ACT Book of the Year Award 2022 shortlist announced

For some reason – perhaps because I don’t write about every award every year – I’ve only written once before about the ACT Book of the Year Award. It is an award presented by the ACT Government. Unlike most of the state government awards, the award is limited to ACT Writers, and, like the Stella, it is not limited to genre or form. The award was first made in 1993 – shared by poet AD Hope and novelist Marion Halligan – so this is its 30th year.

The shortlist for the 2022 award – for books published in 2021 – was announced on the weekend by Tara Cheyne*, the Minister for the Arts. The seven finalists were selected from the 43 eligible nominations.

The shortlist

  • Dylan van den Berg, Milk (play, also won the 2021 Nick Enright Prize for Playwriting, in the NSW Premier’s Literary Awards)
  • Merlinda Bobis, The kindness of birds (short story collection; on my TBR; Lisa’s review)
  • Tim Bonyhady, Two afternoons in the Kabul Stadium: A history of Afghanistan through clothes, carpets and the camera (social history, also shortlisted for the 2022 Mark & Evette Moran NIB Literary Award)
  • Omar Musa, Killernova (poetry and woodcuts; on my TBR, my book launch post)
  • Lucy Neave, Believe in me (novel; my review)
  • Hugh Poate, Failures of command: The death of Private Robert Poate (war history)
  • Kaya Wilson, As beautiful as any other: A memoir of my body (memoir)

The winner will apparently be announced in the coming weeks, but no actual date has been given, and I can’t find any information about the judging panel. 

In addition to these awards, the ACT also has annual awards presented by the ACT Writers Centre (now called Marion).

* Tara Cheyne first became known to me as the delightful blogger behind In the Taratory, but she stopped blogging – unfortunately but understandably – when she decided in 2016 to stand for the ACT Legislative Assembly. I love that she is our Minister for the Arts.

Monday musings on Australian literature: on 1923: 5, Novels and their subjects

On the basis that what novelists write about provides some sort of insight into their times, I’ve done a little survey of the books published by Australian writers in 1923 to see what their subject matter might tell us about Australian life and literature 100 years ago.

First, here are the books I found, mostly via Trove:

  • J. H. M. Abbott, Sydney Cove
  • Vera Baker, The mystery outlaw
  • Marie Bjelke-Petersen, Jewelled nights
  • Capel Boake, The Romany mark
  • Roy Bridges, Green butterflies
  • Dale Collins, Stolen or strayed
  • Arthur Crocker, The great Turon mystery
  • Bernard Cronin, Salvage
  • A.R. Falk, The red star 
  • J.D. Fitzgerald, Children of the sunlight
  • Frank Fox, Beneath an ardent sun
  • Mary Gaunt, As the whirlwind passeth
  • Jack McLaren, Fagaloa’s daughter
  • Mary Marlowe, Gypsy Royal, adventuress
  • Catherine Martin, The incredible journey
  • Jack North, Son of the bush
  • Ernest Osborne, The plantation manager
  • Steele Rudd, On Emu Creek
  • Charles L. Sayer, The jumping double
  • H.F. Wickham, The Great Western Road

Twenty books in total, six of them by women. Unfortunately, I am not at home so can’t check these against 1923 in the Annals of Australian literature (but I’m sure Bill will when he sees this post!) Wikipedia’s page 1923 in Australian literature includes a few others: D.H. Lawrence’s Kangaroo, but he’s not Australian though the book was set here; Arthur Gask’s The red paste murders, but Project Gutenberg Australia says it was published in 1924; and Nat Gould’s Beating the favourite, but he died in 1919, and I can’t find much on this book. Further, from his biography, he is as much English as he is Australian. However, it is worth sharing that Andrews in the ADB says that Gould “inaugurated the Australian sporting novel”. Charles L. Sayer’s 1923-published The jumping double represents this new genre.

For this post, I’m sticking with my neat 20! Of these, around a third seem to be historical novels. J.H.M. Abbott’s and Mary Gaunt’s were set in the early days of the colony, while those by Vera Baker, Capel Boake, Arthur Crocker and H.F. Wickham encompass bushrangers in some way. Roy Bridge’s Green butterflies is an interesting member of this “historical” group. J.Penn (writing in Adelaide’s Observer, 5 May 1923) explains:

There is something decidedly unusual in a story which starts in Tasmania in 1830, and ends in Victoria at the present time. The title is the weakest thing about “Green Butterflies” … In this book, Mr. Roy Bridges fulfils much early promise, and shows himself definitely one of the novelists who count.

Bridges spans this almost 100-year period by telling the story across two or three generations of a family, taking its readers from the horrors of colonial Tasmania, with its “savage blacks and even more savage bushrangers … being put down by Governor Arthur”, to the “dirty settlement” of Melbourne, and then on to the present day, when, says a character, “the war has changed everything; we’re not narrow as we used to be”. So, a recognition here of the impact of World War 1 on Australian society, although war novels didn’t become popular for another few years.

Bushrangers were prevalent in the historically-set novels. The worst of the bushranger era had ended by the 1880s, but they were clearly still foremost in the public imagination, particularly in terms of escapist adventure. Further, with bushrangers being a particularly Australian form of outlaw, their presence would have appealed to those wanting Australian stories.

The rest of the novels were, as far as I can tell, set in more contemporary times, though some of the synopses were not completely clear about their period. The majority were adventure and/or mystery novels. (We know Australians love mystery and adventure!) A couple were set in New Guinea (including New Britain). One is Jack McLaren’s Fagaloa’s daughter, which Hobart’s World (8/11/1923) described as “a tale of stirring venture among the savages of Papua and adjacent islands, with white men doing deeds of unusual daring afloat and ashore”. The titular daughter ‘is given a European education, and is clever and beautiful, and “white all through,” despite the fact (or perhaps because of it) that she is the offspring of colored parents’. She apparently proves her worth when her white trader husband is attacked by a “cannibal hill-tribe”. Meanwhile, Ernest Osborne’s The plantation manager was described in The Armidale Chronicle (11/4/1923) as “adventure on a North-Western Pacific plantation” that “gives a striking account of the difficulties a manager encounters in developing tropical estates. A bright love story is interwoven throughout the adventures with the head-hunters”. You get the picture! White colonialism, fear of other…

Of the mystery novels, Stolen or strayed by Dale Collins received more attention than most, partly because he was already a journalist, but also because this novel, like several in this post, were part of the Bookstall series. I plan to feature him specifically in a later post. Stolen or strayed moves between underworld Melbourne and the Murray River, and received mixed reviews. Another Bookstall mystery, The red star by A.R. Falk, is set in Sydney’s underworld. The Brisbane Courier (23/6/1923) wrote that Australian writers hadn’t “developed the field of detective fiction to any extent”, but that Falk had

written a far better detective story than the majority of those that are imported. The scene is laid in Sydney, and the fight between detectives and a clever gang of thieves and murderers is told in a very convincing manner. The ending, perhaps, is forced, but otherwise the story takes a high place among current detective fiction.

