Graeme Simsion, The Rosie project (Review)

Simsion, The Rosie Project

Bookcover (Courtesy: Text Publishing)

While I go to films fairly regularly, I rarely think of adapting books to film when I am reading. However, I was only a few pages into Graeme Simsion’s The Rosie project when it occurred to me that it was perfect film material. The feeling got stronger – and then around a third of the way through the novel I decided to look at the publicity sheet Text Publishing sent with the book. I usually read these sheets after reading the book. Guess what? The Rosie project started as a screenplay and has won a Writers’ Guild Award for Best Romantic Comedy.

This brings me to the other thing that crossed my mind as I read it:  how to categorise it. I’ve now read two books in a row that are a little outside my usual fare. Like the previous one, Anita Heiss’s Paris dreaming, The Rosie project is a romance, but it’s not chicklit and I’m not sure it fits the romance genre as a whole either. You see, the protagonist – as the cover may have told you – is a man, one Professor Don Tillman. As I understand it, romance novels tends to involve a female protagonist and the trials and tribulations she meets en route to true love. Movies have a genre called “romcom” but I’m not sure that term is used for novels. It is, however, the most appropriate description for this novel – because it’s a romance and it’s funny.

Now, I’d better give you a brief outline of the plot. It opens with Don Tillman, a genetics professor, about to give a public lecture on Asperger Syndrome as a favour for his friend Gene (ha!), a psychology professor. In the second paragraph, you start to suspect that Don himself has Asperger’s:

The timing was extremely annoying. The preparation could be time-shared with lunch consumption, but on the designated evening I had scheduled ninety-four minutes to clean my bathroom.

Ninety-FOUR minutes!? The novel continues in this vein with Don admitting to being socially inept, to being routine-driven and focused on efficiency over all else, and so on. He knows all this about himself, but never in the novel is he named as having Asperger Syndrome so I won’t either. However, this description of him provides a good introduction to the novel’s basic premise. Don, nearing 40, wants a wife but, not surprisingly given the way he approaches the world, he hasn’t had much success. He starts the Wife Project and creates a 16-page questionnaire designed to help him eliminate unlikely candidates before he wastes time on getting to know them. In comes 30-year-old Rosie, whom he thinks Gene has sent to him as a candidate. But Rosie, he quickly realises, would fail his questionnaire on the first page. She smokes, works in a bar (and so, he presumes, would fall below the required IQ), is not punctual, dresses unconventionally – you get the picture. Yet, there’s something about Rosie … so, pretty soon, Don offers to help her find who her father is, and thus begins the Father Project, which rather puts on hold the Wife Project.

From here, the novel runs pretty much to a romcom formula. The light tone tells you that it is likely to turn out the way you expect but despite this, the novel engages. This is because, although the plot is formulaic, the characters aren’t. Don is an unlikely hero. He’s aware of his difference and, as the novel progresses, starts to think about whether he can change himself to become more acceptable to people. It’s, dare I say it, poignant – but it’s not saccharine. Don and Rosie are too themselves for that. The novel also has some truly laugh-out-loud scenes. Comedy which involves ridiculing difference can be uncomfortable but again the tone saves it – it’s light and it’s warm. We like Don and our laughter is not so much at his behaviour as at the absurdity of the situations he sometimes finds himself in. I loved, for example, his description of his special treatment by airlines:

As we drank champagne in the lounge, I explained that I had earned special privileges by being particularly vigilant and observant of rules and procedures on previous flights, and by making  a substantial number of helpful suggestions regarding check-in procedures, flight scheduling, pilot training and ways in which security systems might be subverted. I was no longer expected to offer advice, having contributed ‘enough for a lifetime of flying’.

I enjoyed the book. It is a warm, but not stuffily earnest, book about accepting and celebrating difference, about negotiating relationships that accommodate different ways of being. It would make a great film.

Lisa at ANZLitLovers also found it fun.

Graeme Simsion
The Rosie project
Melbourne: Text Publishing, 2013
329pp.
ISBN: 9781922079770

(Review copy supplied by Text Publishing)

Monday musings on Australian literature: University presses

I was inspired to write this post last year when commenter Wendy Borchers mentioned Catchfire Press and described it as being associated with the University of Newcastle. I’d never heard of it. It is a community-based press primarily run by volunteers, but their covers, they say, are chosen by competition between senior design students at the University of Newcastle. The link is perhaps a little tenuous though there may be other connections not mentioned on their website. Whatever, they look like a delightful press with a wonderful heart doing something good for a local community, and they reminded me to look at the role university presses play in Australian publishing.

So, let’s look at some of the university presses which are out there promoting and publishing Australian literature – and I’m going to focus mainly on fiction. There’s probably a lot going on that I’m not aware of, but there are a few publishers who for me really stand out, and the grandma of them all is …

UQP, or the University of Queensland Press

Way back in the 1980s when I rediscovered Australian writers, and particularly Australian women writers, it was UQP that brought some of the best to me, like the wonderful Olga Masters who died way too early. Their imprint is recognisable and when I see it I know to expect quality. But then, they’re Queenslanders and so am I! UQP has apparently been going since 1948. They started as a traditional academic press but moved into more general publishing of fiction, poetry, indigenous writing and children’s literature. They published the early works of writers like David Malouf, Peter Carey and Kate Grenville and are now moving into digital publishing. Check out the authors page of their website and you can’t help but be impressed at their contribution to the Australian literary landscape.

Now, jump three decades and we come to the next university press to make an impression on me, and that is …

Sydney University Press

This was the first publisher to send me books to review. It was a new thing for me, and Lisa of ANZ Litlovers, and it was new for them. That was in late 2009 and what they sent us was their first lot of books in their Australian Classics Library, some of which they had already captured and published via their SETIS digital program. They introduced me to writers like Price Warung, encouraged me to read CJ Dennis, and gave me another Jessica Anderson to read. Their focus is still, I think, more traditionally academic, but I love and appreciate their commitment to some lesser known Australian classics.

And then, in just the last week or so I heard, via Twitter from bloggers Marilyn and Yvonne, of

Australian National University

And its ANU E Press which is publishing, electronically and free of charge, books in its ANU Lives Series in Biography. You have to buy the print versions but the online versions are free. These aren’t fiction – being biography – but are of interest to me with titles like Maori and Aboriginal women in the public eye and Transnational ties. I need to keep an eye on them.

That’s three but I’m sure other Aussies can point to more … and I hope they do because universities are well placed to offer different spins on publishing as these three examples do. It looks to me as through each is operating under different economic imperatives but achieving something important in our local publishing scene.

And here I will close, well aware that it is now nearly Wednesday … My excuse is that I am currently on the other side of Australia and my personal time clock is out of whack! Or something like that ….

Oh, and I will add more links when I am back in my more comfy computing domain …