Once was audiobooks were used primarily by visually impaired people and travellers, but with the rapidly increasing miniaturisation of audioplayers, audiobooks are now being “read” by people going on walks, working out in the gym, doing housework, sitting on public transport, or even working at their computers. In other words, people listen to audiobooks pretty well anywhere that they can. I am not, however, one of them. In fact, I can count on one hand (excluding snippets heard over the years on radio) the number of audiobooks I have “read” (or is that listened to?). Do you “read” an audiobook? How differently do you experience a book when you listen to it versus read it?
For me, the experience is so different that when I am in a listening situation I prefer radio and music to books. And here is why (but please, this is a purely personal thing – it is about how I like to enjoy books and is in no way intended to be prescriptive about how everyone should enjoy books):
- I like to see the words – know how they are spelt and so on – partly, but not only, because this can be critical to my understanding (particularly with authors who engage in wordplay).
- I like to stop and think as I read – ponder about a phrase or an idea, and even flip a few pages back sometimes to check a link that I think the author is making.
- I like to make notes as I go and, if I own the book, I do this in the book – making notes helps me remember what I’m reading, and helps me write a blog or prepare notes for later discussion.
- I don’t want to miss visual clues – some authors, and particularly post-modern ones, use visual clues and games to add to their text, but there are other more subtle visuals in “normal” books that you miss in an audio version.
- I don’t particularly like it when a reader acts out the voices in a book – it distracts me from my own understanding of the text. The reader for the audiobook of Ruth Park’s Swords and crowns and rings (link here is to ANZLitLovers review), for example, irritated me intensely with her voices and dramatisation, though as she wore on I got used to her because it is a great story!
- I like the physicality of the book (though I can probably relinquish this in the same way that I am pretty happily converting from CDs to iTunes for my music).
All this said, I have enjoyed a couple of audiobooks. The outstanding one was Roald Dahl reading his own Charlie and the Chocolate Factory. Authors readings their own works can be a hit-and-miss affair, but Roald Dahl was perfect. I heard snippets of Barack Obama reading his Dreams from my father on the radio and thought he also read his own work beautifully. On another tack, I enjoyed hearing Mary Durack’s memoir Kings in grass castles when we did a long long family trip several years ago.
Audiobooks clearly have their place. They work best for me when they are memoirs or simple plot-driven books rather than literary fiction, and so on the next very long trip we do I’ll probably seek out some memoirs. I also know that I will be very glad of their existence when (or, hopefully, if) my sight fails me. But, otherwise, I will be sticking to reading rather than listening…and this means that the technology that is likely to attract me is the eBook. I can see myself trying them in the not too distant future.







