Galileo (Courtesy: tonynetone, using CC-BY 2.0, via flickr)

Tafelmusik = table (or banquet) music, and has been used since the mid-16th century for music played at feasts and banquets.

AND …

Tafelmusik = a Canadian Baroque orchestra specialising in early music, performed on period instruments.

BUT WAIT, THERE’S MORE …

197856 Tafelmusik = an asteroid discovered in 2004 and named for the orchestra.

You learn something new every day, don’t you? But why am I sharing this particular learning of mine? Well, because this week we attended our first Musica Viva subscription concert of the year and it happened to be The Galileo Project: Music of the Spheres, created and performed by Tafelmusik. It’s been some time since I wrote about a music concert. As I’ve said before, I love music but am no expert. This concert, though, was one-of-a-kind and I can’t resist sharing it with you, Whispering Gums style.

Baroque music was my first “classical*” music love – and so I was predisposed to enjoy this concert but I wasn’t expecting to enjoy it quite as much as I did. The concert was a musical performance something like we’ve seen before with groups like The Song Company (and their Venetian Carnival). The Galileo Project was performed by 17 musicians and an actor. It incorporated music (of course), visual images, narration and movement. And, unusually for ensembles, the whole program was performed from memory. If there were any hiccoughs I didn’t hear them.

So, why Galileo? Through the program and post-concert Q&A, we learnt that The Galileo Project was Tafelmusik’s contribution to the International Year of Astronomy in 2009, which was the 400th anniversary of Galileo’s use of the astronomical telescope. We were told that Canadian astronomers had a goal for 2009: that every Canadian would get to look at the stars through a telescope! I don’t think they quite achieved that, but it never hurts to aim high.

Anyhow, the program. It was divided into sections:

• The Harmony of the Spheres I (Vivaldi)
• Music from Phaeton (Lully)
• Music from the Time of Galileo (Monteverdi, Merula, Galilei, Marini)
• Henry Purcell
• The Dresden Festival of the Planets (Rameau, Handel, Telemann, Zelenka, Lully, Weiss)
• The Harmony of the Spheres II (Bach)

The music was linked by a narration drawn from contemporary writings (by Shakespeare, astronomers/scientists – who also included Newton and Kepler – and musicians) exploring the relationship between science, mathematics and music. Galileo’s father, Vicenzo Galilei, was a lutenist. One of his interests was testing lute strings to find “the mathematical formulas that express the relationships among length, tension and musical pitch” (program notes). Galileo, himself, was also a lute player, as well as a mathematics teacher and astronomer.

The concert program contains extensive notes on how astronomy and music intersected during the period, including:

• the 1719 Festival of the Planets, which was a month-long event comprising operas, balls, outdoor events and special concerts designed to commemorate each of the known planets of the time – Mercury, Venus, Earth, Mars, Jupiter and Saturn**. Handel, Telemann and other musicians were involved in the Festival.
• Johannes Kepler‘s Harmonices Mundi (Harmony of the World) in which he outlined his theory regarding harmonies (musical intervals and short melodies) that can be derived from planetary motion using mathematical formulae. The orchestra played some of these tunes from the planets.

All this was fascinating, but if you want to know more, here is a link to a Teacher Resource Guide which will give you more info than I ever could.

Meanwhile, I’ll just dot point my highlights of the concert:

• the engaging rapport between the members of the ensemble. They clearly know each other well and enjoy playing together. That, or they are good actors!
• the gorgeous sound. Llewellyn Hall should have good acoustics but I have never noticed quite how beautiful the sound is until this concert. It was warm and lush but also oh-so clear.
• perfection that wasn’t cold and technical. They played from memory, they “orbited” or otherwise moved around the stage – and the hall – as they played their violins and oboes (which was impressive in itself but also enhanced our experience of the sound), and they made it feel spontaneous.
• the sensitive incorporation into the narration of an indigenous Australian story about tracking Venus, from the Yolngu people.
• beautiful, varied pieces of music played on authentic instruments.

We were told last year that if we only came to one Musica Viva concert in 2012, this should be it. We have, as usual, subscribed for the year, and we plan to attend them all, but this was a concert to remember. We hope Tafelmusik comes back.

* Using “classical” in its generic, not specific, meaning.
** Did you know that Uranus was discovered in 1781 by Sir William Herschel who was an oboist, organist, composer and amateur astronomer?