist is real, is Christos Tsiolkas’ Damascus (my review) about Saul who became Paul, in the New Testament.

My next link is weak – I know it – but I’m going there anyhow. Tsiolkas’ Saul became the Apostle Paul, though throughout the novel he remains known as Saul. Garry Disher’s detective in Bitter Wash Road (my review) is Paul Hirschhausen, but throughout the novel he is Hirsch. No-one would ever know he was a Paul!

And now it’s time, after three links, to leave Australia, and the best way I can think of is to go to a much beloved detective of recent decades, Alexander McCall Smith’s Precious Ramotswe from Botswana. I’m choosing one of the two novels I’ve reviewed from this long series, The Saturday big tent wedding party (my review). You’ll have to forgive this very loose link, because Precious is a female private detective whilst Hirsch is a male police detective.

Now, if there is someone who could have done with some of Precious Ramotswe’s common-sense and warmth, it’s Tambu in Tstitsi Dangarembga’s This mournable body (my review). Again my link is very loose, based as it is on the fact that the two novels are set in neighbouring African countries, Tambu living in Zimbabwe bordering Precious’ Botswana.

And now, having found myself here, I can’t resist returning to Australia, linking this time on authors who also make films. Tsitisi Dangarembga has an impressive resume, having won multiple literary awards while also being an active filmmaker of feature, short and documentary films. While she’s not as prolific, Australia’s Leah Purcell is also known as a novelist and filmmaker. I’m linking to her latest production, The drover’s wife (my review), which she’d also written as an award-winning play and a novel.

This month, then, we’ve managed to travel through history and place, from biblical times in the middle east to modern times in Africa and Australia. And we have a 50:50 split in authors, three male and three female.

Now, the usual: Have you read The book of form and emptiness? And, regardless, what would you link to?

Why do I always start these posts with the weather or the seasons? This time I’ll break with tradition and start with the fact that I’ve just got back from a lovely trip to Melbourne where we enjoyed some good family times, albeit interrupted in the middle by COVID isolation. How our lives have changed over the last two to three years, as we take these things, not quite in our stride but, at least, as sort of normal or to be expected? What hasn’t changed, however, is our Six Degrees meme. If you don’t know how this meme works, please check meme host Kate’s blog – booksaremyfavouriteandbest.

The first rule is that Kate sets our starting book, and for July we are back to a book I’ve not read, Katherine May’s Wintering: The power of rest and retreat in difficult times. It’s a memoir, and I think the subtitle speaks for itself. I like the concept of “wintering” or lying fallow as you heal.

I thought a lot more than usual about my first link this month, toying with several ideas. In the end I decided to go with a title using a present participle that refers to an action that’s the subject of the book. Jim Crace’s Being dead (my review) is about a couple found dead among the dunes on a beach. As well as being the story of a crime, this novel also details what happens to dead bodies. It’s pretty visceral, but I learnt things I’ve not forgotten! I love it when fiction does that.

My next link was easy, because I went for the obvious, science writer Bianca Nogrady’s book The end: The human experience of death (my review). As you might have guessed from the title, it’s a nonfiction work that explores death and dying from multiple angles, including physical, psychological, scientific, and legal. I found it so interesting.

My next link is also pretty obvious, as it’s on the author Bianca Nogrady, except that for this book she’s the editor not the author. It’s The best Australian science writing 2015 (my review). I’ve come to love these volumes for their varied content ranging across all sorts of science from climate to AI, from how the brain works to research into disease, and so on.

And now, unusually for me, I’m sticking with creator for yet another link. It’s interesting how many writers of fiction are also journalists and essayists. Trent Dalton, to whose book Boy swallows universe (my review) I’m linking, is an example. He had a piece in Bianca Nogrady’s anthology called “Beating the odds” about a driven Australian man who developed an artificial heart.

But now its time to branch out, and I’m going personal this time. Trent Dalton’s book was my reading group’s first book in 2019. Our first book the year before, 2018, was Lebanese American writer Rabih Alameddine’s An unnecessary woman (my review). This was a great read on many levels, including the fact that the main character, a 72-year-old woman is a great reader who comments frequently on the books she reads, including Australian authors like Patrick White and Helen Garner.