Bushrangers in the country and the underworld in the cities, plus the occasional offshore exotic location, were popular settings and subjects at the time, suggesting that the focus on “the bush” was at least lessening as the Australian nation developed. That said, Steele Rudd’s On Emu Creek was about a city man turned farmer, and followed his pattern of using humour rather than mystery or adventure to tell its tale.

But, I’m going to conclude on something quite different, Catherine Martin’s The incredible journey. Bill has reviewed her second novel, An Australian girl, published in 1890. The incredible journey was her last. Margaret Allen writes in the ADB:

Catherine published, under her own name, The Incredible Journey (London, 1923) which, written very effectively from an Aboriginal woman’s point of view, was about a desert journey to recover her son, taken by a white man. H. M. Green found it a most interesting and realistic novel.

Interestingly, but perhaps not surprisingly, I struggled to find a review of this novel in the newspapers in Trove. Far better to write about mystery and adventure novels, it seems, than one attempting to represent a First Nations’ experience. While I don’t imagine it was First Nations assessment that the novel was written “very effectively from an Aboriginal woman’s point of view”, it is at least encouraging to see someone recognising the cause. (I have now ordered the book.)

So, there you have it. I could write more on my 20 books, but I think this gives you a flavour.

Thoughts anyone?

Other posts in the series: 1. Bookstall Co (update); 2. Platypus Series; 3 & 4. Austra-Zealand’s best books and Canada (1) and (2)

Stella Prize 2023 Shortlist announced

It says something about my discombobulated year that I didn’t post on the Stella Prize longlist. And then, I was packing for Melbourne this morning while I listened to the shortlist announcement on ABC RN Breakfast. (Something new I think for Stella.) I didn’t have time to stop and write my post, then, but here I am overnighting in Wangaratta – don’t laugh truckie Bill – and have a few minutes to write a post.

I haven’t read any of the shortlist, you probably won’t be surprised to hear, but as I heard the announcement, I remembered that I had one on my TBR, so I immediately swapped out one of the books I had selected for my holiday reading pile to include it.

This year’s judges are author Alice Pung, in the chair, with her co-judges bibliophile and host of The Garrett podcast (among many other roles) Astrid Edwards; essayist and literary critic BeeJay Silcox; writer, editor, broadcaster, and Walkley award-winning journalist Jeff Sparrow; and First Nations poet, essayist and legal advisor Alison Whittaker. None of these were on last year’s panel. Stella, in fact, does a stellar (sorry!) job of keeping its panels fresh.

You may remember that poetry was added as an eligible form for the prize last year. Indeed, a poetry collection won last year

The shortlist

The 2023 Stella Prize shortlist is:

  • Debra Dank, We come with this place (Echo Publishing, memoir)
  • Eloise Grills, big beautiful female theory (Affirm Press, graphic memoir for want of a better description): Kate’s review
  • Sarah Holland-Batt, The jaguar (University of Queensland Press, poetry collection): Jonathan’s review
  • Adriane Howell, Hydra (Transit Lounge, novel): Lisa’s review
  • Louisa Lim, Indelible city (Text Publishing, memoir)
  • Edwina Preston, Bad art mother  (Wakefield Press, novel): on my TBR, Lisa’s review

The announcement this morning included an interview with Stella Prize CEO Jaclyn Booton and shortlisted author Edwina Preston who said that her book had been rejected 25 times before it found a publisher. She said that if she hadn’t had an agent who kept plugging away, she would have given up. Good on Wakefield! It’s a lovely little independent press in Adelaide, which publishes across an impressive range of fiction and nonfiction forms. I visited them once, many years ago, and have reviewed many of their books. 

So, three nonfiction works/memoirs, one poetry collection, and two novels, continuing wonderful diversity of form that characterises the Stella Prize. I must say – though I haven’t included them all here – the covers for these books are stunning – strong, expressive covers that eschew those book cover cliches so often associated with books by or featuring women.

Alice Pung says of the shortlist:

Although all the books on our shortlist are very different, common themes emerge about a woman’s relationship to her art and to the world around her. All our shortlisted books also explore with moving complexity some of the most pivotal relationships in a woman’s life, and their roles as daughters, partners, wives, and mothers.

Each shortlisted author will receive $4,000 in prize money. The winner will receive $60,000 (through the support of the Wilson Foundation). There’s more on the shortlist on the Stella website.

The winner will be announced on 27 April.

Comments?

Monday musings on Australian literature: Trove treasures (4), Impatient readers

Time is short tonight as my downsizing move has hit a little roadblock. In a nutshell, our furniture and some of our goods are sitting on a truck awaiting transfer to our new apartment where the lift went out of service the same time that the truck was being loaded. That was last Thursday. We spent Friday waiting for news about when the repair could be done, and then all day today waiting for the repair to be done. By the end of the day, the new part was installed but the lift was still not working …

All this is to say that for tonight’s post I’m just sharing one little piece that I found during my recent Trove research, because that’s all the time I have.

The reading of novels and curiosity

Such is the title given to the column I found in Perth’s The Daily News of 30 August 1912. It starts with

Woman reading with cushion

This is an age of curiosity, of impatience. We no sooner take up a book than we look at the end to satisfy ourselves as to whether “they shall live happily ever afterward,” or whether the heroine shall marry some other man.

It suggests that “we are so sure of ourselves, so sure of our ability to forecast the termination of a tale that we perchance miss a couple of important chapter [sic], only to find that we had jumped at a wrong conclusion”. And then it gives what seemed to me to be a strange “concrete example of this spirit”:

we may cite the cases of dozens of people who, the instant they begin to read an interesting short article in the paper, immediately look to see whether The Commercial Tailoring Company, 794 Hay-street (upstairs), have had anything to do with it. Very often they are right, but sometimes they are quite wrong. Even when they are right, they have deprived themselves of a vast amount of pleasure and profit. For the article was designed, even as the clothes of the Company are designed, for their pleasure and well-being. It pays to read right through to the end.

