Monday musings on Australian literature: Some favourite Aussie television adaptations

Today’s Monday Musings is the third in my series on filmed adaptations of Aussie literature, though this time I’m talking television adaptations. The television adaptation of books – mostly into miniseries – has become big business over the last few decades. You only have to look at the BBC and the success it’s had with the so-called bonnet dramas to know that.

A miniseries seems to me to be a more natural form for novel adaptations than movies, if only because the additional length offered by the miniseries caters for more character and plot development. It’s not only for its wet shirt scene that the 1995 adaptation of Pride and prejudice starring Colin Firth and Jennifer Ehle is so beloved!

Anyhow, here are some of my favourite Australian television series that were adapted from novels*:

  • A Town Like Alice (1981) was one of my favourite novels of my teen years – that and anything by Jane Austen, not to mention Voss from my late teens. Written by Nevil Shute, it’s a wartime romance on a grand scale about English rose Jean Paget, her experience as a prisoner-of-war in Malaya, her initial not always harmonious meeting with Aussie bloke Joe Harmon, and her post-war life in the Aussie outback. We “colonials” loved the idea of an Englishwoman preferring life with a dinkum Aussie bloke to one with the toffs over the sea! Mythmaking perhaps, but there’s nothing wrong with a bit of that every now and then!
  • Harp in the South (1986) was based on the novel of the same name by Ruth Park about whom I’ve written before on this blog. The book was another teen favourite of mine. Published in 1948, it’s a gritty realistic though sympathetic novel set in the slums of Sydney and is one of several books by Park that dealt with “battlers”. It’s some time since I’ve seen the series but I recollect that it effectively conveyed the world of the novel that Park created.
  • My Brother Jack (1965 and 2001) was adapted from the Miles Franklin Award winning novel of the same name by George Johnston. Published in 1964, it is the first of a trilogy, and is regarded as an Australian classic. The 1965 adaptation was written by Johnston’s wife, Charmian Clift, but if I’ve seen it I don’t recollect it. I did however see the 2001 adaptation. I enjoyed its depiction of between the wars Australia, and its exploration of Aussie masculinity through the uneducated, hardworking Jack as seen by his educated, more obviously successful but less happy journalist brother.
  • The Slap (2010) was adapted from Christos Tsiolkas‘ Miles Franklin Award winning novel of the same name. This is a multiple point of view novel with each chapter being  told from a different character’s point of view. It’s not always sensible for adaptations to follow the style and structure of the original but in this case the producers did, and it worked well. It was gripping viewing.
  • Cloudstreet (2011) was also adapted from the Miles Franklin Award winning novel of the same name, but this time by Tim Winton. It’s a big novel in which realism and something more magical are used to tell the story of two families who find themselves sharing a house at no. 1 Cloud Street. The adaptation did a wonderful job of capturing what is a complex novel with a large cast of characters and spanning several decades. The script, the visuals, the music work together to create something accessible but thought-provoking at the same time.

Interestingly, all of the above adaptations used the same title as their original novel. I guess there’s a good reason for that! And the last three were all based on Miles Franklin Award winning novels. Anyhow, these are just a few of the many Aussie novel television adaptations … there are way too many, and many that I’ve enjoyed, to discuss here – such as Nancy Cato‘s All the rivers run, the audiobook of which I am currently listening to.

Do you watch television adaptations of favourite novels? And if so, do you have favourites?

* Some of these books have also been adapted for film, but I am only focussing on the television versions here.

Alexander McCall Smith, The Saturday big tent wedding party (Review)

I have a number of tenets – if that’s not too grand a word for it – according to which I read. These include that I don’t read series books and I don’t read crime. However, the best rules are made to be broken, aren’t they? And so, I break mine for our family holiday tradition which is to read the latest book in The No. 1 Ladies’ Detective Agency series. We are now behind though. We should have read The Saturday big tent wedding party (the 12th of now 13 books in the series) last September. But that annual family holiday as well as our February holiday this year were cancelled due to health reasons. We finally got away in August … I have now read the book and am about to pass it on to the next eager reader.

So, what to say? If you know the series you’ll know what it is about and may have read this one already. If you don’t know the series, then I’d say if you are looking for something warm and charming, with a touch of humour, to fill in a quiet time you could do worse than spend a few hours with Precious Ramotswe and her family and friends. Or, if you prefer to spend your reading time on different fare, watching the miniseries on DVD could be just the thing. It was an enjoyable adaptation.

I said that I don’t read crime. However, these are probably not books leapt on by aficionados of that genre. There is always a crime to investigate of course … but while the crimes in these books have, on occasion, involved violence or real danger for the victims, their resolution never depends on violence, guns, car chases and the like. Rather, Precious (and her assistant, Mma Makutsi) use common-sense, psychology, simple observation and forthrightness to determine the perpetrator. Police, courts and jails are rarely if ever invoked.  The denouement, instead, usually entails natural justice and/or negotiated restitution. If only life could be managed this way …

Which brings me to McCall Smith and his philosophy. These books espouse a life based on moral and ethical behaviour, on forgiveness and humility, and on understanding where the other is coming from. It might seem (and is) a little cutesy at times, but the heart is real and the lessons seriously intended. In resolving the crime in this 12th book, Precious Ramotswe thinks:

There would be no further attacks – that was clear, and the damage had been set right by the one not responsible for it. All that was lacking was the punishment of the one responsible. But punishment often did not do what we wanted it to do …

And the one responsible … well, that would be giving it away. Suffice it to say that it’s not as simple as it might have looked at the beginning.

The rest of the book – like its predecessors – continues the story of Precious and her family. The apprentices are growing up (at last), a wedding finally occurs, the tiny white van is not totally lost – and Mrs Potokwani continues in her well-meaning but organising way.

And now onto the next holiday read …

Alexander McCall Smith
The Saturday big tent wedding party
London: Little, Brown, 2011
248pp.
ISBN:  9781408702598