I nearly linked on one of those authors, but we’ve spent a bit of time in Australia this post, so I’m linking on something different. Alameddine’s protagonist Aaliya spends her time translating books, even though they will never be published. It’s an exercise for her. Another novel that features a translator – though in this case it is her job for a while – is Valeria Luiselli’s Faces in the crowd (my review).

I don’t see any obvious link back to the starting novel. The meme doesn’t require there to be, but it’s fun if there is one. As is common for me, four of my books are by female writers (or editors) and two by male. While we’ve spent quite a bit of time in English-speaking countries, we have also been to Beirut and Mexico City, which are places I rarely take us to.

Now, the usual: Have you read Wintering? And, regardless, what would you link to?

What a cold, cold start we’ve had to winter here in the nation’s capital. We have already had a few maximums under 10°C, and winter has barely started. I hate it, but I am lucky to have a warm house, so I’ll stop complaining and be grateful. And, anyhow, we have hope that our new Government will follow up on its promises on big issues like the Uluru Statement from the Heart, climate change and resolving some long-standing asylum seeker/refugee issues. We wait to see what happens. Meanwhile, let’s get onto this month’s Six Degrees. As always, if you don’t know how this meme works, please check meme host Kate’s blog – booksaremyfavouriteandbest.

The first rule is that Kate sets our starting book, and for May we are back to a novel I’ve not read, Meg Mason’s Sorrow and bliss about a woman, and the aftermath of her separation from her husband. What else can I say about it? I haven’t read it, as I said, but those who have are impressed.

I don’t like linking on content of books I’ve not read, so I’m not going there. Instead, I’m linking on titles comprising opposite concepts – taking us from Sorrow and bliss to Lost & found, by Western Australian-based author, Brooke Davis (my review). Like Sorrow and bliss, Lost & found deals with a sad subject, but both books do it with humour (at least I understand Mason’s does).

Humour, however, is not my next link. Instead I’m linking on the idea of a mother disappearing at the beginning of a novel. This is what happens in Lost & found, and it also happens in Margaret Barbalet’s Blood in the rain (my review), albeit under quite different circumstances. It had been on my TBR for decades, so I was really pleased to find time to read it this year.

My next link is not at all clever. I read Margaret Barbalet in January, and in April I read (actually, listened to) another Margaret – Margaret Atwood’s poetry collection Dearly (my review) which covers a range of subjects dear to Atwood’s heart, including women’s rights and environmental issues.

Another poet whose political passions are well-known is Australia’s John Kinsella, so it is to his prose memoir, Displaced: A rural life (my review) that I’m linking next. He was born in and has now returned to the Western Australian wheatbelt. He writes so evocatively of the place – and of the challenges wrought by the long tail of colonisation.

My next link pays homage to the author, Katharine Susannah Prichard, because last month I attended the online launch of Nathan Hobby’s The red witch, the first thorough biography about her. I’m linking to a short story by her, “The Christmas tree” (my post) because it is also set in the Western Australian wheatbelt. It links beautifully to Kinsella, because, as I wrote in my post, “we are still challenged by the role capitalist structures play in people’s lives and livelihoods”.  Kinsella would agree.

“The Christmas tree” was first published in 1919, and so was another short story, written by another significant woman writer, “The mark on the wall” (my post) by Virginia Woolf. They might be very different stories in very different styles – Prichard’s realist approach versus Woolf’s stream-of-consciousness – but both come from women who have now moved into the canon.

So, a bit of a different month to usual: I have only one male writer, two of the works are short stories, two are by poets, and one I experienced as an audiobook. However, we have travelled around the English-speaking world a little – Australia, Canada and England – and we have spent more time than usual in Western Australia. I can’t see any link back to the starting book.

Now, the usual: Have you read Sorrow and bliss? And, regardless, what would you link to?

Winter is icumen in! Can I say that? For many of you, it’s not that cold here in Australia, but in Australia, my city of Canberra is the coldest capital city in the country. It’s the only thing I don’t like about living here. But, we will survive. Meanwhile, we have things like blogs and memes to entertain us. So, let’s get onto this month’s Six Degrees. As always, if you don’t know how this meme works, please check meme host Kate’s blog – booksaremyfavouriteandbest.