What the? So, of course, I did some research, and it seems that The Commercial Tailoring Company advertised itself through little circa 250-word “stories” in the paper, stories which they twist at some point to refer to their clothing. Stories which, our columnist tells us, are designed for the reader’s “pleasure and well-being”. Stories of which, indeed, this very article is one. Here are some others: The stranger’s mistake (2 August), The North Pole (16 August), The art of the funny man (17 August), and The gentle rain (31 August). Do read a couple, but I dare you to not peek at the end!

I wonder how effective their stories were. Anyhow, you probably know what I am going to ask:

Do you ever peek at the end of a story you are reading? Why or why not?

Monday musings on Australian literature: Trove treasures (3), Novel reading and health

My second post in this Trove Treasures subseries shared some arguments against novel reading. I do have a pro-novel-reading post, but today I thought I’d go a bit lighter – I think it’s lighter! – and some of the ideas I came across discussing the impact of novel reading on health.

Novel-reading disease

Woman reading with cushion

I found two articles that discussed addiction to novel reading, going so far as to liken those in its thrall to drunkards. One goes back to 1855, and is in fact a Letter to the Editor (31 March 1855) of The People’s Advocate and New South Wales Vindicator. What a title for a paper! According to Wikipedia it was published in New South Wales from 1848 to 1856, and advocated on issues of importance for the working classes. In fact, Wikipedia says that it was “the first colonial paper to demand that the workers, as producers of all wealth, receive a fairer share of labour’s produce”. Great stuff, but this is not the subject of the Letter to the Editor.

Written by F.R. Surveyor (of Shoalhaven River) it expresses concern, not with occasional novel reading which simply represents a “criminal waste of time”, but with habitual novel reading which Surveyor describes as “detrimental to the health and vigour of the body”:

Novel reading tends to inflame the passions, pollute the imagination, and corrupt the heart. Moral sense is weakened by the false sentiment which novel writers inculcate. Novel reading is objectionable, because it creates an unnatural and morbid taste. It frequently becomes an inveterate habit, strong, fatal, as that of the drunkard. 

In this state of intoxication, great waywardness of conduct is almost sure to follow.

It also “destroys all taste for solid reading”.

Sixteen years later, on 2 November 1871, The Sydney Morning Herald published an article from The Examiner, titled “The Novel-Reading Disease”, and does it go to town. It commences by stating that “physicians are familiar with a complaint which, although sufficiently specific, has yet no name of its own” but it is caused by “over-indulgence in three-volume novels”. The article then chronicles the progression of this disease, explaining that at first the reader is simply found reading “at unnatural hours”, like “the early morning, or in the middle of a beautiful summer’s afternoon”. In this stage, readers exercise some discrimination in their reading choices, preferring Trollope, for example, over lesser authors. But soon, “the taste becomes deadened and blunted, and all power of distinction and appreciation is lost. In this stage the unhappy patient can no more go without her novel than can a confirmed dipsomaniac without his drain”. (There’s the equating with drunkenness again.) Quality goes out the window, quantity is everything. Indeed, “in the worst stages” of the disease, “novels are got through at the rate of three or four, or even five, a week, or at an average, in a severe and chronic case, of some two hundred and fifty or three hundred a year”.

And what does this disease do to its sufferers? Well, “the conversation of the patient becomes flabby and limp” leading eventually to “the last stage – that of absolute imbecility” unless “very powerful remedies” are applied. By this point in the article, all reference to sufferers are in the female gender. Indeed, the writer then says:

It is curious and interesting to observe that as this comparatively new female disease has grown more virulent and intense the old disease of scandal talking has become comparatively rare. It is, of course, physically difficult to talk scandal and to read a novel at one and the same time. 

True! Finally, the writer suggests that the cause of all this is the same as that for why “some young men smoke and drink bitter beer”. It’s the “sheer want of something to do”. The solution?

What a woman needs is an education which shall enable her to read and follow the Parliamentary debates instead of the police and divorce reports; and, when women are thus educated, then feeble novels and feeble novelists will vex our souls no longer to the horrible extent to which they irritate us at present.

I wanted to believe this article was tongue in cheek, it’s so extreme, but I don’t think it is. At least the writer recognises that women ought to receive an education!

Novel reading and wrinkles

Now for something lighter. I was astonished – and, I admit, delighted – to find an article titled “Novels and wrinkles”. I found it in multiple regional newspapers from South Australia and Victoria, but I’m using the Euroa Advertiser (12 February 1909). The article opens:

Excessive novel-reading (says a well-known beauty doctor) is responsible for the bad complexions, wrinkled foreheads, and sunken eyes of many young women.

Why specifically novel reading, do I hear you asking? Well, here’s the answer:

Many young women cause premature wrinkles to form on their fore heads by reading exciting novels. They sit for hours, often in an imperfect light, their brows furrowed, and if the book is a thrilling one, expressing on their faces unconsciously the emotions it excites. 

Our unnamed “beauty doctor” continues:

In a tram or railway journey one can notice the different expressions of a man reading a newspaper, and a woman – or a man, for that matter – reading a novel. The newspaper reader’s face is quite normal; but the expression on the novel-reader’s face is quite different. 

Priceless, really. Anyhow, fortunately, our “doctor” does not try to stop people reading novels, but “strongly” advises against reading novels “for hours at a stretch”. Have a break, he (it’s probably a “he”) says, and “above all, do not allow yourself to get too much excited by the book you are reading”. You heard it here, folks!

Reading in bed

Here is one relevant to many of us. It appeared in the Richmond Guardian (22 May 1926) and is “by a Medical Officer of Health”. Essentially, our MO believes this is a bad habit:

Beds were made to sleep in. The healthy man or woman who has never formed the bad habit of reading in bed, but, on the contrary, the good one of going to bed to sleep, finds little difficulty in wooing repose within a few minutes of his or her head touching the pillow.

So, if you “woo sleep easily” you “should studiously refrain from cultivating the habit of reading in bed”. However, there are those (besides invalids) for whom the practice might be useful. These include the “large number of apparently healthy people who find great difficulty in allowing sleep to overcome them”. There are many reasons for this, and you should try to remedy them first, but if the cause is not so easily removed, like “business and domestic worries”, then reading in bed may be a good not bad habit! These brains need something to switch them “into a different train of thought”.

But, our MO does have recommendations – about lighting (it must not strain the eyes), about position (do not lie on your side which “imposes considerable strain on the eyes”), and about reading matter. On this he is not prescriptive, saying “the choice may be safely left to individual tastes” except it should not relate to what is keeping you awake.

Finally, no reading in bed for children:

Children should not be encouraged to read in bed. The healthy child should be a little animal, and the healthy animal soon sleeps.

Reading and death

And now, the biggie! Does reading cause death? I came across two articles addressing this issue. The first, sadly, concerned a suicide, and was reported in The Bowral Free Press (19 July 1884). Titled “Effect of reading trashy novels” it reports that a young 20-year-old man had committed suicide by “shooting and hanging”. It briefly describes the manner, before concluding:

The cause of his suicide was reading sensational and trashy novels, which unsettled his brain.

On what authority this was decided, we are not told. Meanwhile, we do hear from a coroner in Perth’s The Daily News (27 November 1909) which contained a similarly brief report of a death. Titled “Coroner on novels”, it concerned the death of an 18-year-old nurse “who died from poisoning by spirits of salts”. The par concludes with:

the Coroner, commenting on the statement that the girl was given to the reading of novels, said he did not know whether novel-reading was evidence of weakness of mind. The practice, however, was generally confined to people who had little to do and had not much mind.

Over to you!

Monday musings on Australian literature: Trove treasures (2), Anti novel reading

Recently, I started a new Monday Musings sub-series, Trove Treasures. That first post concluded on a rear-admiral reading novels while waiting for a court martial, and I said that my next post “might be one on novel reading and men”. I still plan to do that, but I’ve decided to first share some of the wider arguments about reading novels that were raging in the late nineteenth to early twentieth centuries.

Woman reading with cushion

Novel reading, as I’m sure you know, was regarded with much suspicion from its first appearance. Indeed, negative attitudes led Jane Austen to defend the novel in her own first (albeit last published) one, Northanger Abbey (1817). Novels, she wrote, are works “in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best–chosen language”. This did not, however, put the argument to rest, and we find the issue being discussed with enthusiasm and passion in Australian newspapers over the following century.

Why am I interested in this old chestnut, given we now accept the value of reading fiction? There are two main reasons. One is that I’m interested in reading culture and how it has developed. The other is that debates about literature provide insight into the thinking and values of the times. (Just think about what our current discussions about issues like diversity, own-stories, and so on, tell about the culture of our times.)

So, much can be learnt about colonial and early post-colonial Australia from discussions about reading. There’s deference to the thinking of (mostly male) British commentators, for a start. There’s the high moral tone taken about reading “serious” literature and not wasting time on light or sensationalist fiction. There’s concern about the impact of light – undirected reading – on the young, and on the uneducated (particularly, it goes without saying, on women). Articles abound in the papers so, as usual, I can only share a smattering from the many that my searches retrieved. Those I’m using were published over 55 years, between 1869 and 1924.

For some commentators no novel reading was good, while for others it depended on the novel. The Gundagai Times and Tumut, Adelong and Murrumbidgee District Advertiser argued that “constant, uninterrupted perusal of works of fiction” could be “injurious and demoralising”, but recognised that some fiction, like “good historical novels”, could have value. These sorts of novels “assisted the reader to realise the conditions of society, &c, at certain periods”. Therefore, they concluded, “the works of our great masters of fiction might be perused (occasionally, of course, not always) with pleasure and with profit by the intelligent reader”. So, very qualified – “great masters of fiction” could be read “occasionally” by “the intelligent reader”. Not a resounding endorsement.

For some, then, the enumerated ills came from all novel reading, while for others these were due to too much novel reading, or reading the wrong sorts of novels. Some ills concerned the impact on health and well-being, such as loss of memory, weakening the brain, unfitting men for the stern realities of life by giving either exaggerated or false views of life. Many commentators, like this one, worried about the impact of a diet of stories of love and murder:

“What sort of wives and mothers may we expect these young women to make?” We may cease to wonder at the frivolous demeanor and flaunting airs of the girls we meet everyday in our towns, when we remember the strange garbage that serves them for mental food, and the “gallery of portraits” that is fixed in their imaginations. They are positively unfitted for the noble work of home life, and we may expect that many of them will develop into sluts and slatterns, and others will speedily figure in the divorce courts …

“Sluts and slatterns”! This writer admits there are novels that may be read “profitably”, like those by Walter Scott and some of Dickens, but believed these didn’t attract the “girls of the period”. Scott, Dickens, and Thackerary, in fact, are regularly touted as acceptable novelists – by those writers who don’t condemn all novel reading.

Other identified ills concerned the time spent reading. For example, novel reading “causes people to remain away from church and chapel duties”. Or, as another wrote, “necessary and serious work” was “thrown aside for the charming story, that helps to rob the mind of its proper strength, and real life of its importance”.

An earnest letter-writer (“Another Reader”) to Hobart’s The Mercury argued that “for a man to confine his reading to novels is, especially in such times as ours, when social questions demand the attention and earnest study of all thoughtful men, to waste a considerable amount of time that would be far more profitably spent”. This writer concedes that it’s “very nice” to recline in a hammock in a quiet, secluded spot, and “devour a long account, generally slanderous, of human nature from a cleverly concocted novel” but asks whether this meets “the duty of mankind?” Hmm, novels being “generally slanderous”? And, must all life be about “duty”? He doesn’t insist on “total abstinence from novel reading”, but he does argue that spending all one’s time reading “is nothing more nor less than an intemperate love of pleasure, which is destructive in all forms”. Indeed, he suggests that reading biographies is more worthy than reading fiction, and returns to his point re the times, recommending “the study of the many problems that trouble the world at this time – Socialism, Theosophy, Religion (above all), etc.”

Concern frequently focused on novel reading by young men and women in particular, with some commentators exhorting parents to “exert a little wise control and careful supervision”. The Riverine Herald went a little further. Arguing that without a public censor, “it is the duty of the parents to wisely choose” their children’s novels, it suggests it would be even better “if the writers, publishers and book sellers” would write, publish and sell books of “higher standard”. A bit of self-regulation, in other words.