The first rule is that Kate sets our starting book, and for April it’s a novel I’ve read, but not since blogging, Peter Carey’s award-winning True history of the Kelly Gang in which Carey tackles on of Australia’s big (bushranger) myths.

There are so many angles to take from here. One could be its unique syntax (and go to Bernadine Evaristo’s Girl woman other). Another I considered was titles that people aways get wrong. There is no “The” at the beginning of Carey’s title, but that led me down a path I didn’t have time to fully investigate. So, I decided to go with content, and choose Courtney Collins’ The burial (my review), because it is also historical fiction about a bushranger, albeit a women, Jessie Hickman, whom most of us had never heard of.

Now Courtney Collins made quite a splash with this novel in 2012, but we’ve not really heard from her since. Another novelist we’ve not heard from again (yet) – though her novel didn’t make quite the same splash – is Ariella Van Luyn, and her 2016 historical fiction, Treading air (my review), which also focuses on a real, albeit small-time, historical character.

Next, I’m staying with historical fiction – and writers we’ve not heard much from – but the link I’m choosing is the Brisbane 1940s setting (though only part of Treading air is set in Brisbane). The book is Melanie Myers’ Meet me at Lennon’s (my review). Both books mean something to me. Van Luyn’s book is partly set in Townsville where my Mum was born. And, my Mum became a teenager in 1940s Brisbane and experienced the wartime Brisbane that Myers writes about. She also knew Lennon’s.

But now, we’ve spent too long in Australia. I was going to say, in historical Australia, but I’m sticking with historical fiction and linking to another another World War 2-set novel, Emuna Elon’s House on endless waters (my review). Both this novel and Myers’ alternates between the present and a past mystery, but Elon’s also moves between the Netherlands and Israel.

We are staying with historical fiction – who knew I’d read so much of it – but I’m linking this time on the idea of translation. Elon’s novel was translated from the Hebrew by Anthony Berris and Linda Yechiel. Sawako Ariyoshi’s The doctor’s wife (my review), which tells of the Japanese doctor who developed anaesthetics for surgery, was also translated (from the Japanese) by two translators, Wakako Hironaka and Ann Silla Kostant.

My final link is a bit of a cheat, because it too was translated from Japanese by two translators, Philip Gabriel and Jay Rubin. Its Haruki Murakami’s Blind willow, sleeping woman (my review). I say it’s a bit of a cheat, because this is a collection of short stories so it’s perhaps a little more understandable that there might be more than one translator. However, if you don’t like that, let’s just say the link is another Japanese authored work. Take your pick.

And thus, like last month, I am back to more women writers in my link, with five this month. We have, however, travelled a little, from Australia to Japan, via The Netherlands and the Middle East. We have spent quite a bit of time in the early to mid twentieth century, except that with Ariyoshi we did go back to the late eighteenth and early twentieth centuries. I can’t think of any real link between the starting and ending books except – and maybe this is a good one – both Carey and Murakami were born in the 1940s, and both have had significant writing careers.

Now, the usual: Have you read True history of the Kelly Gang? And, regardless, what would you link to?

It’s April down under. Actually, it’s April everywhere – I know that – but, down under, April is autumn, not spring. All those Easter cards with baskets of pretty flowers, not to mention eggs with their hints of fertility and birth, have always seemed out of place. Gradually, though, we are making this time our own. Easter Bilby anyone? And now, with that important message off my chest, let’s get onto this month’s Six Degrees. As always, if you don’t know how this meme works, please check meme host Kate’s blog – booksaremyfavouriteandbest.

The first rule is that Kate sets our starting book, and for April it’s a debut novel I’ve never heard of – so clearly I haven’t read it (yet again). It’s Julia Armfield’s genre-bending, from what I can see, Our wives under the sea.

Armfield’s novel is apparently a queer story about a relationship that starts to fall apart after one partner returns from “a deep-sea mission that ended in catastrophe”. I thought a lot about where to go from here, riffing at first on Armfield to Aussie theatre director Armfield who has staged several novelistic adaptations – but that was getting a bit tortuous, even for me. So, I’ve gone with something a bit watery, albeit concerning a flooding river rather than the sea, Susan Hawthorne’s Limen (my review). It’s a verse novel about two women on a camping holiday whose safety is threatened by a rising river, but while there is suspense and tension, there is more here than a simple adventure or suspense story.