A certain Mrs Glover, however, speaking in 1924 at a conference of club, social and welfare workers arranged by the National Organisation of Girls’ Clubs, had a refreshingly liberal view, arguing, the report said, that

a girl had to go through a lot of “trash” before she found herself. The spirit of adventure in the girl must have an outlet. “I think girls ought to be thrilled. I think it is very nice to see girls in the tubes and trams who never look up from their books even when they pass the station. I think that is so much better than gossiping, or making eyes, that sort of thing. I went through a lot of awful trash myself and I really did thoroughly enjoy it. I think the girl has got to go through this before she finds herself. We want to let the girls read the very lightest form of sensational literature.

Okay, so only the “lightest form of sensational literature”, but this sounds like progress. The article concludes by damning not sensational writing but “novels of sentiment, novels of a pervading sickliness”:

From time to time perturbed moralists rush forth into the marketplace to denounce some book or other in which inconvenient or improper scenes occur. For my part I doubt whether all the books which contain passages such as a censor, a magistrate, a policeman can identify is undesirable, have done half as much harm as some volumes of sentimentality in which no one could fine a line to prosecute. The gush of facile emotion, the hectic talk confusing black with white, of which your novel of sentiment is composed, are very bad for heads which are not old enough to be hard, and hearts which are even softer. Such books seem to me the most dangerous trash, and they are to be found not only among the bestsellers but among the great works approved by the intellectuals.

Interesting … but s/he doesn’t give examples.

I’ll close here, because this post is long. However, it’s clear that engagement with the topic was keen, and that there were opinions on both sides. I’ll share some of the pro novel-reading arguments in another post.

Sources (in chronological order)

Your thoughts?

Monday musings on Australian literature: A letter from Mary Gilmore

Gilmore, by May Moore, 1916 State Library of New South Wales (Public Domain)

Mary Gilmore (1865-1962) is, I suspect, not well-known outside of Australia, but she was (is) a significant Australian poet – so significant that she earned herself a dame-hood! Wikipedia describes her as “an Australian writer and journalist known for her prolific contributions to Australian literature and the broader national discourse. She wrote both prose and poetry.” If you are interested in her, check out W.H. Wilde’s excellent entry in the Australian Dictionary of Biography.

Given my recent posts featuring AG Stephens, I will share though that Wilde tells us “she had a long-sustained correspondence with Alfred George Stephens of the Bulletin and was delighted to have her life and work featured in the ‘Red Page’ on 3 October 1903″. I have often thought about writing more about her because she was a mover and shaker in the literary world, as well as being politically radical. In fact, she was a member of the Australian Utopian colony that was established in Paraguay in 1893, about which I’ve written a Monday Musings post. I will write more about her – but today’s post is more personal.

As some of you know, I am in the throes of serious downsizing from a large family home to a three-bedroom apartment. With all of our nearest family now in Melbourne, we are making more trips there, so need to simplify our lives here. It’s a painful process, but there are delights along the way – and today I’m sharing one of them.

Way back in the 1990s, when my lovely mother-in-law downsized to a retirement village, we became the custodians of some family papers which included some from her father-in-law, Mr Gums’ grandfather. He was William Farmer Whyte, a journalist and author of some standing in his time. He wrote a biography of the controversial Australian prime minister, William Morris (Billy) Hughes. He was active in the literary scene of the day – and knew Mary Gilmore. Mary Gilmore was, apparently, a prodigious correspondent, and we have a letter from her to him. I read this letter when those papers were passed to us, but it came to light again during my current sorting. I thought I’d share it with you.

Hotel Wellington
Canberra, F.C.T.
5.12.1929

Dear Mr Farmer Whyte,

How kind of you! And what’s more the article is a good one. I hate the sloppy or the feeble, and there is so much of that. Consequently, yours is doubly appreciated.

While I think of it I would like you to see Mr Watt’s letter on Hugh McCrae in the “S.M.H”. If you wanted a good subject Hugh is one indeed. We are pushing him forward into lectures of remembrances of other writers. So it might serve you something if you were to cut out Watt’s or any other letter on him just now. I have just posted one to the “S.M.H” which shd appear in a few days – unless they sit down on it. I had suggested to the Literature Society here that Hugh be asked up as their guest speaker, as they asked Brereton and me. They ought to ask you to give a pressman’s talk! I will suggest it if you will let me – or whether or no, as you can only refuse if you do not want to talk.

Am just awaiting Mrs Scullin and must hurry to end or be unpunctual.

Again thanking you

Yours gratefully

Mary Gilmore

A poem was also included with the letter, but I’ll save that for another time. I have tried to find the (non-sloppy, non-feeble) “article” Farmer Whyte wrote but so far no luck, even though the date is presumably late 1929.

Notes on names in the letter:

  • S.M.H.: The Sydney Morning Herald newspaper.
  • Hugh McCrae: Australian poet, 1876-1958.
  • Literature Society: possibly refers to the Fellowship of Australian Writers of which she was a co-founder in 1928 (see my Monday Musings on that).
  • (John Le Gay) Brereton: Australian poet, critic and Professor of English (1871-1933).
  • Mrs Scullin: wife (1880-1962) of Australian Labor Prime Minister, James Scullin.

The reference to Mrs Scullin is interesting but not surprising. Less than two months before Mary Gilmore wrote this letter, James Scullin had led the Labor Party into power, and Gilmore was a Labor Party stalwart. Regarding her dame-hood, Wikipedia says that “in spite of her somewhat controversial politics, Gilmore accepted appointment as a Dame Commander of the Order of the British Empire in 1937, becoming Dame Mary Gilmore. She was the first person to be granted the award for services to literature.”

A significant person and one I will return to.

Meanwhile, do any of you have any knowledge or experience of Mary Gilmore? Or, any letter treasures you’d like to share?

Robbie Arnott, Limberlost (#BookReview)

Where should I start my discussion of Robbie Arnott’s third novel, Limberlost? Perhaps with the epigraph. It’s by Gene Stratton Porter, and says, “In the economy of Nature, nothing is ever lost”. I have posted on Porter – on her essay, “The last Passenger Pigeon”. She was, says Wikipedia, an author, nature photographer, naturalist and silent-film producer.

Some of you will know her for her now classic novel, Girl of the Limberlost (1909). My mother adored it, and passed it on to me. I adored it too, and passed it on to my daughter, who adored it in her turn. It is a beautiful book about love of place (Indiana’s Limberlost Swamp) and a young woman, Elnora, living with a wounded, neglectful, widowed mother. It is about how Elnora obtains sustenance (physical and emotional) from nature. Yes, it’s a bit sentimental, in the style of the time, but Porter won me over with her description of the Limberlost Swamp and with her young protagonist Elnora’s strength. (Oh, and with Elnora’s beautiful lunchbox, which, apparently, also impressed author Joan Aiken! I wanted one.)

So, Robbie Arnott’s Limberlost … it draws more than a little – but also not a lot – from Porter and her novel. It is about a teenage boy Ned who, though not neglected like Elnora, is living with a loving but stressed and often remote father. It is set in a stunning and beautifully-rendered-by-Arnott environment, in this case northeast Tasmania, in the Tamar River valley. There are enough similarities to suggest that Arnott also loved Porter’s novel. However, Arnott has taken this kernel – troubled teenager left frequently alone in a beautiful environment – and woven a more subtle story about, well, let’s talk about that now …

Fundamentally, Limberlost is a coming-of-age novel but one that also happens to tell a whole life from childhood to 90s – in just over 200 pages. That’s impressive writing. If you like family sagas, this is not for you, but if you are interested in what makes a life a life then Arnott has written just the book. In this case, we are talking specifically the life of a man. I have reviewed a few books over the years that explore manhood – Christos Tsiolkas’ Barracuda (my review) and Sandy Gordon’s Leaving Owl Creek (my review), being two. Arnott’s book has its own take on this question.

He’d never felt so brotherless

The central narrative takes place over summer, near the end of World War 2, when Ned is 15. With his mother having died within months of his birth, and his two older brothers, Bill and Toby, being away at war, it is just Ned and his father on the family orchard, until big sister Maggie arrives to make it three. The core chronology follows Ned through summer, but the narrative shifts back and forth in time as events segue to other experiences in Ned’s life.

Ned is a sensitive, reflective young man. The novel starts with a scene from when he was 5. The community was awash with rumours and fears about a mad whale causing death and destruction at the mouth of the river, so Ned’s father had taken his three boys out in a boat to the eye of the storm, as it were. This little incident is key to the novel, because it is about facing fears, about checking the truth of stories, about memory – and about fathers and brothers. Throughout the novel, Ned struggles to remember what really happened in the various events of his life, starting with this one. Which brother had given him a coat that night when he’d shivered with cold? This bothers him, but what is more important is that “he remembered the warmth of the wool”.

It is perhaps the challenge of being the baby brother, but for Ned the struggle to feel competent – like his father, like his brothers – is ongoing. At 15, he dreams of having a boat, and he works hard to realise it, by trapping rabbits and selling the pelts. Achieving this dream would bring him two victories: “He’d have the boat, and he’d have people’s shock at the casual totality of his competence”. There is a guilty niggle, though, because his trapping for pelts looks “nobler” – providing pelts for slouch hats, while his brothers are at war – than he knows in his heart it is.

Limberlost, however, is not only about manhood and brotherhood. It is also a work of eco-literature (about which I’ve written before). The novel’s epigraph, along with the opening “mad whale” scene, clues us into this. Nature – the natural world – thrums through the novel – from the whale, the rabbits, and the quoll he mistakenly traps, to the beautiful giant manna gums (or “White Knights”) that Ned logs in a short stint on a logging crew. Many of the descriptions of the animals, plants and landscape are visceral in the way they act upon Ned’s emotions and consciousness. Ned’s relationship with this world is complex – at times it terrifies, at times it nurtures, at times he takes from it (such as logging and rabbit-trapping) and at times he gives back (such as returning the quoll), but it is always there. Arnott’s natural world is beautiful but fierce. It is also threatened – by man’s actions upon it – which Arnott shows graphically but not didactically.

There are many strong, dramatic descriptions of nature in the novel, but I’m gong to share a rare joyful one. It comes during Ned’s honeymoon, after he had experienced the true joys of lovemaking (in one of the best sex-scenes I’ve read for a while):

Afterwards he’d driven them across the plateau through white-fingered fog, through ghostly stands of cider gums, through thick-needled pencil pines, through plains of button grass and tarns, through old rock and fresh lichen, until the road twisted and dived into a golden valley. Here at winter’s end, thousands of wattles had unfurled their gaudy colours. As they descended from the heights their vision was swarmed by the yellow fuzz. Every slope, every scree, every patch of forest, every glimpse through every window was a scene of flowering gold.

The rolling, breathlessly joyful rhythm of this description is very different to that in the next paragraph where Ned’s old fears return, and the sentences become clipped, and staccato-like.

Arnott also refers to the presence of local First Nations peoples, to Ned’s awareness of their knowledge of the land. “At no point, Ned had heard, were they hungry” – not the way he and Callie were as they struggled to make their little orchard work. Some members of my reading group, with whom I read this book, felt this was anachronistic, but the Tasmanians amongst us argued that northern Tasmanians have long been aware of First Nations presence.

The final point I want to make concerns dreams and imagination. Ned, as I wrote above, feels guilty about his boat-dream when others think his rabbit-trapping is war-effort related, but it’s the dream that sustains him. When crisis comes and dreams are shattered – not in the way you are expecting so this is not a spoiler – Ned is devastated:

He wanted something to do, something to love. He had … nowhere to push his imagination, nothing to dream of … nowhere to turn his thoughts from reality … He felt cut loose from the anchors he’d been dropping all summer. He’d never felt so brotherless.

Limberlost is a great read. It is imbued with warmth for its world and characters, but it is not sentimental, nor simplistic, and no answers are given – except for one, the ties that bind, family. The novel starts and ends with father and brothers – but in between are real lives lived authentically in a vividly-rendered landscape that has its own life. Beautiful.

Several bloggers got to this before me, including Lisa, Kimbofo and Brona.

Robbie Arnott
Limberlost
Melbourne: Text Publishing, 2022
226pp.
ISBN: 9781922458766

Monday musings on Australian literature: on 1923: 4, Austra-Zealand’s best books and Canada (2)

Last week I wrote about Canadian librarian, George Locke, commissioning Australian critic and journalist AG Stephens to compile the “best 100 imaginative Australian and New Zealand books” to be sent for exhibition in Toronto’s public library”. I ended on the commission having been completed, but I did not include his list because, not only had it taken me a while to find, but it then needed some editing before I could download it to share.