From here I’m linking on form, because I love to give my favourite verse novels a little push when I get the opportunity. I’ve posted on a few verse novels over the years, but the one I’m choosing is First Nations’ writer, Ali Cobby Eckermann’s Ruby Moonlight (my review). A work of historical fiction about a young Indigenous girl survivor of brutal massacre, this book has a subtlety that I found impressive.

Next, I’m staying with First Nations’ writers, but moving to a memoir and linking on name. In Tell me why (my review), Archie Roach pays great compliment to his late wife Ruby Hunter who provided much of the stability he needed to turn his life around and become the success he now is. 

One of the main issues Roach confronted, and for which Ruby Hunter’s support was important, was alcoholism. For my next link, I’m returning to fiction, and Douglas Stuart’s Shuggie Bain (my review) in which alcoholism plays a significant role in the poverty-stricken life that young Shuggie lives.

And now, I’m drawing on this very meme to provide my link. Shuggie Bain is one on the many many starting books I hadn’t read at the time of the meme. It is also one of the very few that I read some time after the meme. Another book in this category is Maggie O’Farrell’s Hamnet (my review). If these two books are any guide, I guess I really should try to go back and read more of those unread starting books!

My final link is another one personal one. Hamnet was not one of my reading group’s Top Three picks at the end of last year, but it was one of our two highly commendeds. The other highly commended was Delia Owens’ Where the crawdads sing (my review) and so I’ve chosen it for my last link. Not a perfect book, by any means, but a good, heart-felt story.

And there, I am back to four women writers and two men in my links. I could perhaps argue that we’ve come full circle given the starting book and my last one are set in watery domains. The authors all come from English-speaking countries – the United Kingdom, Australia, and the USA.

Now, the usual: Have you read Our wives under the sea? And, regardless, what would you link to?

March. Summer is over and I’m a bit grumpy, as you couldn’t call what we’ve just had, summer. Very few days exceeded 30°C and none exceeded 35°C. But, I can’t really complain. I am not facing war or floods, and last month a new grandchild – a healthy baby girl – joined our family circle. I’m very fortunate. So, we’ll just enjoy autumn, always a lovely season, and get onto this month’s Six Degrees. As always, if you don’t know this meme and how it works, please check meme host Kate’s blog – booksaremyfavouriteandbest.

The first rule is that Kate sets our starting book. For March, she’s chosen a classic, Graham Greene’s The end of the affair. I’ve read a few Greenes but am not sure I’ve read this one, which has to be a gap in my reading …

I have, in fact, even reviewed a Graham Greene novel here, but that seemed a  bit boring for a link. Moreover, it’s been some time since I included a Jane Austen novel in my chain, so this seemed to be the perfect opportunity. But no, the link is not on English classics, but on books that have been adapted to films of the same name. The end of the affair and Emma (one of my many Emma posts) have been adapted more than once.

Staying with film adaptations, the most recent film adaptation of Emma was the 2020 version directed by Autumn de Wilde to a screenplay by the New Zealand writer Eleanor Catton. It’s to her Booker prizewinning novel The luminaries (my review) that I’m linking next. Helen Garner is another novelist who has written screenplays (albeit original stories rather than adaptations) but she is not my next link!

The luminaries has a large number of characters. Fortunately, Catton (or her publisher) very generously provided one of those character charts at the front of the novel. Another novel that has a huge character list is David Mitchell’s The thousand autumns of Jacob de Zoet (my review). No list or chart is provided in this book, but one of my reading group members created one herself. That was in 2010, and over a decade later we still often remind her of her diligence!

I know many of you are David Mitchell fans, but for those who aren’t this novel was set in Japan (in Nagasaki in fact). Mitchell, of course, is not Japanese, but English. Another novel set in Japan but not written by a Japanese writer, is Korean American writer Min Jin Lee’s Pachinko (my review). This one, as many of you will know, tells the story of a Korean family in Japan. However, that’s irrelevant to my next link, which is a simple one …

Pachinko was published in 2017, along with a few other books, says she cheekily! One of those was Michelle de Kretser’s The life to come (my review), so that’s my simple fifth link. I guess you could say there’s another link here because de Kretser’s book does include some immigrant stories.

And now we go from a simple link to an obscure one. The life to come is told in 5 parts, one of which is titled “Pippa passes”. It surely has to be a reference to Robert Browning’s eponymous poem. This made me think of Browning, and epigraphs in books. I love epigraphs! So must Orhan Pamuk as he included four in his novel, Snow (my review), one of which was from Browning. Not from “Pippa passes”, unfortunately, but from “Bishop Blougram’s Apology”, on the paradoxical nature of things: “the honest thief, the tender murderer,/the superstitious atheist”. I enjoy paradoxes too, but, luckily for you, I’m at the end of my Six Degrees!

I feel as though I may have gone a bit rogue with my links this month, but I’ve enjoyed doing so. What isn’t rogue is that I’ve returned to my usual proportion of four links by women writers and two by men. We’ve travelled quite a bit – England, New Zealand, Australia, Japan, Turkey – with some brief trips to Korea and other spots around the world.

Now, the usual: Have you read The end of the affair? And, regardless, what would you link to?

February already … and so another year starts to whizz by, or so it seems to me. Somehow, this Six Degrees theme just makes it all the more obvious as it comes around very quickly. But now, as it’s clear that I don’t have any small talk – or, alternatively I have too much – we’ll just get on with the main game. (Talking of games, wasn’t Australia’s summer of tennis great this year?!) Anyhow, if you don’t know this meme and how it works, please check meme host Kate’s blog – booksaremyfavouriteandbest.

The first rule is that Kate sets our starting book. This month, she’s chosen a book that was near the top of her Best of 2021 list, Patricia Lockwood’s No one is talking about this. I haven’t read it, so let’s push on …

As always, there were so many options for my first link, but I decided to go with the idea of debut novel shortlisted for the Booker Prize, which was the case for No one is talking about this. Many debut novels have been shortlisted for the Booker since it started, but one that I’ve reviewed here is Steve Toltz’s A fraction of the whole (my review). I’ve chosen it because it was a lively read and – well – because I like to remind us of older books that once made a splash.

In 2019, ABR (the Australian Book Review) posted their Top 20 Aussie books of the 21st century, which seemed a bit silly given how early in the 21st century it was. However, it does provide me with an interesting link opportunity. Steve Toltz’s book came in at 17. At 16 was Peter Temple’s detective novel, Truth (my review).

I’m not really a big reader of crime fiction, but I admit there’s some good writing in that genre, including good Australian writing. Truth was an International Winner of Germany’s prestigious literary prize for crime fiction, the  Deutscher Krimi Preis (German Crime Fiction Award). And so was Garry Disher’s Bitter Wash Road (my review). In fact, Disher has won this award a few times.

But, hmm, I’ve now linked three Australian books, so I would really like to get us overseas – in books, not just in awards! So, my next link concerns my TBR. Bitter Wash Road had been on my TBR for 8 years when I read it in 2021. A book that had been waiting much longer, from when I bought it in 1995 to when I read it in 2019, was Louise Erdrich’s The Bingo Palace (my review).

Now, I’ve mentioned Louise Erdrich on my blog in another capacity besides for this book, and that was as an author who also owns a bookshop. Hers is Birchbark Books and Native Arts, in Minneapolis. Another American author who owns a book shop is Ann Patchett who hit big time with her novel Bel canto (read before blogging.) I read, loved and reviewed her essay (published as a booklet) on bookselling and bookshops, The bookshop strikes back.

And this leads me naturally to another essay by a novelist (and more) who worked in a bookshop, George Orwell’s “Bookshop memories” (my very short review). The essay draws from his work in a secondhand bookshop in London.

I rather like that I’ve gone from a book that deals, at least in part I believe, with the internet and the infiltration of social media into our lives with one about selling secondhand books, in which the author discusses people’s reading tastes! (And, for the first time, ever, I think, the male writers outnumber the female in my six links!)