I’m not going to share the whole list, now, either. It is long, and probably not of core interest to most readers here. So, I plan to introduce the list, and then share selections – and, of course, I’ll give you the link so those of you who are interested can peruse the lot.

The list

After trying a few search strategies to locate the full list, I finally found it in Adelaide’s The Register (11 August 1923), in J. Penn’s “Literary Table” column. I’ve come across his columns before during my Trove searches, but have not yet found much about him. So, let’s move on. I’ve noted his name for further research, along with other mysterious by-lines I’ve seen.

Penn starts with some background. Stephens, he says, “was not required to display the historical course of literature”, nor “to include works of record, works of science, works of reference”:

His task was to choose works of literature identified with Australia or Zealandia, typifying Austra-Zealand character, suggesting life and thought native to Australia or Zealandia at the present day, yet readable and valuable elsewhere by reason of their art, by force of their genius. 

Penn suggests that “as a natural consequence of the change of environment, the character of Australians, and to a less extent of Zealandians, is gradually differentiating itself from the character of the parent British stock”. Some of the books in the list, he says, “exhibit this evolutionary change” while others reflect, in various degrees, “some of the qualities of world-wide literature”. Stephens, he continues, believes that the body of Austra-Zealand verse, which is “chiefly Scottish or Irish in origin”, is comparatively good. Regarding the rest, he quotes Stephens:

Austra-Zealand prose is good only in short stories. The best of the few long novels have been written by Englishmen. The list shows a distinct quality of English literary persistence, and a distinct preference of the Celtic mind for brief flights in prose and verse. Several books in the field of travel and description have a charming novelty. The juvenile books are excellent.

Interesting, eh? Not surprisingly, the list is verse-heavy. It is presented in categories …

  • Anzac (6)
  • Art and Illustration (8)
  • Drama (2)
  • Essays and Criticism (4)
  • Fiction (21)
  • Juvenile (11)
  • Reference (4)
  • Travel and Description (10)
  • Verse (34)

    … and is annotated with Stephens’ comments, which were presumably intended for Locke and his library.

    Fiction

    Book cover
    • 21. Becke (L.), By Reef and Palm, London, 1894. The first admirable short tales of the best East Sea writer since Melville. Neither Stevenson nor Maugham equals his graphic presentation of island nature and human nature.
    • 22. Bedford (E.), The Snare of Strength, London, 1905. An impetuous characteristic Australian novel, not shaped to gain its proper literary effect.
    • 23. Baynton (B.), Bush Studies, London, 1902. Short stories realizing with peculiar force and feeling the life they describe.
    • 24. Bartlett (A. T.), Kerani’s Book, Melbourne, 1921. In prose and verse the book of a typical young Australian.
    • 25. Browne (T. A.), Robbery Under Arms, London, 1888. Still the best bush story and the best long fiction written in Australia.
    • 26. Clarke (M. A. H.), For the Term of His Natural Life, Melbourne, 1874. Based on the records of the English convict settlement in Tasmania early in the 19th century. Picturesque, dramatic, and forcible at its epoch, it is moving into our literary past.
    • 27. Davis (A. H.), On Our Selection, Sydney, 1898. Lively humorous sketches of farm life and character.
    • 28. Dyson (E. G.), Factory ‘Ands, Melbourne, 1906. City life and character shown with brilliant satirical humour.
    • 29. Franklin (S. M.), My Brilliant Career, London, 1901. The first novel of a high spirited Australian girl- individual and characteristic.
    • 30. Furphy (J.), Such is Life, Sydney, 1903. Lengthy, slow, meditative, a lifelike gallery of bush scenes and bush people.
    • 31. Hay (W.), An Australian Rip Van Winkle, London, 1921. Personal and descriptive sketches are fully written and skilfully elaborated.
    • 32. Kerr (D. B.), Painted Clay, Melbourne, 1917. An Australian girl’s first novel, representing current fiction.
    • 33. Jones (D. E.), Peter Piper, London, 1913. The book of a typical Australian girl.
    • 34. Lawson (H.), While the Billy Boils, Sydney, 1896. Early collection of stories and sketches by the chief of Australian realistic writers.
    • 35. Lloyd (M. E.), Susan’s Little Sins, Sydney, 1919. Rare fertility of natural humour.
    • 36. Mander (J.), The Story of a New Zealand River, London, 1920. Best recent Zealandian novel, truthful and powerful.
    • 37. Russell (F. A.), The Ashes of Achievement, Melbourne, 1920. Placed first in De Garis prize competition of several hundred writers.
    • 38. Stephens (A. G.). ed. The Bulletin Story Book, Sydney, 1902. Many Austra-Zealand short stories permanently highly valuable.
    • 39. Stone (L.), Jonah, London, 1911. Keen observation, firm characterization, and witty exact description of city life.
    • 40. Wolla Meranda, Pavots de la Nuit, Paris, 1922. An Australian woman’s novel written in English, and first published in a French translation—a vivid story of sex in Australian scenes.
    • 41. Wright (A.), A Game of Chance, Sydney, 1922. One of the best books of a popular Australian writer of two score sporting stories. 

    So now, some thoughts. Remember that this was 1923. Many of our better-known early 20th century writers were just getting going. Katharine Susannah Prichard, for example, had written just three books by then, and Vance Palmer two. Others, like Christina Stead, M Barnard Eldershaw and Frank Dalby Davison had not quite started. Of course, some had, and are not included, like Catherine Helen Spence, as Bill (The Australian Legend) would say, and Price Warung, to name just two. Louise Mack is included, but in the Juvenile category – along with writers like Mary Grant Bruce and Ethel Turner.

    Capel Boake, Painted clay

    People will always complain about lists. Indeed, I think an important role of lists is to get book talk into the public arena. I shared some criticisms of this list last week. I’m therefore going to leave that issue and look briefly at what Stephens included. There are books here, for example, that we still know today – those by Barbara Baynton, TA Browne (aka Rolf Boldrewood), MAH (Marcus) Clarke, AH Davis (aka Steele Rudd), SM (Miles) Franklin, J Furphy, DB Kerr (aka Capel Boake) and H(enry) Lawson.

    There are some surprises here – for me. Wolla Meranda is completely new to me, and I plan to research her for a future post. EG Dyson’s Factory ‘Ands, with its “brilliant satirical humour” also intrigues.

    As some critics complained (in my post last week), there is one by Stephens himself – but it is an anthology so is surely not, really, self-aggrandisement?

    Finally, his annotations. Love them. Some read a bit strangely – syntactically speaking. However, as well as reflecting his own preferences, of course, they are succinct, not bland, and they convey how the works meet that commission – to represent Austra-New Zealand thought and character in readable but quality literature!

    Others

    To avoid writing a tome, I’m now going to share a few from Drama and Verse. Of the two Drama works listed, one is by Louis Esson, who was critical of the list. Stephens includes his 1912 Three Short Plays and annotates it with “exhibits dramatic power as far as he goes”. 

    Verse contains quite a few “Zealandians” (to use the language of the time). Australian poets include many still known to us, like Barcroft Boake, Christopher Brennan, Zora Cross, CJ Dennis, Adam Lindsay Gordon, and Henry Kendall. Several poets are noted (annotated) for their satirical or sardonic humour, which appeals to me. But I’ll conclude with one I don’t know, R Crawford’s 1921 The Leafy Bliss. Stephens’ annotation is “Awkward verse with astonishing aptitudes; the uncouth elf suddenly disclosing the high shining face of poetry”. (Should this be “uncouth self”? Anyhow, I love this annotation.)

    Thoughts?

    Picture Credit: Alfred Stephens, 1906, Public Domain, from National Library of Australia.

    Other posts in the series: 1. Bookstall Co (update); 2. Platypus Series; 3. Austra-Zealand’s best books and Canada (1)

    Monday musings on Australian literature: on 1923: 3, Austra-Zealand’s best books and Canada (1)

    For my third post in my Monday Musings 1923 series, I’m moving away from publisher initiatives, like the NSW Bookstall Co and the Platypus Series, to something a bit different. It’s an intriguing story about what one paper called “inter-Imperial amity”. It goes like this …

    Mr. George H. Locke (1870-1937) – as the newspapers of the day referred to him – was, at the time, the Chief Librarian of the Public Library of Toronto. He was significant enough to have a Wikipedia page, which tells us that he had that role from 1908 to his death. Wikipedia also says that he was the second Canadian to be president of the American Library Association (ALA). The Toronto Public Library website tells us a little more. He was their second chief librarian, and his memorial plaque credits him with having “transformed a small institution into one of the most respected library systems on the continent.” They say he was the first Canadian to be president of the ALA – but who’s counting! The important point is that he was an active librarian who not only “promoted library training and professionalism” but was intellectually engaged in the world of letters.

    All very well, I hear you saying, but what’s that got to do with us? Well, in 1923, he commissioned Mr. A.G. Stephens (1865-1933) to “choose the best 100 imaginative Australian and New Zealand books for exhibition in the Toronto library” (as reported by many newspapers of the day, like Brisbane’s The Queenslander, 3 March 1923). His aim, the newspapers say, was “to inform Canadian readers of the literary aspirations and performances of Australian and New Zealand authors”. This is an inspired and inspiring librarian!

    Now, A.G. Stephens, who also has a Wikipedia page, is well known to those steeped in the history of Australian literary criticism and publishing. He was famous for his “Red Page” literary column in The Bulletin, which he ran for over a decade until 1906. Stuart Lee, who wrote Stephens’ ADB article, says of this column:

    Stephens’ common practice was to spark controversy by attacking an established writer, such as Burns, Thackeray, Kipling, or Tennyson, thereby enticing correspondents as varied as Chris Brennan or George Burns to attack and counter-attack, sometimes over weeks. It was heady stuff.

    After leaving The Bulletin, Stephens worked as a freelance writer and editor. Some of the newspaper articles reporting on Mr. Locke’s initiative, also reference Stephens’ being the editor of the literary magazine, The Bookfellow. He had edited 5 issues of it in 1899, and then revived it as a weekly for a few months in 1907. After that more issues were published, at intervals, until 1925. Overall, Stephens was recognised for his criticism, literary journalism and literary biography. After he died, critic Nettie Palmer, writes Stuart Lee, complained about ‘the appalling lack of public response’ to the news of his death, while Mary Gilmore wrote in an obituary, that “only those who were intellectually shaped by his hand, only those who stood on the strong steps of his work, know with what a sense of loss the words were uttered, ‘A. G. Stephens is gone’.” All this suggests that he was a person well-placed to fulfil Locke’s commission.

    So, back to the commission. I found very little detail about it. Most of the papers announcing it merely explained what it was – which is what I’ve told you already. A few made the point – as did The Queenslander above – that ‘The “hundred best books” task has not been attempted in Australia before. An initial difficulty is that many of our best books are out of print, and have to be painstakingly sought for.’

    But, here’s the thing, on 3 August 1923, a few months after the commission was announced, The Sydney Morning Herald reminded readers of the commission, and then wrote

    The collection has now been made, and the books have been despatched to Canada.

    Nothing more! Back to the drawing board for me. After trying various search strategies – which produced a few comments on the list – I finally found the full annotated list. It’s way too long to share in this post – and it needs a lot of editing in Trove for it to be shareable. In the meantime, I’ll whet your appetite with this response to the list by critic and poet Louis Esson (1878-1943) in Melbourne’s The Herald (1 September 1923):

    Mr Stephens has now published his list of a hundred representative books. As might have been expected, they make a rather arbitrary and unsatisfactory collection. Half of them at least might have been omitted with advantage. Mr Stephens has an exaggerated opinion of the value of the writings and critical opinions of Mr A. G. Stephens. Fifteen of his hundred representative books have been either written or edited by himself. A number of feeble writers have been included while more important writers like Bernard O’Dowd, Frank Wilmot, Vance Palmer, Francis Adams, Walter Murdoch, Katharine Susannah Prichard, Price Warung and others are inadequately represented or not selected at all. Mr Stephens, no doubt, has done his best. He has a perfect right to his own opinion; but readers in Canada and Australia must be on their guard against accepting A.G.S.’s list as being in any way critical or authoritative.

    Esson isn’t the only one who commented on Stephens including himself.

    If you are interested, watch this space … the list is not quite what I expected, based on those early announcements. I’ll try to share it next week.

    Picture Credit: Alfred Stephens, 1906, Public Domain, from National Library of Australia.

    Other posts in the series: 1. Bookstall Co (update); 2. Platypus Series