Now, the usual: Have you read No one is talking about this? And, regardless, what would you link to?

I started last January’s Six Degrees with “Woo hoo! A New Year at last after what has really been a doozy for us all, in one way or another. So glad to see the back of it”. Little did we know – still, there was no harm in hoping for better. Regardless of what the year brought us, I hope you all had an excellent Christmas wherever you were and however you were able to spend it. And, given this year’s first Six Degrees of Separation meme actually happens on New Year’s Day, now’s the time to also wish you every good thing for 2022. Now, on with the show. If you don’t know this meme and how it works, please check meme host Kate’s blog – booksaremyfavouriteandbest.

The first rule is that Kate sets our starting book. This month, she’s chosen a book that’s on my TBR (given to me by my wonderful Californian friend, in fact) and that I want to read, Amor Towles’ Rules of civility. One day!

I’m going to start the year’s links by being a bit silly, and so my link is on a three-word title with “of” in the middle. I was surprised to find I had quite a bit of choice – including Book of colours and Field of poppies – but the title that felt closest in flavour to Towles’ is Michelle de Kretser’s Questions of travel (my review). This novel inspired and challenged me in so many ways.

Staying with the idea of travel, I’m linking to a novel whose title starts with “travel”, Graham Greene’s Travels with my aunt (my review). I loved reading Greene again after a long hiatus. It was because my reading group selected it as our “classic” pick for 2017.

So, my next link is my reading group’s 2016 “classic” pick … a book that I didn’t enjoy so much, though it had its moments, William Makepeace Thackeray’s The luck of Barry Lyndon (my review). (For those of you who think I LOVE every book I read – think again!)

The luck of Barry Lyndon is a good example of a traditional – classic – picaresque novel. When I wrote my post on Eve Langley’s 20th century novel, The pea pickers (my review), I observed that it had elements of the picaresque, and so it is on that idea that I chose it for my next link.

The two sisters in The pea pickers take to the road, finding work as they can, while exploring the country. In order to find work in those times – the 1920s – when women rarely went on such adventures, and for safety reasons, they dressed in men’s clothes and adopted male names. Ambrose in Frank Moorhouse’s Cold light (my review), however, cross-dresses (in the mid 20th century) because he likes to do so, and fortunatelyfor him the wonderful Edith doesn’t mind.

Aussie readers will know that Cold light is the third book in what is known as the “Edith trilogy”, so I decided to take the trilogy idea for my last link. I initially thought to choose the third in a trilogy – for a strong link (if some links can be stronger than others) – but, despite having a candidate or two, I decided for various reasons (including a change of continent) to go with Marilynne Robinson’s trilogy, which starts with Gilead (my review).

Coincidentally, we’ve ended up in the country where we started – the USA – but instead of 1930s New York, we’ve moved to 1950s Iowa (in the midwest). Between these books, we’ve travelled more than usual – after all, two of the links are books about travel – and we’ve gone back to 1844. We’ve also visited various 20th century decades, and dipped our toes in the current century. We’ve met ne’er-do-wells and ministers, earnest young woman and cross-dressing diplomats, as well as travellers and migrants. We’ve seen it all – or, at least, a lot.

I like, too, that I’ve started the year with half of my books by men and half by women. How very even of me!

Now, the usual: Have you read Rules of civility? And, regardless, what would you link to?

And suddenly it is the last Six Degrees of the year. Once again, I’ve had fun with this meme – with doing my own and seeing what others have done. Thanks muchly to Kate for running the meme and offering us such a varied selection of titles to start from. For those of you new to this meme, please check her blog – booksaremyfavouriteandbest – to see how it works.

We start with the book chosen by Kate, and this month it’s Edith Wharton’s Ethan Frome. I read this book in 1991, and loved it (gut-wrenching though it is.) It started me on a Wharton reading journey that I am still on because, not only did she write many novels, but she was also a prolific short story writer and journalist. I’ve reviewed a couple of her short pieces on my blog. Wharton also created one of my all-time favourite female character names, Undine Spragg (The custom of the country). How good is that!

Anyhow, as you will all be aware, we have hit the silly season, and time is short – for me to write posts and you to read them – so this month I’m doing a title-based “poem”, again. The links are to my reviews.

For Ethan Frome,
A very normal man,
Things fall apart
when Love and freindship collide,
and one In whom we trust
becomes A window in the dark.
Such is The love procession.

With thanks to our sponsor authors, in order: Vincenzo Cerami, Chinua Achebe, Jane Austen, John Clanchy, Dymphna Cusack, and Suzanne Edgar.

(Apologies for the variable image sizes, mostly due to the Gutenberg Gallery editor. I’m not keen to try reloading resized images into my media library with no surety of that fixing it! So, it’s either this or nothing folks!)

So, this month we have travelled the globe – at least to North America, Europe, Britain, Africa and Australia, and we’ve achieved gender quality with three male and three female authors. What better way to end the year.

Now, the usual: Have you read “Ethan Frome“? And, regardless, what would you link to it?

Woo hoo! This last month, we in Canberra, New South Wales and Victoria came out of lockdown. Vaccination rates are high, and it is still spring (here down under) so things are looking good in our neck of the woods. I sure hope it is for all of you, too.

But now, with the weather and pandemic report out of the way, let’s get onto our Six Degrees of Separation meme, which, as most of you know, is run by Kate. Check her blog – booksaremyfavouriteandbest – to see how it works.

We start with the book chosen by Kate, and it is Sigrid Nunez’s What are you going through? As happens more often than not, I haven’t read it, but, among other things, it is about two friends and assisted dying.

For my first link I’m breaking my personal “Six Degrees” rule which is to only link to books that I’ve read and reviewed on this blog. My link is Helen Garner’s The spare room. It’s about two friends, one terminally ill with cancer but so desperate to not die that she engages in expensive and ultimately useless alternative therapies – to the immense distress of the caring friend. Bill has reviewed it, so here’s his, because, like me, he likes the novel!

From here, I’m linking to a memoir, which is particularly appropriate given Garner’s work falls into the autofiction genre. The book is Margaret Rose Stringer’s (M-R to those of you who read comments on my blog) And then like my dreams (my review). M-R wrote this as a tribute to the love of her life, who died from cancer. Her journey with him through life, illness and death, is beautiful to read. This link is doubly apt because M-R is a keen Garner fan.

Next, we return to fiction, but stay with the idea of grief, in Maggie O’Farrell’s Hamnet (my review). The trigger for this book is Agnes’ grief over the loss of her son Hamnet. Most of you will know that Hamnet was Shakespeare’s only son, and Agnes is a name used by Shakespeare for his wife Anne Hathaway. The novel ends on Shakespeare’s play Hamlet.

From here we are going to another book which riffs on the backstory behind a piece of literature, though in this case rather more is known about the story. The work is Steven Carroll’s The lost life (my review). It is the first in Carroll’s “Eliot Quartet” which explores, obviously, TS Eliot’s Four Quartets. The first quartet is “Burnt Norton”, and Carroll’s novel is framed by the story of Eliot and Emily Hale, who visit Burnt Norton manor in 1934. Like Hamnet in O’Farrell’s novel, Eliot, himself, is a fairly shadowy figure in the story.

I loved TS Eliot as a student and, while his life and views have become problematic, I’m still moved by his work. I was therefore thrilled when an app appeared for another of his major works, The Wasteland (my post). This app is an impressive application of modern technology to the enjoyment and study of literature and I’m sorry that it seems not to have taken off. (I don’t have a pic of the app, so you get a print edition instead!)

However, people are exploring the use of modern online and interactive technologies for literature, and one organisation doing this is/was If:Book. (It may now be defunct, or it has transformed into something else.) Produced under its auspices was Writing black (my review), edited by Ellen van Neerven. She saw a digital-only production being “moulded by possibility”, saying that the enhancements available in such an approach “lifts the imagination”. I haven’t seen a lot of work going down this path, perhaps because most readers still love books, but I love that creators experiment with the new. It keeps the arts fresh.

So, this month we have strayed far from the beginning. I can’t see any link, as we’ve gone from death and grief to exploring the new. I think that’s a good way to be!

Now, the usual: Have you read “What are you going through”? And, regardless, what would you link to it?